Louise Labé – Sonnet XIV

This entry is part 1 of 7 in the series Louise Labé

 

Vermeer – Woman with a Lute
Vermeer – Woman with a Lute

As long as these old eyes can fill with tears,
reliving some sweet hour I spent with you,
and this old voice can hold a tune through all
my sighs and sobs and still be faintly heard,

as long as this old hand can pluck the strings
of my beloved lute, pick out your song,
as long as this old spirit can still yearn
for that complicity we used to share,

I’m far from feeling that I want to die.
But come the time I find myself dry-eyed,
with broken voice and hand too weak to play

a note, my spirit shrinking in its mortal frame,
no longer capable of any sign of love,
I’ll beckon Death to dim my brightest day.


Tant que mes yeus pourront larmes espandre,
A l’heur passé avec toy regretter:
Et qu’aus sanglots & soupirs resister
Pourra ma voix, & un peu faire entendre:

Tant que ma main pourra les cordes tendre
Du mignart Lut, pour tes graces chanter:
Tant que l’esprit se voudra contenter
De ne vouloir rien fors que toy comprendre:

Je ne souhaitte encore point mourir.
Mais quand mes yeus je sentiray tarir,
Ma voix cassée, & ma main impuissante,

Et mon esprit en ce mortel séjour
Ne pouvant plus montrer signe d’amante:
Prirey la Mort noircir mon plus cler jour.

 

With thanks to Dave and Via Negativa for encouragement and inspiration over the past year.

Written in the mid-16th century, this well expresses how I feel about starting, and continuing, latish in life, to write and translate poetry.

Louise Labé in Wikipedia

Escher: Metamorphosis

Escher's "Metamorphosis II"

I am a loner drawn to multiplicity.
I like it when things change but stay the same,
as a village in Italy creeps around and around a hill.
In reflections I see another world – or is it this one?
Over and over, bees and birds in flight and swimming fish –
patterns repeat, both infinite and contained,
shapes tumble into creatures, houses, streets and shapes again.
When each thing separates and all things coalesce I am complete.
Shapes tumble into creatures, houses, streets and shapes again,
patterns repeat, both infinite and contained –
over and over, bees and birds in flight and swimming fish.
In reflections I see another world – or is it this one?
As a village in Italy creeps around and around a hill,
I like it when things change but stay the same.
I am a loner drawn to multiplicity.

 

Escher's "Metamorphosis II"
Maurits Escher: Metamorphosis II


Inspired by Via Negativa: In the beginning and Fractal (this time the shape).

My white swan

The Swan, a painting by Hilma af Klint

The Swan, a painting by Hilma af Klint

my love is a tight
white glove
fitted to your whole body
cast it not off

wear this for me
so I can caress
you all over and leave
no telling trace

on your actual
sweet skin
so rosy and glowing
it dazzles me

this barrier between us
soothes me
its close fit ensures no
loss of sensation

you are a white swan
pirouetting on points
far above
my grubby love

encased in your white glove
you can touch
but not be touched as
best befits you

you can handle
the dusty old leaves
of an illuminated book
look but not be sullied

you can perform magic
pull from your tall hat
all the white rabbits
we require

you can attend a polite
old fashioned party
converse and drink milky tea
with an adoring me

oh dear one
don’t disdain my love
can’t you see it fits you
like a glove
?


Image: Hilma af Klint,
The Swan (1914).

The Archers

Only a radio soap, a knife imagined,
a sound effect, tense rush of air,
but as it’s playing out the sky grows dark
and thunder roars from way too close,
a memory rises of just such a kitchen knife
wielded in temper and with wild threats,
imagining becomes remembering…
the glinting blade… my mother’s house
on New Year’s Eve… so many, many
years ago, but trauma has a long half-life.


In response to Luisa Igloria’s “Only.”

The Archers  See here.

thunder roars  In London a brief but dramatic thunderstorm erupted just as the stabbing episode came to an end at 7:15 pm last Sunday.

Sea dream

We two are travellers
in a single dream.
Face up we float
together on a painted sea.
If we close our eyes,
we can drink the scent
of lilies, sense the touch
of angels’ wings.

We are bathing
in impastoed depths.
We are summoned
by siren songs of blue.
If we swim to shore,
escape the frame,
we shall not meet again.


Travellers in a Single Dream, a painting by Victoria Crowe

That lost gesture

Morris-ThatLostGesture

Is this the challenge, then,
as older age begins to settle in:
to be fully present to the precious
and fluctuating here and now
while bearing witness to the past
that lives and breathes inside you?
to be cradling always, one in each hand,
two things that cannot co-exist?
as you relish the magic keyboard
that sends your words across the world,
to recall that lost gesture of feeding
a sheet of paper into a typewriter?
to say something about a time
and place that disappeared?


With thanks for both the sentiment and the typewriter image to the wonderful Spanish writer Antonio Muñoz Molina.

Let things lie

photo by Jean Morris of a bust with two faces, male and female, back to back

My father left school at twelve,
my mother told me.
He had told her he didn’t leave
until he was fourteen,
she told me,
but his sister
had told her it was a lie.
I wonder why she needed
to tell me this.
She could never let things lie.