Enigmatic

question mark on screenLately I seem to be confronted by enigmatic signs. This morning while I was eating breakfast, for example, I noticed that one of the two cartons we bought peaches in, which originally held Xerox office paper, had “Thoreau” written on the side in magic marker. Perhaps someone connected with the orchard had previously used it to move or store books. But an entire carton just for Thoreau? He didn’t write that many books; it must’ve held mostly books about Thoreau. I’ll take the peaches.

Yesterday around lunchtime, a question mark butterfly landed on the screen of my front door and stayed there just long enough for me to snap three pictures from inside. Nothing too odd about that, except that the very same thing had happened two days before, around the same time of day. What might it mean?

Yesterday afternoon, a dry high blew in. By late in the day, that end-of-summer mood I tried to evoke with quotes from favorite poems yesterday morning had given way to elation and a distinctly autumnal sky. black locust log After supper, I grabbed my camera and headed up over the ridge to the west, escaping the long shadows that already reached as far as the houses. The wind blew steadily, making the shadows dance as I poked along through an open forest of very old, gnarled chestnut oaks and black birches. The thin soil and open rocks of the Tuscarora Quartzite formation support little else, especially since the loggers of a hundred years ago took most of the white pines, almost all of the hemlock, and all chestnut oaks straight enough to serve as mine timbers.

I soon came to the first of a string of small talus slopes — open rockslides of a few acres in size that start just below the ridge crest. Such rockslides are a familiar feature to anyone who’s ever hiked along a ridge in the western half of the Folded Appalachians. Logging and associated burning in the 19th century may have set back their colonization by lichens, moss and trees by a few centuries, but essentially these rock slides all date back to the last ice age, which ended 8,000 years ago. Though we’re well south of the southern-most extension of the Wisconsin ice sheet, periglacial conditions reworked local landscapes throughout the central and southern Appalachians, creating talus slopes, bogs, and a host of other unique habitats.

At the edge of the rockslide, I paused to admire some paper birches growing in a clump, as they so often do, re-sprouting from the same roots. I stood at the center of the clump, my feet sinking into a deep, spongy mound of rotted wood. The individual trunks might last little more than half a century, but I’ll bet this birch has been here in some form for a very long time.

vulture 1I was just starting out onto the rocks, looking for pictures, when I saw something large and black out of the corner of my eye. A turkey vulture had landed on the other side of the rocks, about eighty feet away. The head was still half gray, which I guess — in contrast to human beings — would make it an immature. I froze and started snapping pictures, expecting it to take off at any moment. But it didn’t.

I eased myself down into a comfortable sitting position on the warm rocks. The vulture didn’t seem at all concerned about my presence. Its head swiveled slowly about, and from time to time it reached down to groom its breast feathers, but otherwise it seemed content to sit and face the sun, which was about half an hour from setting.

vulture 2So that’s how I found myself watching the sunset with a turkey vulture. I shot its picture several dozen more times, of course, hoping that a few shots would turn out relatively unfuzzy (I wasn’t packing a tripod). At a certain point I realized it probably intended to roost nearby, though I didn’t see any other vultures around — they generally roost together, I had thought.

Since the air was now so clear, the light didn’t change much as the sun neared the horizon. The steady wind filtered out most valley noise except train whistles. As I watched the bird, I began to regret what I wrote a week ago about the ugliness of vultures. The wind lifted the feathers of its breast and nape, and the sun tinged them with gold. vulture 4I saw its head from all angles as it looked about, and it came to seem as appropriate as punctuation at the end of a line of fine, dark calligraphy.

I’m sure that more scientific-minded readers will fault me for anthropomorphism in implying that the vulture was there to watch the sunset. But no sooner had the sun dropped below the horizon than the vulture hopped off its rock, waddled into the woods and flapped up into the branches of a black birch tree. I took that as my signal to get up, too, and get off the rocks before darkness fell.

eastern clouds after sunset

Chicken

Why did the chicken cross the road?

Well, good lord, everyone knows that! Don’t they?

Fifty years ago, I imagine, free-ranging chickens were nearly ubiquitous along small country roads. The roads maybe weren’t in as good shape as they are now; farms were small and numerous just about anywhere agriculture was feasible; and farmers liked to hedge their bets with a more diverse array of crops and livestock than one sees nowadays. I wasn’t alive then, of course, but I’m guessing that back then, anyone who had ever gone for a drive in the country would have had ample opportunity to wonder why in the hell the chicken crossed the road. That joke must’ve actually seemed funny once!

