- after "Profile in an Arch," Odilon Redon; 1905 Gold-edged, another dream of melancholy longing. It holds us in its mouth like creatures in aquarium water: here we lose track of the hours, the days. The watery contour of our bodies is a science whose calculus is constantly vaporizing. When we remember to breathe, we glimpse the geometry of old forms. Wing and beak. Scales clouding the basin. We wanted to be weightless and now we are, as well as fixed in place. The world is a womb full of washing where we spin.