Residual

Thirty years after the sudden death of someone I didn’t know terribly well, what remains? Not his name. Not quite his face, but something of his posture and physique. A strong impression of good-natured and thoughtful conviviality, based on possibly no more than half a dozen conversations, always on the periphery of punk shows. The shock and sadness of his death from a brain tumor. Someone who, on rare occasions when he pops into my head, still makes me smile, and shapes my memory of that whole period in my life. Good times. A good dude.

Wish I remembered his name.

***

fledgling cuckoo
flopping across the road

adoptive parents
nowhere to be found

poor little rain-crow
didn’t mean to be a parasite

*

opening my umbrella
I spook a bear

in the depths of the hollow
widely spaced raindrops

water still gurgling
under the rocks

and the crashing of something big
in black velvet

upslope through woodferns
and storm-downed timber

*

a distant cuckoo singing
who are you you you

I know a lullaby
when I hear one

***

pine (k)not

***

One interesting residue of my long-ago year in the Kansai region is that humid rainy days in the summer still remind me a bit of Japan, not necessarily in a fully conscious way (which is why I call it a residue). Similarly, a snowy, cold winter day might have an extra charge of excitement and possibility to it from my early childhood years in Maine.

***

A fast-moving longhorn beetle. I’m beginning to understand why professional insect photographers like to pop their subjects in the freezer for a few minutes to slow them down. This beetle seemed very keen on getting back under cover as quickly as possible.

*

Just as I’m thinking of turning back to the house, a medium-sized animal clambers down out of an oak tree and stands for a few seconds looking back at me. It’s been years since I’ve seen a gray fox. First time I’ve ever seen one in a tree, which seems odd, considering their reputation as the most cat-like of canines—and how much damn time I spend looking up at trees.

The clouds redden with sunset. Can’t resist a shot, clichés be damned.

In drought

what blooms at the dark
edge of the forest

a faded red that could also
be dropped leaves

the calling cards of drought
on a Saturday in mid-July

a monarch butterfly chrysalis
falls from the sky

with its golden ellipsis
too bitter a pill

for some young bird
still learning how to forage

blueberries ripen
cracks widen in the moss

the deer’s pelt twitches
under an endless assault of flies

as she methodically strips
a small spicebush

the sound of a humming-
bird’s small engine

skimming the five-spoked
wheels of soapwort

rises to a minor roar as he
rockets back and forth

over the beebalm patch
those alluring scarlet tongues

ready to risk desiccation
for a more urgent thirst

The red and the black

Picking red raspberries up on the Allegheny Front. Quite a switch from the more common black raspberries that Mom and I have been concentrating our berry-picking efforts on for the past week and a half, which signal ripeness by color change. With red raspberries, you have to kind of gently pinch them and see if they’re ready to let go. The dead ripe ones drop at the lightest touch. And they’re even sneakier than the black raspberries, bending canes down as they ripen so the best berries are often well hidden from above. They seem to be expressing an evolutionary preference for dispersal by small, ground-dwelling critters such as toads and turtles. Which makes sense, given their preference for wetter sites.

There’s a common yellowthroat up here with a distinctly different accent from the ones back home—ten miles away. Ours go witchedy-witchedy-witchedy, while this one goes liquidity-liquidity-liquidity. Truly a message for our time.

***

Many people don’t know this, but round about midsummer, some of the younger sassafras trees dance together at sunset.

What they do after that has not been recorded and is best not inquired into.

***

Already half-full, the sneaky cup. Already russulas up, with bites taken out of them. Already the first black gum leaves are beginning to turn.

Already half-full, the moon passes through a heart that turns into a tree, then disappears behind a giant grey mouse, re-emerging just below its tail. As Dave Barry used to say, I swear I’m not making this up. Except of course I am. They’re just clouds. The moon has nothing and everything to do with us.

The first true katydids! So early.