I know because when I was a kid we raised chickens for a number of years. We always had a few bantams and araucanas, including one or two roosters, but the rest — twenty to forty, depending on the time of year — were hens of a hybrid breed known as Black Beauties. Even before we put up the gate at the bottom of the mountain, there weren’t many cars on our somewhat scary, mile-and-a-half-long, one-lane dirt road, and those that did venture up — the meter man, the game warden, UPS before all their drivers became too lazy or, uh, chicken — didn’t drive over ten miles per hour. So when cars rounded the guest house curve and began the ascent past the henhouse, the chickens had plenty of time to do what chickens always do when an automobile approaches: run directly in front of it at high speed. A chicken might be a hundred feet from the road, but as soon as she sees a car approach, she’ll start running. The goal is to get there in time to cross the road just inches away from the front tires, flapping her wings for speed and cackling madly. If the driver is alert and steps on the brakes in time, her game of chicken will end safely with no loss of life or radiator grill.

Chickens, it seems, don’t have a whole lot going on behind those beady little eyes. Except for bantams, who retain much of the canniness of their wild ancestors, chickens are remarkably easy to hypnotize. Sometimes, when the devil was casting about for ways to employ our idle hands, one of us kids would get a yardstick and some chalk and draw a straight line on the concrete floor of the veranda. Then we’d go catch a chicken, soothe her until she stopped clucking, and lay her down on her side with one of her eyes level with the line. For some reason, this is deeply entrancing to a chicken — kind of like putting a person behind the wheel of a car on a long, straight road. She can lie like that for hours, perfectly still while people, pets and other chickens walk all around her. Then all of a sudden you’ll see her get up, shake herself, and walk away as if nothing happened.

We also found we could hypnotize a chicken by holding her upright in one hand at eye level and staring directly into her eyes. In half a minute or less, she’d become sufficiently entranced that you could carry her out to the old stump we used as a chopping block, place her head between the nails and stretch out her neck to its fullest extent with no fuss whatsoever. Again, though, this didn’t work on bantams, who always seemed to be able to intuit our intentions, and had a special kind of call that they only uttered on the way to the chopping block. It sounded disturbingly like “Help, help, help!” The roosters knew what it meant, too, and would come running over and try to screw up their courage to attack, charging as close as they dared and making what were presumably intended to be threatening noises. But we kept the bantams for meat, not for eggs. And if you can’t handle killing, you have no business eating meat.

I should add that it was my father — a lifelong pacifist — who acted as executioner up until I was around 16 or 17, when he passed the responsibility on to me with considerable relief. In late summer and early fall, during the poultry killing season (we also raised muscovy ducks), Dad would kill two birds a week, and Mom would clean them, sometimes with the help of one of us kids. The scary thing about killing a chicken is how much it thrashes about after its head comes off. The chopping block was situated right next to an old road scraper — an attachment for Dad’s small farm tractor — and we took advantage of its curved blade to deflect the flying blood from our clothes. Dad taught me how to hold the chicken’s legs in the left hand, bring the hatchet down with the right, then quickly swing the bird up and over against the scraper blade during the one- or two-second lull before the convulsive thrashing began.

We never tried letting them go to see if they’d run around — it wasn’t worth getting dirt on the neck, Dad said. Besides, it would have seemed callous and disrespectful. We used the neck meat, of course. Everything but the feet and the head, which seemed to retain consciousness for ten to fifteen seconds after it tumbled to the ground, the beak opening and closing soundlessly a couple of times before the eyelids slowly closed.

The end was swift, and I’m sure the shock of it prevented much if any suffering. We told ourselves that these chickens had lived a good life, unconfined except by snow in the winter — and even then, they had the whole, dirt basement of the henhouse to grub around and take dust baths in. Our motives for this arrangement weren’t entirely altruistic, of course. Eggs and meat from free-range chickens simply tastes better, not only because the birds get plenty of exercise, but also because, dumb as they may seem by comparison with human beings, chickens are smart enough to do what few humans can: balance their diet on their own. Even in the dirt under the henhouse they evidently found enough worms, insect larvae and other invertebrates to continue producing eggs with deep orange yolks throughout the winter.

