In one, we' ve pushed the piano by the front window. No one plays it much these days, because it isn't tuned. We put some small potted plants on its top; the light touches them just enough. Under the eaves: boxes of envelopes and cards collected over the years. I know which one contains the letter that everyone has been telling me to burn. Every time I take it out to read I am reduced to despair. The stairs: most wooden balusters are loose. They swivel or lift slightly at the base, not completely making the connection. The handrail is the only thing that keeps them in place. Heart-shaped leaves press against a north facing window. I moved the full-length mirror to the outer edge of one wall so in bed, at night, we don't directly face that portal between worlds. When I am gone, who will use the pottery fired a cloudy celadon green, in which the ashes from a volcano have bonded into the shape of an open mouth, a shallow basin, a vessel to slake thirst?