clearer than I have in years, it seems I heard your voice speaking its narrative close to my ear. How quietly and steadily it built. How it put one foot in front of the other in sand, on stone. In mud and dark and afternoon light. Nights lit with blue shadows on snow, the sounds of metal grinding on metal as trains traced loops of flickering voltage through the city. I thought I could know you, those years when I pressed against your length like paper seeking an imprint of something other than itself. And I did, I do: though you are always a few steps ahead, signalling for me to follow. But I don't know how you've come to a place where you say you've learned to live with what gives you pain—what seizes tissue or nerve or flesh without warning, sharp as a spike or sustained like a note trussed to the next by a line that looks like a longbow. Monkey bridges span the gaps between banks of rivers. Cables of suspension bridges are built to sway in high wind to keep them from breaking. I cross from one end to the other, trying not to look into the gorge; trying to keep my eye on you.