I don’t know what it is about a car that provokes such panic among chickens, but panic is never a rational response to danger, even among people. I’ve seen panic attacks at close hand, and they’re scary, and a little awe-inspiring. The mind seizes up somehow — a form of paralysis completely opposite to trance or hypnosis. Breathing and circulation go into overdrive. As the etymology of the word suggests, panic was once associated with the groundless terrors people felt when they strayed too far from the safety of home and village: Pan was the god of fields and woods.

And of course panic is contagious, leading potentially to pandemonium. When one chicken started racing for the road, half a dozen others would quickly follow suit, and a mad rush for the safety of the henhouse would ensue. In commercial operations, this tendency to mass panic can lead to large pileups in the corner of a chicken house and dozens of birds smothering to death.

Even small flocks, like the one we used to keep, are too large for the physical and mental health of the birds if bad weather confines them to quarters for too long. Chickens are social birds with a strong tendency to keep themselves in line with a pecking order. As with human dominance hierarchies, this “order” regularly leads to the death of its most vulnerable members. The skin on a low-ranking chicken’s feet might split from frostbite, and the sight of blood would provoke another chicken to begin pecking. Chickens like the taste of blood. Soon, the unfortunate hen would be surrounded by a mob of her comrades, fighting each other for a piece of her increasingly bloody body. I saw this happen a couple of times, and was able to beat them off, but knew that I was only forestalling the inevitable. During the bi-weekly replacing of the old litter with fresh hay from the barn, we would occasionally find the partially eaten corpses of missing chickens. I suppose we lost four or five chickens a year this way.

If having a pecking order leads to such brutal results, how and why did it evolve? The easy answer is that, in the case of most breeds of chickens, naturally evolved traits have been distorted by inbreeding and the selection for certain traits disadvantageous to the long-term survival of chickens. But of course many species of fully wild birds have informal pecking orders, too. And though many human societies are quite non-hierarchical, such societies tend to be those at the simplest level of social organization: small, nomadic bands thinly distributed across a landscape. With higher population densities and more sedentary habits, hierarchical structures seem like an almost inevitable development, absent some mitigating ethos strongly valuing individual autonomy.

My theory is that hierarchies are common among social animals because social animals have a strong need for security, and a pecking order happens to be one of the easiest ways of providing it. The individual chicken knows her place, and if the tensions created by rivalry for higher positions in the pecking order threaten the solidarity of the flock, then miraculously a chicken at or near the bottom begins to bleed around her toes. Presumably, the experience of participating in the elimination of one of its least desirable members generates the same kind of positive emotional feedback that the citizens of a modern nation-state get from invading a much smaller country or howling for the elimination of some undesirable minority.

But we have strayed perhaps a little too far from our original question, haven’t we? I don’t know if we can make it all the way to the finish before the next car comes, but let’s get a running start. Our goal, let’s remember, is the other side — or the Far Side, for you die-hard Gary Larson fans. (And has the chicken ever had a more sympathetic champion?) Cars don’t go as fast as they otherwise might because the road is rough, and the road is rough because the road scraper is currently employed for, um, other purposes. But let’s not talk about that right now — keep your eyes on the goal. We can make it! Do it for the flock.

News

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My eighth entry in the self-portrait marathon

Meanwhile, there are entire towns where nothing terrible is happening for an hour or two, where parents are caring for children with remarkable tenderness, where nurses are tending patients, mail carriers are delivering packages, and at least one man who owns a small business is taking off work early to coach a girl’s soccer team. Terrible things will continue to happen in those places, which the best efforts of such people will not be sufficient to prevent, but their bursts of gratuitous kindness are the mustard seeds from which healing bushes sometimes grow. They constitute the alternate reality that I want to live in, even if it means limiting my exposure to other kinds of news.
Barbara Brown Taylor, “What’s new?” The Christian Century, May 30, 2006

As I sat on my porch this morning drinking my coffee around 6:30, I watched a lightning bug fly past with its lamp extinguished and decided it was time to do another self-portrait.

I don’t know what kind of play the self-portrait marathon is getting in the larger blogosphere, but I doubt it’s attracting the kind of breathless attention devoted to the latest Supreme Court decision, or whatever fresh horror is emerging from Iraq or the Occupied Territories. And perhaps that’s as it should be. But if you haven’t stopped by lately to check out the gallery, you should. You can view it as a Flickr slideshow, too.

