Beachhead

putting my phone away
the plushness of the moss

at its greenest now
at the end of a hard winter

a butterfly dances past
like a lost carnival float

the naked trees sway
gray and weather-eaten

i find a habitable hush
in the shade of a pine

though from time to time
a moan interjects

the sound of friction
with a too-close neighbor

a wild lettuce seed drifts
on a pompon of down

up over the mountain
and out across the valley

where every raw patch
of plowed or scoured earth

calls to the migrant killdeer
as an unclaimed shore

Thaw

a chaos of paths
stops me in my tracks

tumbleweed AKA windwitch
stuck in the icy crust

while moss and lichen
nearby are melting free

touseled but upright
with gray cups upraised

a crushed plastic water bottle
rests like a saint in its icy crypt

the ground shakes
from a coal train

one piece of passing graffiti says
in gothic letters GET OUT

Meanwhile

crown shyness as they call it
saves the trees
from foreign entanglements

as shrinkwrapped
in ice they glitter
and shed dead limbs

now in my woodstove
a tongue of flame makes
a knot explode

smoke from my chimney
sinks to the ground
and ghosts off into the forest

where i soon follow
over the ice
with chains on my feet

seeking patches of snow
left behind by the wind
for news of spring

chipmunk forays
out of hibernation
the braided tracks of coyotes

bright green
scraps of moss
dug up by a squirrel

The Silent Walk

for Beth

at the heart of a hike
another cup of tea

where a tree frog plays
his solitary gambit

everything drips except the hawk
dropping in after squirrels

through one hole in the canopy
and vanishing through another

at the beginning of autumn
my desire is still green

for the plushness of moss
the luster of rhododendron

and the brownish green
of newly grounded acorns

but what do you hear
above the din in your head

traffic and the rainy forest
their unknowing duet

how an acorn rolling past me has
a different knock for every rock

and raindrops seem more discriminate
when they fall from trees

their patter is a language
known to salamanders

and what do you see
when you put the scroll to sleep

fog envelopes us
and turns the light green

i open my umbrella
like a tattered black flower

the holes in its sky
let the darkness out

and what do you feel
when the craving ends

my lungs go on tirelessly
processing clouds

Better Angels

The section of the woods I call the moss garden was full of death angels today. The camera in my phone doesn’t quite know what to do with them, too deathly pale against the rain-darkened moss — they throw the white balance completely off.

I pass a porcupine just as she’s emerging from her door at the base of an oak. She must’ve heard me coming — her bristles are up. I stop and say Hi in a friendly voice. She gazes back, her beady eyes unreadable, retreating into the tree as I continue past.

I used to say that the porcupine was my totem animal but I don’t make that joke anymore. I let the boutique left convince me that this represented a heinous appropriation of indigenous culture. It’s true that more than once in my life porcupines have appeared like omens or indeed guides precisely when I most needed them. But I am not enough of a narcissist to believe they actually bother about me at all. Occam’s Razor suggests instead that they are simply wild creatures going about their lives, which randomly intersect with our own.

Which is part of the attraction, of course. The ideal guide would ignore me altogether! How dreary to be somebody, as one of my dead role models once said. I just want to vanish like a needle into the world’s haystack.

I should add somewhat parenthetically though that as a poet, one gets used to ascribing meaning to events in nature in a largely playful way, which preserves the autonomy of its actors apart from our narrative webs. This is the power of the lyric mode to elevate meaning without abstracting it from all context in the ummwelt. It’s why I believe everyone should practice poetry. It softens the hard lines between things. Its highest truths always take the form of a paradox.

For twenty minutes after the rain stops, the tree I’m sitting against keeps dripping on my boot. Arching my neck back, I can watch the drop gathering to fall, then feel it on my toes two seconds later: the sort of simple, synesthetic pleasure money can’t buy.

The same tree is dropping acorns, and that too is a pleasure: the minor thrill each time of having been passed over by the angel of hard knocks. Until I’m not, and a lump sprouts atop my head like a lizard’s third eye. I’ll open it every full moon.

Picnic

in an oak forest whispery
with caterpillar droppings

an ovenbird steps out
on her pink feet

as i drink my pink tea
of sassafras and milk

the sun slides down
a silk thread

whose absent abseiler tracks
a shadow back to its tree

a caterpillar with whiskers
as bristly as a streetcleaner

entering a dark valley
in the bark of a chestnut oak

follows it up the trunk
propelled by its gut pulsing

in sync with the prolegs
from hump to hump

driven almost literally by hunger
a body within the body

that one day will crawl out
with wings and gonads

an overwhelming urge to mate
and no mouth

the female so full of eggs
she will not be able to fly

i finish my lunch
the male ovenbird is singing

a carpenter ant goes past
carrying a splinter

Lonesome Holler

Sometimes I think the loneliness would be unbearable if I weren’t surrounded by ghosts. But seeing fireflies this early in May gives me an eerie feeling. The crescent moon is nearly alone in the sky, glimmering through a scrim of clouds. The aurora got rained out, and now the night is loud with all the voices of water as it runs off a mountain.

It occurred to me recently that in hilly country, those who are afraid of heights like me might often end up on mountaintops, because going straight up a steep hillside usually feels safest. Going sideways is scary, and downhill too perilous to contemplate. So onward means upward simply to avoid the abyss.

making the stars quake mountaintop peeper

Greens

the green of moss on an oak
three years dead

the green of greenbriar
on which a deer has grazed

the green of a bench in the woods
where vows were once exchanged

the green of garlic mustard
before it becomes too bitter

the green of ferns that have borne
the weight of snow

the green of winter wheat in the distance
when the sun comes out

the green of lichen on a rock
finding everything it needs

the green of leaves that won’t return
to a toppled witness tree

the old green of trailing arbutus
rushing into bloom for a few cold flies


Plummer’s Hollow, PA
March 17, 2024

Mourning Cloak

moss like sadness
hiding old wounds

a mourning cloak butterfly
touches down

accompanied by a hydraulic drill
hammering at the quarry

and the screech of steel
from a passing coal train

the butterfly’s dark wings
edged in white look immaculate

after months secluded under
some loose flap of bark

all systems shut down
cells flooded with antifreeze

now come miraculously back
to green unshaded moss

waiting for the sun to open
her bluest wings
of pure grief

Garter Snake

what i had taken for a path
you knew to be home

your long striped road of a body
coiled in last year’s leaves

poised for whatever the first
day of spring might bring

to a hill scarred and scoured
by centuries of exploitation

i study your legless stance
you gaze off to the north

your tongue flickering
i hold out marshmallow hands

show me how to inhabit
one thought at a time

even if i cannot simply
crawl out of an old skin

i could hone my cravings
till they’re small and sharp