A personal selection of posts from the Poetry Blogging Network and beyond. Although I tend to quote my favorite bits, please do click through and read the whole posts. This past week found poets striking seasonal notes, writing about Thanksgiving, writing about writing (of course), reading, thinking, asking the tough questions.
The past week mostly did not find poets sending me brief blurbs about their favorite poetry books of the past year for a bloggers’ best-of-2019 compendium, as I’d hoped. Possibly in part because of the aforementioned holiday. Or possibly because I’m not on Facebook to spread the message there, as I’d done in the past. But please do consider sending something along by Wednesday the 4th — instructions here.
My left hamstring singing like a piano wire. The painful high note of the soprano’s aria. On the edge of a scream. Then falling along the scale.
I take a deep breath and search for balance in the objects of the world. How equilibrium is something discovered. A subjective perspective of the way of things.
Walking this slowly, I notice the reflection in the puddle on the sidewalk. Yellow leaves hover over shadows.
Ren Powell, Settling into the Groove
the leafless hedgerow
studded with red berries
each wintry morning
my walk’s accompanied
by bittersweet~
Ann E. Michael, Bittersweet
how dull gold husks
open to red fruit
how such slender vines
grow to strangle trees
–bittersweet
With a snap of an icy finger, we have a sprinkling of snow which is enough to lift the mood by brightening the scene. The dark, rainy days of winter are always tough as we come to this end of the year. The sun has set in Northern Finland for the next five weeks or so and even down south we feel the oppressive weight of the days getting shorter and shorter. So as much as I hate snow and, yes, I realise I’m living in the wrong place for that attitude, it does help alleviate the darkness. So far we have enough for the kids to go sledging and it’s melted off the paths and drive, so I don’t have to shovel, so that’s enough for me.
Gerry Stewart, Short, but Sweet Steps into Winter
What’s that to do with poetry? It puts me in a more wintry mood than the damp leafless scenes we’ve had the past few weeks. Wendy Pratt is running a one-week winter poetry course, if anyone is looking for a short, but sweet exploration of winter. And it costs only a tenner. I’d do it, but I’m behind with the previous course, so want to focus on that. Her daily prompts whether visual, other poet’s work or just short suggestions and ideas are great jump starts for the poetic brain.
Not to think
the universeinto being
but simplyto breathe.
Tom Montag, Writing the Poem
Sometimes if a poem does not seem to work it’s because I have not reached far enough. In this case, it may be that I’ve reached too far — beyond the scope of the poem into another poem all together.
This is the most interesting aspect of the editing process, eyeballing one’s own utterances, meditating on the source of images, the hidden reasons behind unconscious choices of vocabulary, choices of sound. Something has appeared here on the page, blurted out of my various levels of consciousness. It interests me. It fails me.
Marilyn McCabe, Then we take Berlin; or, Editing the Heart of the Matter
A few years back, I met someone whose profession involved maximizing impact across social media platforms. He’d taken a particular interest in poets and so when I introduced myself, he immediately observed, familiar with my handles–oh, yeah, you’re a “burst” person. Apparently that refers to my tendency to post to Twitter seven times in one day, but then go quiet for two weeks; or the way that I post long, substantive posts to this blog of unique content, but I only post them once a month. I suspect that’s one of the patterns where return on investment is lowest, but it’s what feels right (or at least necessary) for now.
Sandra Beasley, Odd & Ends & Giblets
It was good to be together. We had 18 people gathered around the tables this year. We saw relatives whom we hadn’t seen since 2014, along with the relatives who come every year. It’s startling to realize how the children are racing to pre-teen/teenage years.
Even without solid internet connectivity, we still had to wrestle the attention away from the screens. As a child who always wanted to be left alone to read, I am torn in multiple directions. I know that some of the parents would be fine with children’s noses in books, but screens are different. I also understand needing to escape the family bedlam.
For the most part, we avoided arguments, even though the grown ups come from different political persuasions, and the children fought over fair distribution of resources and over the rules. We had the kind of good conversations that come from lots of trips to get supplies and from long hours without screens.