Evening porch

A chipmunk on top of the rock wall hears nuthatches scolding a predator 100 feet away and freezes. Only the powerful can afford to be monolingual.

*

A mature tree can have half a million leaves or more. Little dramas are unfolding on, under or within every leaf. Now multiply that by the number of trees in the forest…

I like thinking about this more than I like actually scrabbling about with a sheet and a magnifying glass, if I’m honest. I’ll leave that to the real naturalists. I’m more what you might call a dilettante naturalist.

*

The groundhog who lives under my house came up to sit on the stone recently vacated by the chipmunk — quite an upgrade in marmot size. And, to be clear, not an upgrade I specifically requested, though I’m sure I qualify for endless frequent flyer miles here on the porch. It seemed to be just taking in the cool night air and listening to trains until I leaned forward and disturbed it.

*

The ravens are certainly vocal this evening. They’ve divided forces for some reason and are keeping in touch.

*

A squirrel has evaded three, widely spaced sorties from a winged predator—probably an accipiter, because I’d see it if it were anything larger. They’re right inside the woods at canopy height.

*

Why do squirrels keep scolding so long after whatever they had been scolding has fucked off? It feels as if they just need to work the fear and stress out.

*

I’m glad such a regular singer of a wood thrush is defending a territory right next to my house. About 15 years ago, that stopped being routine. Now it’s infrequent enough to make this seem a lucky year. But the reality is they’re running out of luck. As are we.

I used to share the general view of wood thrush song—that it was melancholy. Tonight it sounds full of exuberance. It helps I’m sure that he has a rival over by the powerline—his real audience. And it sure doesn’t sound like they’re having a sad-off.

I think this one has figured out that if he comes right to the edge of the yard and sings loudly toward the house, he can get a bit of an echo. Top that, you powerline-loving bastard!

*

The small hawk, or whatever it was, just broke cover, sending the squirrels into a brief panic before they retreat to their dreys for the night.

Maybe THAT’S why they kept on scolding—they knew it hadn’t really left! And me presuming I understand the situation better than they do is sheer anthropocentric arrogance.

*

It’s funny, I thought by sitting on my porch I’d be less of a nuisance to wildlife than if I were sitting up in the woods, but I’m not sure that’s true now. First a groundhog and now a Carolina wren also have given strong signals that I am interrupting their evening rituals. And the wrens are not subtle about expressing displeasure, loudly, from several feet away.

*

One squirrel is still scolding in a half-hearted fashion as the fireflies start up. The whippoorwill calls from its usual spot just inside the woods. Random small explosions of fireworks start up in the farm valley to our east. Soon the other valley joins in.

Now it sounds like war. But the whippoorwill has worked up a good head of steam and will not be dissuaded. The squirrel still makes an occasional, querulous whine.

*

The 9:30ish twin-prop cargo plane goes over. I remember how Dad calculated its flight path years ago and decided it went from Johnstown to State College or something. He was nerdy like that. Curious about the world around him.

*

I hear the siren call of sleep. But also fireworks, I hear fireworks. And a motorcycle roaring through the gap. It’s summer in America. Nights and penises are short.

Unwarbling

A cerulean warbler and an American redstart in adjacent trees sound like a couple arguing.

“Are you really sure?”

“Don’t be ridiculous!”

And from time to time a black-and-white warbler interjects from the witch hazel: “Cool it cool it cool it!”

*

As a poet I will never not be irritated by the fact that the birds who actually warble aren’t warblers. I’m on the ridgetop now listening to an American robin and a scarlet tanager having a warble-off. (May 10)

About a week later, climbing the same ridge, I hear a warbling vireo. Now there’s a bird who lives up to his name!

***

The Richard Siken bot is one of a number of Twitter bots that make my life better. I’ll be pissed if they do away with all automated accounts, just because elites think ordinary people are stupid and should only ingest an anodyne information diet free of wrongthink.

