trauma decants from one
vessel to another. Imagine a long
line of flasks ranged across a dusty
sill. Who set down the first piece? Who
took it up and tipped the liquid into
the mouth of another? Every pour tries
to manage its load of amber without
disturbing the sediments at the bottom;
they ripple upward anyway, murky with promise
and repetition, swollen with char. We can't seem
to float free. Though we could change the water
and feed it lavender and rosemary, each seems
as dear as a child we're unwilling to orphan.