I don’t know if poems are conversations
with God, though I tell my students to think
of poetry as a way to enter a conversation
that has been going on through the centuries,
but one in which they can add their voices.
At this point, I try to think of a party
analogy, though I have never been very good
at parties. More likely, I would be among
those who sit on the edge of a couch pretending
to nibble thoughtfully on an hors d'oeuvre,
one among a rapt circle listening to the life of any
party pulling out one brilliant silk square
after another from inside his sleeve as beautiful
birds of thought flutter in the air.
When all the guests are gone and we have gathered
the napkins, piled the glasses on trays, and wiped
the counter clean, I want to ask those birds a question
(where have they gone?) which is really two
questions, or more—What is the best way to enter,
and what is the best way to end? I’m asking
about poems, of course; but also about the beautiful
chaos past the middle of this life. One part of me
loves order: an empty hamper, the laundry folded, the sink
scrubbed clean. Another part of me loves improvising.
This one turns off the 6:30 alarm and goes back to bed; it wants
to return to a dream where I am having conversations with
people I love who are gone. One of them says don’t hold back,
spend it all now; another says wait and see, there’s more.
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