The world is currently a film of heat, a swelter of fires, and at the same time the depletion of water tables. It's the high watermark that shows how the last flood descended from mountains into the valley, filling all open-mouthed vessels in the glass museum. It's the fig tree that erupted with green nubs before spring was underway, each inward facing garden unsure of the meanings of begin and end. Now the yard's littered with discarded skins and the beetles are determined to take apart every last bit of soft, ripe flesh dangling from the branch. The days are their own horoscope, sliding from fish to fawn to bleating goats in the pasture, kestrels and gulls crying about what else is left to be done. All the while, stars revolve, each in their own dark pocket. I look for leftover change in coats and jackets, saving them in a jar for when I need to feed a parking meter.