after sixty is like when a poet of a certain
age is told they shouldn't expect to have work
picked up by the hottest magazines or
journals, or land in those Best of...
lists. My muscles are fine,
thank you. I appreciate both the power
of restraint and the joy of
spontaneity, the frisson of a seductive
opening (perhaps like the title
of this poem). Once, I entered an epic-
poem writing competition, mostly
from irritation; some male poets I knew
were going on and on about how
it was all a matter of length and
endurance. Really. I scoffed. I could
tell you about endurance, and about how sexy
is perhaps one of the most
misunderstood of qualities we like to lob
around in this late-twenty-first-
century-nearing-apocalypse period. I've heard
that Barrel Woman is one variation of
the carved Barrel Man souvenir sold to tourists
in the Cordillera: instead of a phallus,
breasts spring out to titillate. Scholars say this
is really a product of colonization,
since indigenous sensibility saw no shame in going
around clad only in loincloths and woven
skirts. Back in the nineteenth century, we
were seen only as dark and exotic.
From there, connect the dots. How many times
have we walked unblinking past catcalls and
Hey, ma-GAN-da ka (accent totally on the wrong
syllable)? In 1565, Spanish explorers
thought Syquijor island was on fire; it was the light
from clouds of fireflies in the molave
trees. It's said the slightest look or brush
of a hand while walking in the town
could mean hex or enchantment. That's sexy.