On the edge of winter, every branch and twig
will soon grow white with rime; and every feeble
plant go under. Not one voice of protest
will we hear when sheets of snow and ice descend,
imperial in their judgment. Which makes me wonder,
in 258 when Emperor Valerian ordered the execution
of the deacon we know as St. Lawrence, what sounds
did the martyr make, roasted alive on a gridiron?
And how far beyond the olive orchards did the smell
of his charred flesh travel? What end?- asks a famous
poem: choose ice, or fire. In most cases it really
isn’t a matter of choice, even when sufficient
will’s involved. Take the graceful Isadora, who danced
barefoot, loved improvisation, and led a troupe of
young pupils called Isadorables— she died
of a broken neck when her long silk scarf
caught in the wheel of a car. What I didn’t know
was that her two young children drowned in the river
with their nanny, when their French driver forgot
to set the parking brake and the car rolled down
the Boulevard Bordon. I doubt any of them
thought this was curtains, fini, the end—
Not even the Kabuki actor who claimed immunity
to puffer-fish poison and asked the fugu chef
for four; or the American statesman who expired
from sticking a piece of whale bone through
his urinary tract to remove a blockage.
Not poor Franz Reichelt, the tailor excited to test
his brilliant invention of an overcoat parachute
(like a cloak with voluminous folds and a hood)
from the first deck of the Tour Eiffel in 1912—
captured on grainy film falling to his death below.
And certainly not the nine people killed in the London
Beer Flood of 1814, when 323,000 imperial gallons
of beer burst out of their vats at the Meux
& Company Brewery. That sudden amber sea,
flecked with foam, gushed into the streets of St.
Giles Parish: destroying homes, knocking down walls,
filling the basements where poor families lived. And they
took the brewery to court, but as in the case of hurricanes
that whirl overhead and ice that hails from the sky,
the jury simply ruled that this was an act of God.
In response to an entry from the Morning Porch.
OTHER POSTS IN THE SERIES
- Listening to Piazzolla’s Tango Etudes
- Eating Dried Fish With Our Hands
- Encore
- Dear nostalgia,
- What We Look For
- Without Translation
- Heart Weighted With Cares
- Fables
- Tableaux Vivants
- Listening to Chopin’s Prelude in D-flat Major, Op. 28, No. 15
- Fountains
- Dear solitude,
- Nocturne
- Frontispiece
- Landscape, with Notes of Red
- Blue Stone Blues
- Landscape, with a Glimpse of the Soul as it Leaves the Body
- How I Came to Writing
- When does the hunger abate;
- Dear errant winds at dusk,
- Aerogramme
- Dear scarlet-flushed, hydraulic,
- Monday’s News
- Counterpoints
- Landscape, with Traces of Prior Events
- On the Nature of Things
- Spell Against Grey
- Landscape, with Castoffs on the Sidewalk
- Sleepless Ghazal
- Last Call
- Delivery Confirmation
- Landscape, with Early Frost and a Dream Interior
- Campus Elegy
- Petrichor
- Ghazal: Chimerae
- Maguindanao Ghazal
- Insurgent Song
- Paper Ghazal
- Ghazal of the Transcendental
- Hot Lyric
- On the sense of danger or foreboding, the prickling
- Postcard from the Labyrinth
- Hunger
- Debris
- Letter to One Seeking Flight
- Unbelievable Ends
- In the chapel of perpetual adoration,
- Night Rain
- Conversation that Ends with a Dream of Accounting
- Lyric on the Edge of Winter
- Paper Cut #2
- Herald
- Walking
- And once again,
- Prayer Among the Stones
- Call and Response
- Recover
- Dark Prayer
- Song of Snow
- Santa Milagrita
- Song without Strings
- Morning Song