Up, and to the office, where sat all the morning, at noon home to dinner, and thence in haste to carry my wife to see the new play I saw yesterday, she not knowing it. But there, contrary to expectation, find “The Silent Woman.” However, in; and there Knipp come into the pit. I took her by me, and here we met with Mrs. Horsley, the pretty woman — an acquaintance of Mercer’s, whose house is burnt. Knipp tells me the King was so angry at the liberty taken by Lacy’s part to abuse him to his face, that he commanded they should act no more, till Moone went and got leave for them to act again, but not this play. The King mighty angry; and it was bitter indeed, but very true and witty. I never was more taken with a play than I am with this “Silent Woman,” as old as it is, and as often as I have seen it. There is more wit in it than goes to ten new plays. Thence with my wife and Knipp to Mrs. Pierce’s, and saw her closet again, and liked her picture. Thence took them all to the Cake-house, in Southampton Market-place, where Pierce told us the story how, in good earnest, is offended with the Duke of Richmond’s marrying, and Mrs. Stewart’s sending the King his jewels again. As she tells it, it is the noblest romance and example of a brave lady that ever I read in my life. Pretty to hear them talk of yesterday’s play, and I durst not own to my wife to have seen it. Thence home and to W. Batten’s, where we have made a bargain for the ending of some of the trouble about some of our prizes for 1400l.. So home to look on my new books that I have lately bought, and then to supper and to bed.
the silent woman
a pit
a pretty face
a moon bitter but true
this silent woman
is an often-told story
how marrying is the noblest romance
ending the book
Erasure poem derived from The Diary of Samuel Pepys, Tuesday 16 April 1667.