My daughter leaves again today
for parts abroad— Serbia, Prague,
Turkey, places whose very names reek
of history, streets inlaid with stones
which peasants have trod, where horses
and armies raised the dust, clattering
from one end of the old world to the other:
destroying walls, burning farmland, laying
siege to villages— History describes
the capture of Constantinople, the dome
of the Hagia Sophia glittering against
velvet night like a jewel: how the Sultan
Mehmed promised his troops three days
of unbridled pillage if the city fell,
after which he would claim its contents
himself. Where are those holy
relics now— the resurrection stone,
the Virgin’s milk, the teeth and bones
of saints? In photographs, even the tiles
in the great halls where refugees sang
before they were swallowed are edged
in gold. I want to tell my daughter: look
for the perspiring column in a northwest
courtyard; look for the crying column,
the wishing column— and touch it;
then look for the heavy candlesticks
Suleiman the Magnificent brought back
from Hungary in the 16th century,
which guide books say flank each side
of the mihrab— where pilgrims
stand to pray, turning their faces
like arrows toward home.
~ para kay Julia Katrina
In response to an entry from the Morning Porch.
OTHER POSTS IN THE SERIES
- Bitter Root
- Aubade
- [poem removed by author]
- Overhead, the thin high whistle of a tree sparrow—
- Robin
- What Use
- Spring Evening
- Ad infinitum
- Cold Press
- Viernes
- Unto every one that hath shall be given;
- Round Mat #2
- Undertones
- Nest
- Hagia Sophia
- A Softening
- Blues
- Anamnesis
- Felt
- To Love
- Amoroso:
- Flaming Heart
- (poem temporarily hidden by author)
- In the Eye
- Vertigo
- Endleaf
- Instructions on how to play the mouth-harp*
- from Ghost Blueprints