"Be aware of our privation; we die an early death to feast your eyes." ~ M.C. Escher, "Vase," from XXIV Emblemata, 1931 this is what I wonder: whether you sit, massive in the museum gardens or atop The Gates of Hell, your pensive pose never changes— head in one hand, not a flicker of feeling passing across your face, despite the torment of all depicted there. The count, his terrible mouth poised above the forms of his emaciated children; desperation hunched over and holding his left foot; lovers oblivious to anything but the body of their own desire. My grandmother scolded me for cupping my chin in my hands at the table: Malas! she screamed, Bad luck! This wasn't a stance associated with being lost in thoughtful reflection but an obstinate conviction that whatever awful agony held you in its jaws, it would never change; and therefore demanded a mourning. If thoughts are things and things have shape, sinews, flesh, a muscled body that contorts at what the mind might be forced to behold, then O, what innumerable spectacles of suffering to convulse even the most stoic! In famine or war, light leaving the eyes of the wounded or nearly dead; screaming child, naked, running from the bombs. Men and women spat at or stabbed or pushed in front of oncoming trains. What some kinds of language might describe as ordinary violence— the way it's said a stone could not possibly be moved.