Already the caterpillars in their one winding sheet
lie still as death. The child that picks them whole
in their wrappings wants to know what color, sheen,
or tissue will solder their wings, to make complete
their transformation: first mummy, then prismed unfold-
ing. The caterpillars wound tightly in one dream
build their wings in the dark, breathing replete
but mostly unseen. Convey them carefully; not bole,
but bit of leaf under each body, faint color, sheen—
Clear and cold, lesson lighter than a husk, complete;
elusive flight the body needs, before it turns to coal.
What other dream but for what’s bound within the sheet?
When it comes time to rend the woven sheet
will light bear down upon these bodies whole,
or splinter into spectral color, muted sheen?
So cold some mornings, evenings damp and clear—
All surfaces echoing the questions of their skins.
The caterpillars wound up tightly in one dream,
in sleep burrow more fiercely toward color, sheen.
In response to an entry from the Morning Porch.
OTHER POSTS IN THE SERIES
- Aperture
- Familiar
- Landscape, with Ruby-Throated Hummingbird
- Prognosis
- Listings
- Grenadilla
- Aubade
- El Sagrado Corazon
- Consolation
- Three (More) Improvisations
- Reconnaissance
- The Gift
- Goldfinch in the Garden
- Talon
- What Cannot Eat
- Happiness
- Ode to the Heart Smaller than a Pencil Eraser
- Defense
- Petition to Fullness
- Heart you Want to Lead in from the Cold
- Unending Lyric
- Trace
- Prospecting
- Dear modest four-bedroom, two-and-a-half bath
- Shit
- Ode to the Pedicure Place at the Mall
- Defiler
- Letter to Attention
- Real
- Discordant
- Dowsing
- Landscape, with Incipient Questions
- Letter to Stone
- Orison
- Milagrito: Eye of the Raven
- Epithalamium
- What You Don’t Always See
- Shroud Villanelle
- Going to the Acupuncturist in the Market
- Migrant Letters
- The Road of Imperfect Attentions
- In the Country of Lost Hours
- Morning Lesson
- Reprieve
- Song of the Seamstress’s Daughter
- Landscape, with Construction Worker, Ants, and Gull
- End Times
- Dream Landscape, with Ray-bans and Leyte Landing
- Pantoum, with Spiderweb and Raindrops
- Assassin’s Wake
- Dear Annie Oakley,
- Landscape, with Red Omens
- Late Summer Landscape, with Twilight and Daughters
- Ghazal of Unattainable Silence
- Try
- Occasional
- Distance, Then
- Turning
- Noon Prayer
- Acompañamiento
- In the Convent of Perpetual Adoration
- State of Emergency
- Storm Warning
- Charms
- Goodbye, Irene
- The Lovers
- Currents
- Dream of the Four Directions
- Chainus
- Lost Lyric
- Dear recklessness, dear jeweled
- Gleaning
- Bearing Fire
- The Summer of the Angel of Death
- Veneer
I am in awe of the implications of the “shrouding” in this particular villanelle’s form, Ma’am Luisa. The deliberate breaking of the syntax in the refrain lines is refreshing, and the intentional lack of the a-b end rhyme in the ending quatrain’s first two lines is startling. Again, form is manipulable. It always follows function: here, sound, syncopation, cadence. And, ultimately, sense.