The reiki healer said she saw a thick tangle of threads where my heart should be. She wanted me to pull it out bit by bit with my bare hands, and make things with it— Little nests, for instance, that one could set within the branches of the maple, suddenly red after a skeletal winter. A table runner, a scarf; a kite attached to a line, launched at the edge of the sea while running on the sand. A brush gathered into a point at the end of a piece of bamboo, swirled deep in an inkwell of gold-flecked ink. Gold, she said, because that's what one should use to fill the cracks in pots bearing the marks of a roughed- up life. I am either this archive of knots in need of patient unraveling, or a surface reconstituted with running stitches—silk, synthetic polymers, animal protein, collagen: whatever one might use to close deep wounds that afterwards dissolve into the body.