Kristin Berkey-Abbott, A Quick Look Back at Thanksgiving Week
As this first Thanksgiving
without you draws near,
I’m emailing my sisterand scouring the internet
for a recipe that looks
like the mango mousseyou always made. It’s a relic
of the 1950s when your marriage
was new. I don’t thinkI’ve ever bought Jell-O
or canned mango before, and
I don’t own a fluted ring moldbut when my spoon slices
through creamy sun-gold yellow
it will taste for an instantlike you were in my kitchen,
Rachel Barenblat, Recipe
like you’re at my table,
like you’re still here.
Longitudes & latitudes of gratitude for my friends, family & lion-hearted daughter. Thanks for those with green thumbs & purple hearts, gravediggers & garbage collectors. Praise for bringers of incense, orchids & music. All the poets, writers & artists that have inspired me, coaxed me off the ledges of brief madnesses. Graces to the teachers & healers, zen masters & car mechanics. Mother Nature & the Mothers of Invention, animal vets & pets that say the wisest and kindest things with their eyes. Grateful for the ground under my feet & roof over my head. Indebted to the lights that haven’t burned out—in my apartment, my heart & mind.
Rich Ferguson, Longitudes & Latitudes of Gratitude
I am getting to the age where I think of the holidays with not as much anticipation as nostalgia. Do you remember when you used to make lists for Christmas, when you looked forward to that one toy or a pony or you wished to become a cat? (That last one was me.)
As adults, we wish for different kinds of things. Good health, good friends, world peace. The car and house not breaking down at important moments. It’s all quotidian. One of the good things about being a poet is the idea that we can still have our dreams come true – we might win that one book prize, the MacArthur Genius Grant, whatever. One of my dream journals sent me an acceptance and it was from one of my dream poetry people. I applied for one of those big things I always felt too insignificant to apply for and I am really trying not to get my hopes up (but if you want to send some good energy my way, you are welcome)! I just found out I had a poem nominated for a Pushcart (again, I try not to be cynical – hey, it could be my year).
I try not to stress out about my health which is so up and down but I want to get these two poetry books out while I can still walk with a cane and think reasonably. MS is so unpredictable. I’m pretty proactive about trying to do the best for my health, but not everything’s under my control (a fact that makes me somewhat anxious as a person who likes to be in control of things). Poetry and Health – both are out of my control, actually. The health of myself or my husband or my loved ones – we don’t really get to control the timing of when bad things happen. We don’t control when good things happen, either. It’s enough to wish, I guess.
Jeannine Hall Gailey, What Are You Wishing For? A Quiet Holiday Weekend, and Welcome to December!
Last week, I was unpacking a stack of my own books I’d brought home from the studio, and they were so strange to me..that I have written this many books, let alone found someone to publish them, is still a little surreal sometimes. In some cases they were written over many years, in some, barely any time at all, but they seem at times massive and unruly, though I’m pretty sure even my longest book taps out considerably before 100 pages. I couldn’t imagine what one would do with a novel.
So I polish the cheeks and send my little feed manuscript off into the world. It’s an odd little bird, and feels extra vulnerable, given the subject matter (mothers and daughters, food issues and body image). It begins with the line “Every so often, the snake eats the spider. The spider eats the fly.” and ends with a bunch of stolen dead birds in a fridge. In other words, it pretty much encompasses my aesthetic to a tee.
Kristy Bowen, over and under the transom
Whale Dave says you can be yourself
at the 7-Eleven. Or at the Pentagon.
Or in a shed on the Cape. Hmmm. Maybe.
I haven’t tried any of those spots yet,
but I’ve tried 40 or so different towns,an equal number of jobs, and it’s only
occasionally, just every once in a while,
that I’m myself. Like on a Sunday afternoon
or a Wednesday morning.
Times like that.My radio plays “I Got You Babe”
Jason Crane, POEM: I Got Me Babe
one morning, like the guy in the movie.