While it’s easy to be cynical and dismiss the self-portrait marathon as nothing more than an outlet for bloggers’ unflagging tendency toward self-absorption, I think that misses the real story. Over 75 bloggers, from amateur shutterbugs like me to professional portrait painters, have committed to taking a prolonged, in-depth look at one subject — a subject that Agatha Christie once described as “perhaps the greatest mystery of all: ourselves.” And as the galleries attest, many of the results have been quite striking.

The blogosphere has been billed as an alternative to the mainstream media, but in many ways, it’s just as superficial. The emphasis remains on speed rather than accuracy, sensationalism rather than nuance, and two-sided conflicts rather than the full complexity of life as most of us experience it in our daily lives. Even for us non-political bloggers, there’s a great temptation to simply post our latest snapshots, with a few accompanying sentences of breathless prose, and move on to something else. To try to see anything more fully, to observe it attentively and then take the time to describe or depict it with as much care and effort as we can muster seems almost counter-cultural. But if the bloggers I tend to read have anything in common, it might be precisely this, that they are dedicated to documenting what Barbara Brown Taylor refers to as “alternate reality.”

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Twenty-eight great-
spangled fritillaries
on one small clump
of butterfly weed

lifting & settling
to pivot on the un-
steady dust-devils
of their tongues,

their wings rocking
halfway open for
balance, orange
against orange.

Ezra Pound famously described literature as “news that stays news.” Fine. But what do we mean by news? Isn’t there something inescapably sensationalistic about the practice of selecting and highlighting certain phenomena, pushing the rest into the background? Well, perhaps so. But barring enlightenment, how else are we to see?

It occurs to me that this definition, “news that stays news,” captures pre-modern and non-Western attitudes toward elevated language, as well. Consider, for example, the song cycles that once accompanied all-night circle dances of the O’odham, or the spontaneously generated, loosely linked verses of one of the old-time blues poets like Son House or Bukka White. From one perspective, such lyrics employ traditional folk material, and therefore must be the opposite of news. But if words are treated as living, ephemeral beings rather than marks on the page, and therefore must be re-created for every performance, how can their inspired production not constitute news?

So in that sense, I think the ephemeral and fairly spontaneous nature of the blog medium should help nudge us away from our usual Western attitude toward art as something static and eternal, the realization of some bullshit Platonic Ideal. I think the non-Western view is closer to reality. All art is inherently messy and imperfect, a moment temporarily rescued from the ceaseless flux. Whether its subject is the world without or the world within, a good work of art is nothing more or less than inspired journalism.

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When I wrote an email to some family members yesterday, I mentioned two things I thought were newsworthy: the twenty-eight fritillaries, and the discovery of a nesting solitary vireo (A.K.A. blue-headed vireo) less than a hundred feet away from the nest I found last year. I can’t claim credit for this discovery, though. Two biology students from Penn State Altoona, who are working on a research project up in our woods, told me about it when they stopped to admire the fritillary-covered butterfly weed on their way back down the mountain. They were abashed they’d never noticed the nest before, and so was I when I went to look. It’s about eight feet off the ground above one of our most frequently traveled trails, right in front of one of the gates to our three-acre deer exclosure. How in the world could we all have missed it?

The vireo let me walk right under the nest and snap pictures from two feet away, her head swiveling to follow my movements. Since the nest is wedged into a small fork on a witch hazel branch — the favorite tool of water dowsers here in the Appalachians — I wonder whether the eventual fledglings will be gifted with the ability to locate hidden springs? Will the healing properties of witch hazel make the nest’s occupants somehow less vulnerable?

At the beginning of this post, I quoted Barbara Brown Taylor on “healing bushes” (a phrase which, taken out of context, might seem to have a certain political resonance!). Her focus was on the Bible’s Good News, but this quite literal healing tree with its avian occupants — not an “alternate reality,” but the real world as we all too seldom remember to see it — is gospel enough for me.