***

We’ve removed the video you posted at 9:33 AM on September 28, 2019 because it included the following content:

Seagulls by Iridis

If you have permission to share everything in the video including the audio, like the soundtrack or music, you can appeal the removal and have your video re-posted. Remember that people should only post videos they have the right to share.

Edited by robot—an increasingly common experience for content creators. (Amazon warehouse employees can even be fired by a bot. I order books from eBay or Bookshop.org now.) This is a case where I used a recording of seagull that someone had released to the public domain, a musician appears to have incorporated the same audio into a musical track, which eventually caused my video to get flagged for copyright infringement. I appealed it, but there was nowhere to actually submit an explanation, so if any human does ever look at the situation, they’ll be clueless.

It’s a useful reminder to never put all of one’s eggs in one basket. A friend who relied solely on Facebook and never had a blog lost thousands of posts and photo galleries when they decided to terminate his account and ignored his appeal until the deadline for appeal had expired, then erroneously told him he’d missed the deadline and there was nothing further he could do.

***

Just as the Dept of Agriculture pays farmers to not grow crops on land they don’t want cultivated, the Disinformation Governance Board should pay content creators they don’t like to not create content.

Just to be clear, I would absolutely jump on that gravy train. Poets are quite used to getting recognition for writing that nobody actually reads. Getting paid for it yet would be awesome!

***

Just watched an Acadian flycatcher perform a little dance—hopping sideways down a branch while the female looked on from the branch above (and me from ten feet away).

And now a winter wren is singing over a wood thrush. Think jazz saxophone meets Gregorian chant. (May 16)

*

Pausing Monk to listen to a brown thrasher. The way the thrasher’s jazzy inventiveness slowly becomes subsumed in the larger soundscape (which he partially mimics) as he moves farther away. (May 16)

*

Hearing a sound from the valley I can’t identify and realizing how rare it is that I hear any sound I can’t immediately identify. That’s what it means to be a local, I guess.
Hearing new and exotic soundscapes was always one of the main attractions of travel for me. Wonder if I’ll ever get to do any more of it. (May 17)
*
When I got back from my walk, the Carolina wren who nests behind the fuse box was sitting next to a half-grown cottontail rabbit. WHAT ARE THEY PLOTTING? (May 17)
***
From the calypso superstar known as the Mighty Sparrow, here’s the most cheerful-sounding song about the ravages of neocolonialist capitalism I’ve ever heard:
https://www.youtube.com/watch?v=u6k9U6vQ8Mk

Weather permitting

I can’t deny the central importance of my phone’s weather app to my daily walking practice. Being able to squeeze in an hour’s fast walk between thunderstorms, yesterday evening on a day otherwise too buggy and humid for a pleasant walk, is something I wouldn’t have been able to pull off in the old days, before up-to-the-minute weather radar data in one’s pocket.

Needless to say, global weirding also makes the weather harder to predict just by watching the sky and knowing what’s expected in each season. “Red at night” could mean anything these days. If it was sweltering yesterday, it’s likely sweater weather today.

***

highway work—
bandanna gone white
from his salt

***

It’s odd, looking back, that I never had much interest in general literary culture aside from poetry. I’ve tried to read journals like the Georgia Review or the Kenyon Review and found them interesting enough, but not so much that I wanted to let high-brow discourse and concerns take over my whole Weltanschauung. I think it’s intellectually limiting. Watching comedy on YouTube, listening to underground metal on Bandcamp, or reading nonfiction strike me as a better use of my non-poetry-related free time.

I should add that I’m not one of those jerks who submits to journals I rarely read. But I do have to wonder how many of these publications would even exist without tenure and review requirements that academic writers publish regularly in prestigious places. As the tenure system goes away, how many of these journals will survive? Those few that do will probably be quite a bit less arid and more edgy, designed solely for an audience of urbane intellectuals.