I reach over to shut it off but I can’t find it.
I open my eyes to see my bed
floating through space.
Remember that winter night
in the kitchen, hot
jasmine tea poured
slowly, a dreamlike draught,
my clumsy hands
warming your porcelain skin?Or was it the other way around?
Were you the one holding
Romana Iorga, Midnight Jasmine
my gaze, the spoon
stirring endlessly and in vain,
our promises rising
like steam
as we began to forget them?
Saturday night brought a wedding and so for me this meant dancing till the final song, singing along with Love Shack – because it is impossible not to sing along to that song, and having a great time celebrating our friends’ nuptials. By the time we were home and walked Piper, it was another post-midnight bedtime.
Sunday I woke at 9am and again, by the time I walked and fed Piper, the 9:30am HIIT class I usually attend was already starting. So I brewed my coffee and curled up on my couch with my book of poetry. Piper joined me and we spent the morning reading (highly recommend These Many Rooms by Laure-Anne Bosselaar, it’s quiet and raw and a beautiful read) and writing poems.
As someone with a strong Type A personality, routines and schedules and to-do lists are something I crave. This weekend it felt good to sit on my couch under a blanket, my dog laying beside me, a good book of poetry in my hands. It reminded me that sometimes an unexpected change in plans can be a good thing, it can lead to a great experience, a new idea, or just a wonderfully quiet morning. And these things are good for my body and soul.
Courtney LeBlanc, Routine
Yesterday, I completed reading notes for the 25th book in my 100-book project.
In addition to helping me re-learn how to sit with my feelings and get back in touch with what it is I love about writing poetry, reading that many books in three months reminded me how good poems are at teaching us about our world. Its beauty. Its violence. Possibility. Disappointment. Affection. Absence. Abundance.
Here are a few highlights of what the poetry I’ve read so far teaches us:
about race, class and imbalances of power;
about challenging the status quo;
about the horrors humans are capable of inflicting on one another;
that wherever you go there you are;
that our own stories have value;
that the places we live are characters in those stories;
how capitalism can fail to deliver;
how much tenderness there can be in our day-to-day lives;
how complicated forgiveness is;
how women experience pregnancy and childbirth;
how humor belies our sadness; and
what war does to families and communities.
That’s just a sampling. The list of what my recent reading has taught me is MUCH longer than that, and certainly The Big List of what poetry teaches us is nearly endless.
And I am so excited to see what it will show me next.
I have made note, however, of something lacking: the first 25 books in this reading project were really light on zombies. Isn’t anyone writing zombie poems?
Carolee Bennett, “for meaning beyond this world”
Then last night I was at the newly-opened Boulevard Theatre in London’s Soho, where Live Canon had taken over the bar for the launch of four new pamphlets, one of which is mine. The other poets (Tania Hershman, Miranda Peake and Katie Griffiths) gave brilliant readings and I felt very privileged to be a part of it all.
Helen Eastman, who runs Live Canon, is always astonishing – a one-woman powerhouse who manages several large-scale projects at a time as well as a family. I’ll have what she’s having! Not only that but she gives the most generous introductions you could ever imagine. I don’t know about my fellow pamphleteers but I felt like Poet Royalty for the night.
I’d been a bit sad during the day, I think partly because all the poet friends I had invited either lived too far away or were unwell or already committed to another launch on the same night. So it was wonderful that my good (non-poet) friend Lucy was there, and then I realised there were many friendly poet faces in the audience: Jill Abram, Heather Walker, Fiona Larkin, Cheryl Moskowitz and Susannah Hart to name a few.