For the birds

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Squish, squish, squish went my boots as I waded through the tall grass on Greenbriar Trail. But much as I looked forward to changing into dry pants and shoes, strangely enough, I was content. Starting at 6:05 in the morning, we had managed to tally many of the deep-woods species for which the Bald Eagle Important Bird Area was designated, including Acadian flycatchers; worm-eating, black-throated green and cerulean warblers; and a plethora of wood thrushes, ovenbirds and scarlet tanagers. We had run into a box turtle on Laurel Ridge Trail, and enjoyed views of the adjacent ridges rising above a thick blanket of fog. Though it was extremely humid and the vegetation was still sopping wet from the previous evening’s downpour, at least the air was cool and it hadn’t rained on us.

True, the real birders — my mom and my brother Steve — were unhappy at all the no-shows, but that’s in the nature of point counts, I guess. The idea isn’t to count every bird every time, but to capture most of the breeding species every year, in a consistent enough fashion to be able to track population trends over the course of decades. And it’s not everybody who’s fortunate enough to be able to go out their front door and find themselves in the middle of an IBA. In our case, though we don’t have a hawk watch on the property, we’re situated on a ridge with one of the highest recorded counts of golden eagles in eastern North America, which I think helped persuade the scientists on the Ornithological Technical Committee of the Pennsylvania Biological Survey that Bald Eagle Ridge was worthy of designation as an IBA — one of over 80 in the state. Its abundance of interior forest habitat was the other key consideration. As conservationists here never tire of pointing out, Pennsylvania is home to 17 percent of the world’s scarlet tanagers and nine percent of the wood thrushes. Long-term data, such as those generated by point counts, will help scientists monitor the health of these species.

The point count protocol developed by Audubon Pennsylvania involves counting every bird seen or heard in three minutes at each permanently designated point on a route. Counters must go out two times each breeding season, defined as the months of May and June, between 6:00 and 10:00 in the morning. The points must be 500 feet apart, and we have sixteen of them in our route, starting at the spruce grove at the top of the field, and taking in both ridges and the deep hollow in between before ending up on my parents’ front porch — Point 16. On Saturday, I was the official timekeeper and note taker; Mom and Steve identified the birds, mostly by ear.

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Point 14 is in the field near the edge of the woods, along a mowed trail we call Butterfly Loop. As we stood there counting, a pair of fawns came bounding down the trail toward us. I whipped out my camera and snapped a couple of pictures before they turned and raced off. Then, as we squished on toward the next point, they came running back. This time, the bolder of the two got within six feet of me before deciding that I might be dangerous. We almost had the venison equivalent of veal for supper a lovefest.

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Steve spotted a sharp-shinned hawk harrying a red-tailed hawk in the sky over Laurel Ridge as we neared Point 15. Then, on the way back down toward the house, he asked if we’d seen any Baltimore checkerspots. “Not yet,” I said. But then we spotted one.

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You may remember my post about the caterpillars, which feed mainly* on turtlehead, a plant that isn’t nearly as common as it used to be, thanks to the hooved rats our friends the deer. We found two Baltimore checkerspot caterpillars this spring, and on Saturday morning, we saw two adults, one after the other — both in the vicinity of our largest patch of turtlehead.

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Most of the yard birds remained stubbornly silent during the three minutes we listened on the front porch, so the count ended on a bit of a gloomy note. But there’s no denying the pleasure that can come from changing into a dry pair of socks. I draped my wet socks over the railing on my own front porch, and later that afternoon, I noticed they had become a Mecca for great spangled fritillaries.

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When I poked my head out around 5:00, I even caught a pair of butterflies mating on my socks, though I wasn’t able to get a picture of it. I guess there are all kinds of good reasons to get one’s feet wet.
__________

*Edited from “exclusively,” which turns out not be true, according to the latest science. Thanks to commenter “striped twistie” for the correction (see message string).

Aviary (2)

On Saturday, after picking up Eva at the airport, we spent several hours at the National Aviary in Pittsburgh. My niece’s name has the Spanish pronunciation rather than the English, so it made a certain kind of poetic sense to take Eva to the Aviary. This is the second of two posts.

great argus pheasant

Resplendent in his cloak of a thousand eyes, trailed by a royal train five times the length of his body, the great Argus pheasant is reduced to beggary by an insatiable craving for grapes.

*

wattled curassow

The curly head of the curassow draws many admiring fingers to her sleek back, which is speckled white from the most recent aerial bombardment. She seems equally indifferent to all blandishments.

