Here you are, cast
once again in the role
of the afflicted— in some
stories, you spin
something coarse into gold.
In others, you count
the uncountable— a driveway
pooling with gravel, a tray
of mixed seed to separate
by color and size. Mostly
you have no quarrel with
the material— grain and rock
are quiet and uncomplaining.
You think you learn something
— how nothing's truly
without end, how the impossible
is maybe the poorer cousin
of the infinite, which
being what it is,
can never be exhausted
in the first place.