Robin Houghton, To London, for poetry &
I was honored to be invited to read my work at a poetry reading at Chin Music Press this weekend in celebration of the new Rose Alley Press anthology, “Footbridge over the Falls.” I haven’t been out and about much in the poetry world over the last few years, and it was nice to reconnect with some folks I hadn’t seen in a while and hear some great poetry. This is where I could ponder some truths about why I have self-isolated from that sphere over the last several years, but instead I am going to complain about the massive overcrowding at the Pike Place Market and the near-panic attack it caused me. I avoid downtown Seattle as much as possible these days, and I had forgotten how profoundly and I would say even dangerously overcrowded the Market has become. On my way to the venue, I was trying to center myself and focus on my reading, but instead I found myself getting wildly disoriented and panicked by literally having to shove myself through the teeming crowds and deal with the cacophonous racket of thousands of people crammed into too small of a space. Aren’t there fire regulations? It just seems really dangerous to me. That whole structure is extremely old and made out of wood, and I didn’t see any sprinklers or fire extinguishers. One errant spark would be very bad news.
By the time I got to the venue, I was a trembling wreck, but I managed to pull myself together and not completely decompensate in front of my fellow poets. That was a rough ride though. I’ve never been much suited to normal existence in a city, and I’m becoming less so as I get older. I totally understand why the late Mary Oliver lived out her days in an isolated cabin deep in a Florida outpost. I am not in any way comparing myself to Mary Oliver, I’m just saying that it’s looking more and more like an isolated cabin is in my future. Ah, yes…I can hear the quiet now.
Kristen McHenry, Chin Music at Chin Music, Crowd Consternation, Pixel Puttering
wait
Jim Young [no title]
the words are on their way
book a space
It’s a challenge to walk in the Tenderloin and not become numb to the world around you. So much squalor and hopelessness. And yet you can still look up from a street corner and see a flock of birds flying out of the sunrise like messengers of the light. Could you see that light in the faces of the people living on the street too?
doorway ::
Dylan Tweney [no title]
she tells off the man
who grabbed her ass
these holidays are now for my son and me proudly and profoundly and for whomever else might be in need I bought a carful of groceries for the town’s food bank and diapers and toiletries for the homeless shelter there we have no such programs out here on the island though I know the hungry people are out here I recognize at least one red truck that has been camping (living) at the state park for months now a man and a woman I wish I could do something for them but they have built a little fortress for themselves and I understand that too the best I can do for now is look out for them keep my blue eyes on them make sure their truck and camping gear are safe when I walk into the trails I will never take anything for granted and I will never forget
I woke before dawn and threw six apples into the woods for the deer and the foxes and the rabbits then I came in and had kuchen and coffee and thawed out in front of the little propane fire later I will candy some pecans and later I just might decide to stay here in my house in my woods until January
Rebecca Loudon, Pig and farm report
– I like a cold, gray sky, wet air, and the need of a woolen scarf.
– I met a very old man today, an interesting fellow. He told me a story of being a clerk of the superior court and what happened one day. It was as if he was reliving it as he spoke.
– I feel honored when people share something of their life with me, something of their own experience as a human being.
James Lee Jobe, 8 Things – 01 Dec 2019 – Journal notes
– Spent a little time with Emily Dickinson, after a long while. It was like visiting an old friend.
– I saw a finch playing in the very light rain. This rain was just more than a mist, and the little finch seemed to enjoy it.
– We rest in the love we are blessed with, we rest in the love that we help to create.
We stay inside when it is storming
Failure to Thrive
Open Heart Surgery, 6 MonthsDuring Kit’s hospitalizations..and even now..I’ve written more than I expected to (I expected I’d write nothing). But I find that I’ve been writing a few poems a week, and many more journals. What is strange is that I barely remember writing any of it. I remember sitting down to start the act of writing, but these poems, even looking at them published (and hopefully edited) and surely sent out, and I only vaguely remember the act of writing them. So maybe they are a little messier than I would typically allow, but maybe a little more honest too.
Renee Emerson, 3 poems in 236 Magazine
Silence boomed in her blood. She forgot
Dick Jones, Event Horizon
to breathe. She stared into the hole in time
through which he’d slipped . She saw dark wings
that beat too fast for angels’, saw
the place where bones come from
and where bones go. All this in a heartbeat –
wiser than scripture, swifter than light:
a destination on the other side of grief.