*

Nicobar pigeon

“Dead as a Dodo” describes so many far-flung members of the pigeon tribe — quintessential strange birds, castaways on remote islands who went native and forgot the predatory ways of the real world. The Nicobar pigeon nests within easy reach of the walkway. When did we start thinking that “wild” was synonymous with “fearful”?

*

Victoria crowned pigeon

Every thing the Victoria crowned pigeon did, every pose he struck, was photogenic. Even standing in his feeding pan and crapping into his food, he looked magnificent. I got so bored of looking at my pictures of him, I almost decided not to post one at all.

*

brown pelican

In the huge Rainforest of the Americas room, among so many brightly colored species, the pelican makes a convincing case for brown.

*

feeding the pelican

An injury to his bill made this one incapable of feeding himself. His gullet is a large, moving target that the keeper finds nearly impossible to miss.

*

red-crowned (Japanese) cranes

The total population of the Japanese crane, which symbolizes good fortune and longevity to a nation of 127 million people, is down to less than 2000 individuals. The National Aviary plays a critical role in its recovery, coordinating an effort by American zoos to send fertilized eggs to a nature reserve in eastern Siberia. When a keeper enters their compound to refill their food trough, she moves quickly, carries a sturdy, five-foot-tall shield and wears goggles to prevent the cranes from pecking out her eyes.

Aviary (1)

On Saturday, after picking up Eva at the airport, we spent several hours at the National Aviary in Pittsburgh. My niece’s name has the Spanish pronunciation rather than the English, so it made a certain kind of poetic sense to take Eva to the Aviary. This is the first of two posts.

some kind of tanager (?)

Aviary sounds more like a book than a place — think of bestiary, or breviary. We step into the pages of an illuminated manuscript where implausible birds flit through the impossible foliage.

*

Inca terns

Many of the inhabitants seem curious about the large, loud birds who keep parading through their glass-walled forest. Our plumage is infinitely various, and our flocking behavior is bizarre in the extreme. But sometimes, fish appear at the ends of our outstretched wings.

*

ocellated turkey

An embarrassment of riches, they say — as odd an expression as flock of sheep. Show me a flying sheep, and I’ll find a rich man embarrassed by his fortune.

*

roseate spoonbill

In my dream of conscious poverty, I completely divest myself of forks, and get by with a single, all-purpose spoon. But every day, I would serve a different soup.

*

American flamingo

What a statue of the Virgin of Guadeloupe represents to a Mexican immigrant, a pink flamingo represents to a certain kind of suburbanite: not salvation, exactly, but a vision of grace. Look Ma — no hands!

*

lawn ornament birds having sex

I watched the flamingoes for a while to see if any would assume the classic pose and stand on one leg. But the kind of balancing act they had in mind required all available appendages.

*

spectacled owl on eggs

You can envy birds their ability to fly if you want, but for me, it’s that second pair of eyelids I covet. Oh, the daydreams I would have!

In a nutshell

An empty half-walnut shell lay
upturned on the verandah.
The wren fluttered down
& poked at it with his bill,
hopping all around it
in his big clown feet.

The black walnut half
had two large openings
like holes in a round kayak.
The wren probed one
& then the other, leaving nothing
to chance.

It was time for tea on the verandah,
but nobody came.
The wren flew off.
The walnut shell rocked a few times
& was still, riding high
without ballast
through the long afternoon.

__________

Black walnut (Juglans nigra) produces much harder nuts than the familiar white or English walnut. Its nutmeat is also much tangier – an acquired taste.

The wren here is the Carolina wren (Thryothorus ludovicianus). The poem came out of direct observation, but was also influenced by the poem “The Hollow Walnut,” by the great Chilean poet Gabriela Mistral (translated by Maria Giachetti in Gabriela Mistral: A Reader, White Pine Press, 1993).

The song sparrow’s song

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As I headed out on a walk this morning, I snapped a picture of this male song sparrow (Melospiza melodia) in full throat. Song sparrows hold forth virtually year-round, but in my family, for some reason, we tend to typecast them as prophets of eternal spring. For example, in her book Appalachian Spring (University of Pittsburgh Press, 1991), my mother noted under March 13:

Song sparrows are almost always with us, but March brings them in to pack their breeding territory as tightly and as early as possible. Despite the weather, which today was hazy and cold, they all proclaimed, “Hip-hip-hurrah, boys! Spring is here!”