Simply having Poetry Daily, which reprints poems from journals and other publications, as my laptop’s homepage for the last 18 years, plus following a bunch of poetry bloggers, is enough to a) keep me apprised of interesting new collections and translations I might want to pick up, and b) prevent me from feeling completely out of the loop. Social media helps fill in the gaps with more ephemeral poetry-world news.

Reading poets’ personal blogs, to the extent they still exist, offers in some ways an opposite experience to reading a journal: largely un-copy-edited, raw, unfiltered, full of quirk and charm and way more ideological diversity than you’d find in any one organ with a unifying editorial vision. I follow poets from nearly every conceivable background and persuasion, socialists, centrists, libertarians, scientists, school teachers, beat poets, experimental poets, etc. If they write or simply appreciate good poetry, I’ll add them to my feed reader.

It’s a shame that feed readers never really caught on. It’s like the bizarre reluctance of online literary magazines to serialize content using blogs, a technology designed specifically for serializing content. But all too often, as the founders of Substack realized, it’s not enough to have tech solutions out there if they require too much sustained attention to technical details that most people, even editors unfortunately, don’t want to wrestle with.

The resistance of our literary elite to anything requiring technical know-how does get tiresome, though. I suppose that’s why I find the poetry film crowd so congenial—they’re not afraid to wade in and play around with some of the amazing tools and toys currently at our disposal. (For how much longer, who knows.)

***

One of the unexpected adjustments I’ve made as I’ve gotten older is I’m OK with not knowing the answer to, or even having an opinion on, every goddamn thing. It’s very liberating. I recommend it.

rat mummy—
a rictus of agony
in old leather

***

Songbirds harrying a cuckoo. I didn’t realize they did that, but it makes sense. They may not notice the difference in their eggs, but they would sure as hell notice someone trying to sneak into their nest.

And now I have a Clarence Ashley earworm—a quality problem!

***

The topic of personal identity tires me after a while, with the rather literal spin that most people put on it in a desperate effort to assert some thereness for this nebulous mental placeholder, the self. I want to know more about shadow identities, for example: one-time or persistent mistaken identities ascribed to one by others. Let’s also consider any and all fantasy identities one might assume, whether in imagination alone or in role-playing games. Persistent dream identities, if any. Characters in favorite novels, comic books, movies etc. with whom one deeply identifies. And of course the way they all intersect. Let us not through dissection diminish what is in a sense larger than life.

***

Deep in the woods, a small sun-starved blueberry bush is having its best year ever: it produced a flower for the first time—a perfect yellow bell!—and a forest bumblebee with pollen on her feet found its nectar. Now the green berry swells.

What bird will find it when it assumes the color of the sky? How far might its seeds travel? That’s how suddenly the future can change on you.

forest floor
striped with shadows
swallowtail

Seeing in haiku, walk therapy, against harmony, shrieking owls

river in November light between bare woods and mountain

Surely part of the pleasure of reading haiku is to make the current moment more special. Literary critics probably even have a term for it: the way an especially vivid evocation of a particular time and place can lend radiance to another, so for example I can read

night snow
the silent rooms
of dreams
Ann K. Schwader, Modern Haiku 53.2, Summer 2022

and for a moment I see everything in its light, this lush green meadow and forest edge on a crystal-clear morning in June. By taking me briefly out of it the poem shows me more of what makes it unique and unrepeatable. I read, smile, look up and smile again.

***

Walking instead of talking. Going out instead of holding forth. It’s been a year since our nearly decade-long conversation trailed off into silence and the great ridgetop oak we got married under toppled over on a still evening in late June. That spot will be choked with early successional plants and then pole timber for a generation. It will be interesting to see how it shakes out, and what tree or trees end up dominating the local conversation with the sun—probably a black cherry or red maple, but with deer numbers way down from chronic wasting disease, a hickory or even another oak seems possible. Though what kind of world, etc.

To be fair, I may have found a way to keep talking despite all my walking: you’re looking at it. But in any case the idea was to spend the time I used to spend online outside instead; walking is just one option that I happen to enjoy. Sitting in the woods and reading or writing is another. Yesterday, since a breezy cold front had driven away the gnats and mosquitoes, I was even able to compile most of the weekly blog digest in the woods.

