Sulfur and sweetness, relish and bite:
you know it’s that good when you cry
from pleasure. Light a single votive
as you chop and mince: it helps to muffle
tears. The husk is a paper tunic, a skin
to wear like another language—
like the woman in Oregon who woke
from dental surgery surprised,
speaking with a foreign accent.
It means the house for what we think
we know is made of swirly layers—
see all those rings that fall away
on the cutting block when you
slice crosswise through? I like to think
that everything we’ve touched,
touches back; and vice versa.
See how a bug has left a red
swelling between my knuckles—
I’ll put some salve on it
until it subsides; then finger this
new site of rescue absently for days.
In response to an entry from the Morning Porch.
OTHER POSTS IN THE SERIES
- Always a Story
- Landscape with Sudden Rain, Wet Blooms, and a Van Eyck Painting
- Letter to Implacable Things
- Landscape, with Cave and Lovers
- Miniatures
- Letter to Self, Somewhere Other than Here
- Ghazal with a Few Variations
- Letter to Silence
- Landscape, with Returning Things
- Postcard to Grey
- Not Yet There
- Letter to the Street Where I Grew Up (City Camp Alley, Baguio City)
- Between
- Parable of Sound
- Letter to Providence
- Glint
- The Beloved Asks
- Letter to Longing
- [poem temporarily removed by author]
- Twenty Questions
- [poem temporarily removed by author]
- Interlude
- Villanelle of the Red Maple
- Letter to Leaving or Staying
- Salutation
- Letter to Love
- Letter to Fortune
- Territories
- Le Déjeuner sur l’herbe
- Dear season of hesitant but clearing light,
- [poem temporarily removed by author]
- Singing Bowl
- [temporarily removed by author]
- Risen
- Refrain
- [poem temporarily hidden by author]
- Dear heart, I take up my tasks again:
- Layers
- [poem temporarily hidden by author]
- Risk
- Vocalise
- Tremolo
- Interior Landscape, with Roman Shades and Lovers
- Bird Looking One Way, Then Another
- Gypsy Heart
- Like the Warbler
- Landscape with Carillon
- Letter to Ardor
- Landscape, with Salt and Rain at Dawn
- Marks
- Landscape, with Sunlight and Bits of Clay
- Slaying the Beast
- Measures
- In a Hotel Lobby, near Midnight
- Landscape with Shades of Red
- Between the Acts
- Letter to Duty
- Letter to Nostalgia
- You
- Song of Work
- Balm
- Landscape, with Wind and Tulip Tree
- From the Leaves of the Night Notebook
- Letter to What Must be Borne
- Redolence
- Letter to Myself, Reading a Letter
- Night-leaf Tarot
- Trauermantel
- Foretelling
- Aubade, with Sparrow
- Reverie
- Mineral Song
- Prayer
- Proof
- Landscape as Elegy for the Unspent
Oh, my. Wonderful wonderful wonderful.
I like to think/ that everything we’ve touched,/ touches back; and vice versa…
WITH THIS TOUCH, I KNOW
We go in and out of the chambers of grace
and afflictions in the heart of things at our
own peril. These are houses we scarcely know
but before long we think we have known,
and cried at every mention of how things were
in those days in those houses where we grew.
We have known them all: the familiar songs,
the loves gone by, the pains forgiven, the hurts
that linger, and all that has touched us we now
want to touch, maybe not with caressing hands
but certainly with steady and soulful embraces
that know how to let go when things must go.
We have known them all already, we have touched
them all. With each touch we have learned to pray.
—Albert B. Casuga
06-02-11