Mom claims she got this mnemonic from an old National Geographic record. I’m here to tell you it’s not widely attested in the popular literature. But someone named Tomm Lorenzin has compiled a helpful BirdSong Mnemonics page that includes our family’s favored onomatopoeia (albeit with an extra hip) alongside two others: Maids-maids-maids-put-on-your-tea-kettle-ettle-ettle (the mnemonic Thoreau preferred), and Madge, Madge, Madge pick beetles off, the water’s hot.

As Dave Berry would say, I swear I’m not making this up.

I try to avoid reading music criticism as a general rule. The following passage from the Birds of North America Song Sparrow monograph (No. 704, Peter Arcese et. al., Cornell Lab of Ornithology and Academy of Natural Sciences, 2002) wouldn’t seem out of place in the liner notes for some old Eliott Carter record:

Song a varied series of 2-6 phrases; 3 or 4 phrases common. Introductory phrases usually with 1-20 pure notes or complexes, but [Citations omitted.]

One nifty thing about song sparrows is that, unlike with many songbirds, the human ear can easily distinguish between the songs of individual birds. Considering the abundant variations within a single bird’s repertoire, and the variations between the many regional dialects, there’s no wonder birders can’t agree on a single onomatopoeic interpretation. But the “spring is here” business may not be pure fancy. I think Frank Chapman (Bird-Life: A Guide to the Study of Our Common Birds, D. Appleton and Company, 1910) captured the essence of it in his description of what was then known as Melospiza fasciata:

His modest chant always suggests good cheer and contentment, but heard in silent February it seems the divinest bird to which mortal ever listened. The magic of his voice bridges the cold months of early spring; as we listen to him the brown fields seem green, flowers bloom, and the bare branches become clad with softly rustling leaves.

So hip-hip-hurrah, boys and girls – and Happy Equinox!

The owl’s insomnia

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Standing in the shower on the morning after we went to see the snowy owl, I found the words to one of Rafael Alberti’s many poems called “Canción” running through my head:

Si my voz muriera en tierra,
llevadla al nivel del mar
y dejadla en la ribera.

Llevadla al nivel del mar
y nombradla capitana
de un blanco bajel de guerra.

Oh mi voz condecorada
con la insignia marinera…

I couldn’t quite remember the last few lines, so after my shower, on my way out to the porch, I grabbed my bilingual edition of Alberti’s poems, selected and translated by Mark Strand: The Owl’s Insomnia (Atheneum, 1982).

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Insomnia? Well, perhaps so. What else might explain the amazing persistence of this Arctic vagrant, a veritable capitana de un blanco bajel de guerra shipwrecked in Central Pennsylvania on one of the mildest winters on record? For a month and a half he has sat implacably at one of several locations along a stretch of interstate highway near Rockview state prison, with meal breaks presumably consisting of meadow voles and other rodents. With all the traffic roaring past, not to mention the steady stream of admirers like us, one can well imagine he might be suffering from some form of insomnia – whatever that would mean for an owl. For most of this time here there’s been no snow cover to speak of, though the ground inside cloverleaf interchanges might be nearly as barren as the frozen tundra.

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This past Saturday, the temperature was in the low sixties, and the owl huddled in the meager shade afforded by the concrete entrance to a culvert, described as his favorite spot in the birders’ listserve. I felt as if we had come to pay our respects to some avian anchorite of great holiness. My brother pointed out the heavy bars on the culvert, no doubt intended to seal off a potential hiding place for escaped convicts. The owl’s eyes were never completely open, nor did they ever appear to shut all the way. He slowly pivoted his head as other cars parked on the shoulder of the exit ramp and more visitors emerged. We were at first surprised by the demographics, which included two different sets of mother-with-daughter-aged 10-12. “Hedwig!” Steve exclaimed, ever the authority on popular culture. “They’re here to see Hedwig!” Apparently a snowy owl by that name is featured in the Harry Potter books and movies.

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A raven suddenly flew in low over our heads, and we noticed a pair of horned larks fluttering around on the cloverleaf tundra within fifty feet of the owl. Less than a mile away, the state’s official execution chamber awaited its next victim and hundreds of modern-day slaves toiled indoors and out, under the assumption that Arbeit macht frei. It was eerie. During the whole twenty minutes we kept up our vigil, the owl never stopped looking like an apparition:

sobre el corazón un ancla
y sobre el ancla una estrella
y sobre la estrella el viento
y sobre el viento la vela!
*

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__________

*Here’s my translation of the poem by Rafael Alberti.