It occurred to me the other night that this is really just a return to the patterns of my childhood. Yes, I was a bookworm, but I can’t remember spending very much time in my room, or even indoors unless it was raining. I’m not sure I’ll go back to climbing trees, though. As nice as it’s been to recover the spring in my step, I can also feel autumn in my joints.

***

The harmony-with-nature folks seem nice enough, but I always feel awkward around them because, I don’t know, it feels terribly presumptuous somehow. Like, that tree didn’t ask to be hugged. You’re not part of the local food chain, and you’re a member of the single most destructive invasive species in ecological history, so your position relative to the rest of nature is in fact the opposite of harmonious. Should we not begin by acknowledging this extraordinary privilege?

I mean, unless you’re hearing-impaired, how can you walk through the woods and not hear how much you are feared? So many of those adorable-sounding chirps mean “Look out! Another fucking human!” Sure, if you stay still for a while, enough critters will forget you’re there or not notice you that you can pretend you’re having a harmonious moment, but you have to literally hide in some sort of blind, or set up remote cameras, if you really want to see what the nonhumans are up to.

Except of course for invertebrates, so many of which rush heedlessly through their days, allowing even the most impatient children to get absorbed in watching them. J. Henri Fabre’s Life of Insects series is a masterpiece of world literature, because invertebrates are kind of in that uncanny valley between critter (being with face) and robot. They’re absolutely alien and absolutely everywhere, and most people seem completely blasé about that. Freaky, man. Freaky.

The Japanese have this one right. That’s one of the things that has always drawn me to Japanese poetry, in fact: the healthy appreciation for, and close attention to, insects. It shows they’re serious about nature; they see other creatures as connected with us on a deeper cultural level than any of my own ancestors have experienced in the last thousand years.

Of course, none of this supposed nature reverence matters a whit in today’s hyper-capitalist economy, where other Japanese cultural traits, such as the avoidance of conflict in pursuit of a distinctly hierarchical harmony at all costs, make the excesses of capitalism especially difficult to oppose. Their wild areas are in even worse shape than ours.

***

I don’t know why Western Buddhists went with “enlightenment” at all, really—“awakening” is a much more powerful root metaphor, and I gather more accurate. It’s also more immediately relatable than most high-minded religious goals, I think. Oneness with the Godhead? Sounds dodgy, like an adolescent concept of bliss. Awakening, though? We’ve all had those rare days when we felt unusually alert and alive. It’s not a great feat of imagination to extrapolate from that.

Ecstasy, getting outside oneself: that’s what Eliade said Shamanism was all about. Complete projection: that’s what Eliade was all about. Escapism is a fantasy with, I’m sure, widespread adoption across cultures. But Buddhism, along with many other, traditional belief systems, prized the opposite of escape: attention.

Which I seem to have precious little of today. Too much getting in touch with my feelings to actually feel.

***

This post is less than half as long as it would’ve been had I not cut out much of the blather. Even still, I don’t think you could say it is entirely lacking in blather. But who wants to go through life on a blather-free diet? Not me. (I’m even back to drinking whole milk. Delicious!)

***

dead air
over the dried-up pond
the first bat

***

Coming down from the spruce grove through a narrow part of the meadow I hear a weird shrieking noise, which turns out to be juvenile barred owls, according to Merlin. There are three of them calling all around me, but it’s too dark to really make them out. Five minutes later, from farther down in the meadow I hear the parents talking back to them in chimpanzee voices. Nice to witness that bit of family interaction. They are always such great owls to have around.

I’m told there might be people who don’t have strong feelings about their various local species of owls, but I’m not sure I believe it.

