We listen in the deep of night as the wind picks up, and loose asphalt shingles bang against each other. Sometimes, in the daytime, they clatter under the feet of touching-down- crows. Twigs drop from the trees; a sifting of dry needles gathers in the roof valley. We don't know how long this roof stayed over the heads of everyone who's ever lived in this house, before we came along. We don't know if it's ever been changed since it was built in the '40s, or how many times it might have been repaired. When finally we call around for an inspection, the roofer that comes gives his verdict: it's old, high time it's replaced. Bracing for the quote (we know this isn't a warm or witty saying), we wonder how we can afford it. The roofer says he will work with us and try to meet us where we are—on his tablet, he shows pictures of his handiwork, so many befores and afters. I take pride in my work, he says; I work with my men on every job. I don't sit around in some office. He points out the clean lines, the neat joins, nothing that overlaps or juts out where it shouldn't: I am an artist. And I won't begrudge him that, knowing how function is more than the tuck and trim of parts, more than the aggregate of gravel, sand, and bitumen shading this space where we might safely dream.
Living the life
of the mind, or any other kind of life, requires living in a body. But the body's problems are manifold; repeating and repeatable, even as they're unknowable. Hannah Arendt wrote The Life of the Mind to query how thinking connects the active life and the contemplative mind. She asked, "What are we doing when we do nothing but think?" As we discover, the world of appearances from which we draw evidence of our science and art, reveals as well as conceals. The moment the mind lights on a string of inverted clouds, science comes up with a name for it. But no one has yet definitively answered what it all means: we are trial and error. This is what we call the ineffable—never arriving at zero, or upon arrival, finding out the restless mind is off again to dance with the next illusion.
Amnion
If I am severed then so be it. A cord yanked from its stump. Limbs shorn in the brief interval between winter and spring. I'll tunnel through the rest of my remembered self, trade this taste of mud and salt. I'll bathe in the water of my own postponed rebirthing.
Trapped inside
Up very early, and to work and study in my chamber, and then to Whitehall to my Lord, and there did stay with him a good while discoursing upon his accounts. Here I staid with Mr. Creed all the morning, and at noon dined with my Lord, who was very merry, and after dinner we sang and fiddled a great while. Then I by water (Mr. Shepley, Pinkney, and others going part of the way) home, and then hard at work setting my papers in order, and writing letters till night, and so to bed.
This day I saw the Florence Ambassador go to his audience, the weather very foul, and yet he and his company very gallant. After I was a-bed Sir W. Pen sent to desire me to go with him to-morrow morning to meet Sir W. Batten coming from Rochester.
early to work
in the pink part
of a hard day
the weather is any
desire to go
in a chest
Erasure poem derived from The Diary of Samuel Pepys, Thursday 21 March 1660/61.
Almost April
How do you pretend you're no longer connected to someone whose blood is your blood, whose eyes you see when you look into the mirror, whose forehead is the same smooth brown instead of a billboard across which warnings to stay away have been spray- painted? I don't think I could, even if I tried. I'm not even sure I know how. But I grow unsteady, moving into these new thickets of later life. I weep into the soup, brighten at the sound of bells, at the effusions of spring. Every morning I swing my legs out of a dream and back into the world.
Pilgrimage
At the office all the morning, dined at home and Mr. Creed and Mr. Shepley with me, and after dinner we did a good deal of business in my study about my Lord’s accounts to be made up and presented to our office. That done to White Hall to Mr. Coventry, where I did some business with him, and so with Sir W. Pen (who I found with Mr. Coventry teaching of him upon the map to understand Jamaica). By water in the dark home, and so to my Lady Batten’s where my wife was, and there we sat and eat and drank till very late, and so home to bed.
The great talk of the town is the strange election that the City of London made yesterday for Parliament-men; viz. Fowke, Love, Jones, and Thompson, men that are so far from being episcopall that they are thought to be Anabaptists; and chosen with a great deal of zeal, in spite of the other party that thought themselves very strong, calling out in the Hall, “No Bishops! no Lord Bishops!” It do make people to fear it may come to worse, by being an example to the country to do the same. And indeed the Bishops are so high, that very few do love them.
off the map
under the dark bed
far from all other selves
to try to love
Erasure poem derived from The Diary of Samuel Pepys, Wednesday 20 March 1660/61.
Pruning
Newly shorn limbs in afternoon sun, pale pith enclosed in jackets of bark— Yearly in spring, the tree suffers this offering. Really, it's us who bring the bladed teeth of pruning saws to bear on an idea of proliferation. Stores of energy lie in its roots, crown, trunk. The principle is the generation of more vigorous increase by reducing the number of growing points. All shearing results in a wound whose closure and healing depend on time and the body's immediate properties. In summer, after the buds unfurl their whole bodies, ripeness is a beautiful fruit the color of bruise.
Dispossessed
We met at the office this morning about some particular business, and then I to Whitehall, and there dined with my Lord, and after dinner Mr. Creed and I to White-Fryars, where we saw “The Bondman” acted most excellently, and though I have seen it often, yet I am every time more and more pleased with Betterton’s action. From thence with him and young Mr. Jones to Penell’s in Fleet Street, and there we drank and talked a good while, and so I home and to bed.
off the land
in my white cell
I see time more and more
as action
and you nest
in a rank bed
Erasure poem derived from The Diary of Samuel Pepys, Tuesday 19 March 1660/61.
I Look at Old Photographs and Remember
Weekends, we used to take the children to the park, or what used to be the American base where there was a mini-golf and skating rink; a playground with cheerful painted animals you could mount, spinners, teeter-totters and monkey bars. There they could have their fill of grass to run and tumble in under the towering pines while we sat on benches, until they tired and wanted a cold drink or an ice cream. To the west, we could glimpse some of the road that led past Teacher's Camp to Mines View Park, where tourists tossed coins into the gorge and posed with natives wearing g-strings and feathered caps. At that time, only members could get into the Country Club, or dine at their smör- gåsbord, or swim laps in their pool. Still, I don't feel my children were deprived of any joy. On cold mornings, they sat together in bed, sneezing into tissues while reading picture books. The world then was everything we could name with certainty, not yet knowing how it could divide us from each other.
Poetry Blog Digest 2024, Week 11
A personal selection of posts from the Poetry Blogging Network and beyond. Although I tend to quote my favorite bits, please do click through and read the whole posts. You can also browse the blog digest archive, subscribe to its RSS feed in your favorite feed reader, or, if you’d like it in your inbox, subscribe on Substack.
This week: scrunched-up days, black-tailed godwits, Arawak petroglyphs, some determinedly unblossoming daffodils, and more. Enjoy.
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