I used to say, when I'm retired
I'd like to learn to play
the cello—an instrument
whose sound I've heard
described as closest to
the human voice. The score
that it will read is nearly
complete: low volleys
in the distance signifying wars,
shards ranged across the lines
like all the close calls and near
misses. Most of all I dream
of learning to pull the bow in one
continuous motion across
that estuary of longing as the roots
of mangroves fill with twilight.