Thickhead Wild Area: a walking poem

oak tree with an old limb break rotted into something like a mouth

just before dropping
off to sleep

it feels as if I’m on the edge
of something vast and spacious

sunlight concentrated
until it’s thick as honey

and woven into nets
strong enough for boulders

the periglacial erratic
hunkered down by the parking area

the steel towers of babble
drawing us to something like a peak

let me retrace my steps
later in a dream

the ground’s fine figure
felt through moccasin soles

no longer stumbling over
hard syllables of quartzite

lingering to savor
the round vowels of mud

***

I bend down to pat some torn-up
moss back into place

straighten up and can’t recall who I am
for a half-second of bliss

the wind drops a small branch
six feet away

a black-and-white warbler
keeps chanting is it? is it? is it?

my eye drifts up to a vulture
rocking back and forth

pale field of boulders here
snowbanks of laurel there

a common yellowthroat answered
by a chestnut-sided warbler

at each boulder field a view
in each view more of the boreal bog

where a high and lonesome glacier
once bled out

***

my feet sink into a carpet
of tiny staminate cones of white pine

I eat a few—a pineyness
that keeps me company for miles

as my eyelids droop under the weight
of a nap not taken

here’s an oak that couldn’t decide
which route to take to the sky

I stop as I always do
to snap its picture

a black ant crosses the path
on a path visible only to antennae

now I am watching my steps
as never before

rocks shift
pine needles slide

shadows shapeshift in the wind
and merge into one

***

I take a wrong turn
and a mosquito lets me know

backtrack to the windy ridgetop
the sunlit meadows of lichen

the trees are starting to make sense
the way they bow to each other

as the sun comes out and goes in
on my favorite trailside birch

I watch it go from Ariel
to pure Caliban

when the sun goes in
the forest photographer smiles

when the sun comes out
the 56-year-old child cheers

these reveries feel illicit among
so many official spots for reverie

but there are thoughts
that don’t fit into vistas

but have room to spare
in the openings between trees

***

a trough through the rocks
where trail volunteers must’ve tried
to get to the bottom of it

on bare scree my switch to thin soles
has taken me from stompy and confident
to slightly terrified

and it is probably way past time
for me to become
an old man with a stick

as I pick my way
over Indian Wells
which are neither

my feet only know
what to do with tree roots
their living resistance

at the edge of Big Flat
where kids still come
to get stoned and laid

a charcoal hearth from the 1820s
now hosts a great pile
of campfire charcoal

***

these mountains shaken down
for a hundred thousand winters

though never under
an ice sheet

lost their stone Mohawks
while remaining entirely unpolished

then boom! the charcoal iron
boom! the lumbering

the American chestnut blight
the spongy moth caterpillars

but mountain laurel and blueberries
thrive in all that sun

so that’s what people come for now
that and the view

as every hungry artist knows
they’re not here to see you

but what they can see from you
a viewpoint they will name after you

your vast quarry
on which we feed

even now a rocky spine
is breaking through

***

I walk down to Keith Spring
it’s clear to the bottom of the sky

and chanted over
by two warblers

black-throated green
black-throated blue

there’s little trace of the camp site
where Andy saw the bear

and I took off running after it
desperate to measure my fear against it

a camp site I established myself
is now a sun-blasted opening

I don’t tread lightly
even here

***

the trail descends through spruce
planted by the CCC crews

and then the tall bracken
and my thin sisters

the mosquitoes with whom
I am bonded by blood

the trail ends without ending
and I take a last look

plump white mounds of laurel
visited by capricious swallowtails

Indian cucumber root flowers
like hidden winged stars

oak leaves turned holey
by god’s own caterpillars

and the companionable silence
of so many unplanted trees

when I circle back
past the spring

a hermit thrush is singing
just upslope

from notes written while walking the Tom Thwaites Footpath section of the Mid-State Trail
June 18, 2022

