Here are my palms, dusted with flour, meeting the skin of dough protected in a film of oil. I am supposed to weigh each piece for consistency, which means a condition one can count on, as well as the texture and heft of a thing. Even as I fill each mold with a ball of sweet custard, the skin waits to completely enrobe it. I pinch the seams together and tuck them under, then push gently with my fingers. Each face holds against the stamp only a firm moment—wound, brand, letter to the future.