SONG

If my voice should die on land,
carry it down to the sea
and leave it on the shore.

Carry it down to the sea
and make it captain of a white
ship of war.

Oh my voice, decorated
with the emblem of a sailor:
over the heart an anchor,
and over the anchor a star,
and over the star the wind,
and over the wind the sail!

Genius loci

Sucede que me canso de ser hombre.
Pablo Neruda, Walking Around, Residencia en la Tierra, II – translation here

It’s a little disconcerting to me how, lately, the moment I step outside, something happens. Tuesday late morning, for example, two squadrons of geese came honking low over the trees just as I started out on a walk, and mid-morning yesterday, a pair of A-10 Warthogs thundered overhead seconds after I walked out on the porch to pitch an apple core. This morning at 5:05, no sooner had I sat down outside with my coffee when the resident feral cat, whom I call Coyote Bait (C. B. for short), trotted up the driveway in the moonlight like a detachable shadow. It was so still, I could hear her paws on the gravel: a soft rattle, like the sound the stream makes during a prolonged drought.

Why should this surprise me? Only because I sit inside gazing at the computer monitor like a shaman peering into a crystal, where the merest flicker might foreshadow some fundamental shift in the heart’s climate. Everything seems significant at first, but after a while, it all blends into a gray sea of information, and I begin to tire of the whole human race – our never-ending chatter and busyness, our genius for exploitation.

Outside, meanwhile, the unseasonable warmth returns to melt the snow from last weekend’s storm. Late in the morning, when I finally go out with the camera, a bluebird is singing up by the barn, and a black-capped chickadee fresh from its bath is drying itself out in the lilac bush, puffing out its breast feathers and shaking its wings.

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The black-capped chickadee, Parus atricapillus L., is in the tit family (Paridae). Tits are “small, plump, small-billed birds; acrobatic when feeding. Often roam in little bands. Sexes alike,” says Peterson. Though they may appear comical to us, I think chickadees probably take themselves fairly seriously: witness the strict hierarchy maintained within their winter-long foraging flocks. Witness also their tendency to act as scouts in larger, mixed-species flocks and around bird feeders. When they sound the tocsin, all the other birds freeze, and when they issue an all-clear signal, everyone goes back to feeding. They’re like the boy scouts of the bird world. I remember once when I was burning trash, three or four chickadees flying in as close as they could to scold the leaping flames.

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Black-capped chickadees are among the brainiest of songbirds. Their social structure is complex; non-breeding chickadees can have memberships in several different foraging flocks at the same time, with different positions in the dominance hierarchies of each. Their simple-sounding songs contain much more complexity than unaided human ears can detect, enabling the communication of quite detailed information. Most astonishing of all, perhaps, are their memories. Chickadees have been known to hoard a thousand seeds and dead insects each day, tucking them into knotholes, under loose pieces of bark, even up inside clusters of pine needles. And researchers have found that they can remember which item is stored where for at least a month. Think of it: 30,000 or more distinct caches within a home range of twenty to fifty acres in size. Not even the most obsessed of human geographers can ever hope to know a landscape in such intimate detail.

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What of their ecological niche? Chickadees are foragers and scavengers par excellance. They can digest carrion from a gut pile as easily as goldenrod seeds, spiders, or wild grapes. Specialized leg muscles permit the acrobatics for which they are justly famous, and these contortions enable the gleaning of food that other birds can’t get at. I also can’t help supposing that their year-round, life-long residence in an area, following juvenile dispersal, contributes to their ability to exploit all available resources. With much denser plumage than other species of a comparable size, they are well suited to the vagaries of a northern climate. Each fall, they grow a fresh set of feathers, and portions of their unusually large hippocampus – key to their prodigious memories – also regrow.

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Large brains; organization into small bands; physiological adaptations to permit scavenging in an array of habitats: we could almost be talking about Homo sapiens here. But a vanishingly small percentage of the human race retains any experience of what it might mean to become so local as to begin to resemble the very spirit of a place.

Con mi mano rodeo la nueva sombra del ala que crece:
la raí­z y la pluma que mañana formarán la espesura.

Neruda, Naciendo en los Bosques, Tercera Residencia – translation here