Report from Planet Oak

May 29, 2022

in the woods
surrounded by mystery
my thermos mug

The more I walk, the better I feel. But the longer I sit, the more I see: an oak forest in the spring after heavy defoliation by what we’re now urged to call, out of respect for the Roma, spongy moth caterpillars. And here let us pause and reflect how abominable it is to compare any insect pest, let alone one with such a potentially devastating impact, to a traditionally nomadic people living more lightly on the land than most. Roma have the right idea: keep moving. don’t stay too long in one place and let it break your heart.

the oaks’ mouths
are already open
little fledgling

monstrous
hunting spiders
that’s my shadow

A half-grown spongy moth caterpillar—one of this year’s much diminished cohort—climbs my leg: same bristle-brush as before. (The sponginess is entirely a feature of the egg masses.) Two of the canopy oaks nearby haven’t leafed out, but three saplings are there to fill the sunlit hole thanks to 30 years of good deer hunting on the mountain.

circle of stones
where some giant once stood
sporangia

caterpillar-
killed trees—the cuckoo’s
haunting call

impossibly thin
green beetle
please don’t go

The way any orchid is visibly more complex and intricate than the plants around it, so would aliens or angels seem compared to us. We would see our ordinariness, tumble from our self-centered, would-be heavens and begin to dwell more fully in our animal bodies. Or so I would like to believe.

mayapple leaves:
death starts out
as gorgeous spots

In the steadily shrinking vernal pool at the top of the watershed, a pale newt hangs tail-down in the water like a wraith among the densely packed tadpoles fattened on pollen—its prey.

Later when the sun comes out i watch it feeding: dash, gulp. dash, gulp. The cleared space around it is surprisingly small.

gust to gust
only the dead
trees moan

Woods queer: thoughts in a thunderstorm

a coyote in motion tends to remain in motion. a coyote at rest may or may not stay at rest.

In the beginning there were no coyotes in Pennsylvania, merely wolves. And behold, the wolves as top dogs had no sense of humor, so were easily trapped and shot out. We made that dog-shaped hole in the land. Coyote saw that hole and filled it, but not before reinventing coyoteself via repeated romantic encounters with Canadian timber wolves and thus became this uniquely Eastern Coyote phenotype which is larger more social and culturally a lot cagier around humans than their western counterparts, which makes sense—the west is way less overrun with people by and large

also, and this is of equal importance, over my lifetime a domestic dog-sized hole has emerged as our culture has changed around dog-rearing norms. when i was a kid it was exceedingly common for country people (including us) to have dogs just sort of run loose much of the time. though if they chased deer they ran a high risk of getting shot by an outraged hunter. coyotes are just way better at not getting shot. and they don’t chase deer they know they can’t catch

i mean i love dogs but let’s admit it, even the hardiest of mongrels bear the scars of centuries if not millennia of inbreeding. they’re loyal faithful and wet nosed but they’re not very bright

you know how to tell a coyote track from a dog track? the coyote track will be arrow-straight for long stretches. they’re out in the woods, or whatever, for a reason, they’re not tourists. i assume any wild dog would eventually develop similar habits were it able to survive, but few can on their own

packs or more likely family groups of feral domestic dogs were still a fairly common thing in the 1970s when i was a kid, but didn’t last long into the 80s, not around here. a century earlier feral dogs were common in the cities but now coyotes fill that niche too. i read all about it on the internet somewhere but right now i’m more committed to finishing this sentence than to doing a simple web search. and that’s the level to which blogging has sunk these days. deplorable. this idiot can’t even be arsed to deploy capital letters

turning off spellcheck on your phone is possible by the way. why follow the Man when you can be a free spirit, a leaf on the wind, an idiot with an umbrella in a thunderstorm

Wish it would hurry up and rain though. I’d look like less of a dumbass walking under this umbrella.

What? It keeps the mosquitoes off.

