[see earlier “Three Improvisations” from the Spring Morning Porch series]
1
Hail raining down on lake water means I have hurt you.
Translation: The burn that makes no noise,
the scarlet inflorescence of the skin.
The moon’s neon sign reads smolder. Why
do you think you hear fire sirens in the valley?
But you don’t move, you stay.
2
And the leaf was no longer a leaf but a trellis of itself.
Translation: Coming back from a walk
in the woods he spoke of a ribbon of floating green;
of how, going closer, he saw the near-invisible
spider silk, its tether to the canopy. Say lace,
say beautiful flayed skin.
3
Light is always liminal.
Translation: Spittlebug striped cinnabar and clove,
frothy beard caught in the hollows. Nearby
is beebalm, nearby is sage. Such overdrawn
tenderness we cannot help. We finger each
slick bubble, think we hear the tiny pop.
In response to an entry from the Morning Porch.
OTHER POSTS IN THE SERIES
- Aperture
- Familiar
- Landscape, with Ruby-Throated Hummingbird
- Prognosis
- Listings
- Grenadilla
- Aubade
- El Sagrado Corazon
- Consolation
- Reconnaissance
- The Gift
- Goldfinch in the Garden
- Talon
- What Cannot Eat
- Happiness
- Ode to the Heart Smaller than a Pencil Eraser
- Defense
- Petition to Fullness
- Heart you Want to Lead in from the Cold
- Unending Lyric
- Trace
- Prospecting
- Dear modest four-bedroom, two-and-a-half bath
- Shit
- Ode to the Pedicure Place at the Mall
- Defiler
- Letter to Attention
- Real
- Discordant
- Dowsing
- Landscape, with Incipient Questions
- Letter to Stone
- Orison
- Milagrito: Eye of the Raven
- Epithalamium
- What You Don’t Always See
- Going to the Acupuncturist in the Market
- Three (More) Improvisations
- Migrant Letters
- The Road of Imperfect Attentions
- In the Country of Lost Hours
- Morning Lesson
- Reprieve
- Song of the Seamstress’s Daughter
- Landscape, with Construction Worker, Ants, and Gull
- End Times
- Dream Landscape, with Ray-bans and Leyte Landing
- Pantoum, with Spiderweb and Raindrops
- Assassin’s Wake
- Shroud Villanelle
- Dear Annie Oakley,
- Landscape, with Red Omens
- Late Summer Landscape, with Twilight and Daughters
- Ghazal of Unattainable Silence
- Try
- Occasional
- Distance, Then
- Turning
- Noon Prayer
- Acompañamiento
- In the Convent of Perpetual Adoration
- State of Emergency
- Storm Warning
- Charms
- Goodbye, Irene
- The Lovers
- Currents
- Dream of the Four Directions
- Chainus
- Lost Lyric
- Dear recklessness, dear jeweled
- Gleaning
- Bearing Fire
- The Summer of the Angel of Death
- Veneer
I’m sorry, this is very confusing — was this written by Luisa A. Igloria or by Dave Bonta (or someone else?) in response to Luisa A. Igloria?
Dan – I wrote these, as the signature line at the end of the poem must (hopefully) indicate clearly. I wrote “Three Improvisations” in spring (hence the link under the title); I remember enjoying the form and structure of those poems, and wanted to use them again for this one. ~ Luisa