Born in 1901 in Quebec, Simone Routier studied music, education, literature, philosophy and art, lived for a decade in Paris as a journalist and returned to Quebec in 1940 to spend some years as a Catholic nun before embarking on a successful career as a diplomat. She died in 1987. She published novels, essays and several collections of poetry. She was one of the first to write haiku in French. Little of her work appears to be still in print. These small poems, found online and first published around 1930, seemed not at all dated. Some of her haiku adopt the 5-7-5 syllable format, others not. Two of the three lines have a low-key end rhyme, which I tried to suggest or compensate for rather than rigorously translate.
Far-off violin
Reclining chairs, declining day
The silence we love
Violon lointain
Meubles bas, jour au déclin,
Notre cher silence
~
My heart awaits you
The endless silence of
so many falling leaves
Mon cour qui t’attend
Toujours le silence,
Et l’immense effeuillement
~
Deserted streets
An avalanche of heat
Sunday in July
Pavés désertés,
Chaude, étrange avalanche:
Juillet, un dimanche
~
Tinkling glasses
The cloying perfume of
departing joys
Élégantes verreries
Parfums exhalés:
Bonheurs en allés
Alas, I am Weary
Weary, alas, I am weary of life!
Weary beyond all weariness
More weary than this flesh so weary now of being bruised by love
this weary weight of loathsome flesh
this struggling impotent failing flesh
More weary than this fevered nightmare of the severed head that nestles on my pillow
More weary than the rain on a lukewarm, endless, infinitesimal day
More weary than the ox that pulls the plough until he drops
More weary than the paving stones tormented by a blazing July noon
More weary than the drunken vagrant passed out on the greasy verge
Weary, alas, I am weary of life
Weariness herself is not more weary…
Lassitude
Lassitude, ô ma lassitude de vivre !
Plus lasse que toutes les lassitudes.
Plus lasse que la chair lasse de se meurtrir et d’aimer,
que la chair opprimée d’un poids rebutant,
que la chair qui lutte et impuissante se rend,
Plus lasse que le cauchemar et la tête coupée au creux de l’oreiller fiévreux,
Plus lasse que la pluie d’un jour tiède, éternel et infinitésimal,
Plus lasse que le bœuf qui a labouré double tâche et tombe,
Plus lasse que les pavés mortifiés d’un brûlant midi de juillet,
Plus lasse que l’écroulement du chemineau ivre, dans l’herbe grasse,
Lassitude, ô ma lassitude de vivre,
Plus lasse que la lassitude elle-même…
OTHER POSTS IN THE SERIES
- The Other (El Otro) by Rosario Castellanos
- Green Enchantment (Verde Embeleso) by Sor Juana Inés de la Cruz
- The discovery of things I’ve never seen: five poems by Oswald de Andrade
- A soft storm in the skull: three poems by Rubén Darío
- Eternity for an inheritance: eight poems by Amado Nervo
- Five translators, one poem: dreaming about caimans with José Santos Chocano
- Contrary Moon: three poems by Cecília Meireles
- Génesis doméstico / My Private Genesis by Teresa Calderón
- How to recognize the road: three more poems by Cecília Meireles
- Birds of smoke: two poems by José María Eguren
- Historia de mi muerte / Story of My Death by Leopoldo Lugones
- La blanca soledad / Pale Solitude by Leopoldo Lugones
- House without walls: two poems by Vinicius de Moraes
- Ajedrez / Chess by Jorge Luis Borges
- Where shall we go? (¿Can nelpa tonyazque?) by Nezahualcoyotl
- Four haiku and a severed head by Simone Routier
- Gotas de lluvia / raindrops: four more haiku and a tanka
- Sweet exiled words: two poems by José Luis Appleyard
- Pain without explanation: five poems by César Vallejo
- Si rigide le desert de l’Autre / So Rigid is the Desert of the Other by France Théoret
- Mapping a different star: five poems by Gabriela Mistral
- oh (ô) by Raôul Duguay
- Repetición de mi mismo / Repeating Myself by Ricardo Mazó
- Peuple inhabité / Population void by Yves Préfontaine
- Retrouvailles / Reunions by Anne Brunelle
- A genius for brevity: Alejandra Pizarnik
- Lo que soy / What I Am by Juana de Ibarbourou
- Emily Dickinson by Michel Garneau
- Intersections: reading, translation, writing
- Nameless as the rain: two poems by Jacques Brault
- Erasure translation of a poem by Jacques Brault
- Rafael Courtoisie’s Song of the Mirror (La canción del espejo): a videopoem by Eduardo Yagüe
- A glimpse from the gutter: three poems by Alejandra Pizarnik
- High Treason by José Emilio Pacheco
- Juarroz on waking up
- Under the Sky Born After the Rain, by Jorge Teillier
- To a Child in a Tree, by Jorge Teillier
- El hombre imaginario / The Imaginary Man by Nicanor Parra
Wonderful, Jean! I especially like what you did with “Meubles bas, jour au déclin” and “l’immense effeuillement.” The latter is such a melancholy time in Quebec, since we all know what’s coming, and whether Simone wrote those lines in Quebec or France, I’m sure she always felt that when she saw the leaves falling. You’ve made me curious about her life.
Hi Beth, so Margob1 is you? :-) I think she wrote the haiku in Quebec, as they’re in her first collection, published before she moved to France in 1930. Is Simone Routier much known there now? I found her just by chance and my Internet searches for more information – endearingly but frustratingly – turned up more references to planning issues and window-cleaning in the rue Simone-Routier in Quebec City than to the writer and her work.
These are terrific, Beth, both in the original and in your elegant translations. What a find!