Question from @dylan20 (Dylan Tweney) on Twitter: does that actually work for mosquitoes? Reply from @morningporch (Dave Bonta): not all species, sadly. not the fabled Aedes vexans. but many of the meeker sort. and definitely deer flies and gnats. those Victorian ladies with their parasols were on to something

maybe blogging from here on out will be zuihitsu aka my Twitter feed meets Woodrat photohaiku minus some of the photos.

or maybe it’ll just be random BS I type into my phone not unlike the foregoing


i am still thinking about my eight-minute close-hand observation of a black-and-white warbler on my front porch this morning. she just completely ignored me, even after i started filming, so intent was she on gathering soft and silky oddments to line her nest, which is almost certainly not in the top of the tree where i saw her fly afterwards but in some hidden spot on the ground at the base of a tree or rock or under a bush. such un-warbler-like warblers. like friendlier, better looking nuthatches. (sorry nuthatches but you do look like the offspring of an unholy union between undertakers and bats)

here she is hoovering up some stuff beside my primitive end table with a copy of my latest poetry read, by the wonderful if occasionally terrifying Cynthia Cruz


shit this thunderstorm is going to hit, I’d better start walking back

it wouldn’t do to get my phone Max all wet. my precioussss


back before the worst of it—which now becomes my evening’s entertainment. the people who came up with the idea of a front porch understood what makes life worth living!

those people being enslaved West Africans in the Caribbean. same brilliant people who gave us the banjo. that’s two African things that everyone thinks of as purely Appalachian or Southern. well nothing is purely anything of course, but racist folklorists did a bang-up job of excluding indigenous and African contributions to Appalachian culture in their zeal to portray it as a largely Anglo-Celtic backwater. i realize i’m at the northern end of Appalachia (though only half-way up the Appalachian mountains) but there were a hell of a lot of grandkids of Eastern European and Italian immigrants in my high school class. just like anywhere else in the US. to say nothing of all the Germans who came into the area about the same time as the Irish, just higher on the social scale. and there used to be a tiny AME church in Tyrone that was close to 100 years old. a larger Black population now than in decades but they’ve always been part of the mix here. and John Henry was the most Appalachian dude ever, so, ya know…

the earlier Ulster Scots did have a preference for the mountains but i’m not sure whether that’s because they felt a unique bond with the landscape as is sometimes alleged or just because they didn’t have much of anything and had to settle for land no one else wanted. then because they were on poor marginal soils tended to specialize in the one thing that could turn a profit: growing corn and making whiskey.

when i was a kid we used to find so many century-old whiskey bottles lying out in the woods where people tossed them when they were empty. probably loggers and colliers, men and boys who lived in the woods: wood hicks. i suppose i’m a hick in that tradition though without the whiskey or quite as much hard physical labor or tree butchery. so not at all really.

but like the word redneck, it’s weird that hick became an insult. and there are so many others for county people: hayseed. bumpkin. peasant (said in a certain way). hillbilly. local yokel. native. savage. wild man. Hermit is one of the few jokey epithets that’s not an insult. but then it’s not exclusively rural, is it? you can be a hermit anywhere and an increasing number are. together in our aloneness, alone in our togetherness, sounding irritatingly like a new-Age Sufi


when i was a kid, my parents used to joke about the possibility of going woods queer—like year-round cabin fever, basically. it would be absurd and probably offensive for me to claim that as my gender identity. but i can see having it as my epitaph, if anyone bothers to make me a tombstone. it’s pithy.

Dave Bonta
1966-2066
woods queer

I mean it’s so much better than tree hugger, which has been taken over by neoliberal techno greens (a term i just made up but which is absolutely a real category)


when you live on a mountaintop, you quickly learn to unplug all modems, computers and other sensitive electronics during a thunderstorm, imagine if we had a so-called smart home. our dumb asses would be running around all the time unplugging and fussing over things. slaves to the machines we made to serve us. weighed down worse than ever by Blake’s mind-forg’d manacles.

(just because “London” is in every secondary school curriculum in the English-speaking world doesn’t mean it isn’t still a very deep, very heavy, and may i also suggest very metal poem)