The Silent Walk

for Beth

at the heart of a hike
another cup of tea

where a tree frog plays
his solitary gambit

everything drips except the hawk
dropping in after squirrels

through one hole in the canopy
and vanishing through another

at the beginning of autumn
my desire is still green

for the plushness of moss
the luster of rhododendron

and the brownish green
of newly grounded acorns

but what do you hear
above the din in your head

traffic and the rainy forest
their unknowing duet

how an acorn rolling past me has
a different knock for every rock

and raindrops seem more discriminate
when they fall from trees

their patter is a language
known to salamanders

and what do you see
when you put the scroll to sleep

fog envelopes us
and turns the light green

i open my umbrella
like a tattered black flower

the holes in its sky
let the darkness out

and what do you feel
when the craving ends

my lungs go on tirelessly
processing clouds

Better Angels

The section of the woods I call the moss garden was full of death angels today. The camera in my phone doesn’t quite know what to do with them, too deathly pale against the rain-darkened moss — they throw the white balance completely off.

I pass a porcupine just as she’s emerging from her door at the base of an oak. She must’ve heard me coming — her bristles are up. I stop and say Hi in a friendly voice. She gazes back, her beady eyes unreadable, retreating into the tree as I continue past.

I used to say that the porcupine was my totem animal but I don’t make that joke anymore. I let the boutique left convince me that this represented a heinous appropriation of indigenous culture. It’s true that more than once in my life porcupines have appeared like omens or indeed guides precisely when I most needed them. But I am not enough of a narcissist to believe they actually bother about me at all. Occam’s Razor suggests instead that they are simply wild creatures going about their lives, which randomly intersect with our own.

Which is part of the attraction, of course. The ideal guide would ignore me altogether! How dreary to be somebody, as one of my dead role models once said. I just want to vanish like a needle into the world’s haystack.

I should add somewhat parenthetically though that as a poet, one gets used to ascribing meaning to events in nature in a largely playful way, which preserves the autonomy of its actors apart from our narrative webs. This is the power of the lyric mode to elevate meaning without abstracting it from all context in the ummwelt. It’s why I believe everyone should practice poetry. It softens the hard lines between things. Its highest truths always take the form of a paradox.

For twenty minutes after the rain stops, the tree I’m sitting against keeps dripping on my boot. Arching my neck back, I can watch the drop gathering to fall, then feel it on my toes two seconds later: the sort of simple, synesthetic pleasure money can’t buy.

The same tree is dropping acorns, and that too is a pleasure: the minor thrill each time of having been passed over by the angel of hard knocks. Until I’m not, and a lump sprouts atop my head like a lizard’s third eye. I’ll open it every full moon.

Picnic

in an oak forest whispery
with caterpillar droppings

an ovenbird steps out
on her pink feet

as i drink my pink tea
of sassafras and milk

the sun slides down
a silk thread

whose absent abseiler tracks
a shadow back to its tree

a caterpillar with whiskers
as bristly as a streetcleaner

entering a dark valley
in the bark of a chestnut oak

follows it up the trunk
propelled by its gut pulsing

in sync with the prolegs
from hump to hump

driven almost literally by hunger
a body within the body

that one day will crawl out
with wings and gonads

an overwhelming urge to mate
and no mouth

the female so full of eggs
she will not be able to fly

i finish my lunch
the male ovenbird is singing

a carpenter ant goes past
carrying a splinter

Lonesome Holler

Sometimes I think the loneliness would be unbearable if I weren’t surrounded by ghosts. But seeing fireflies this early in May gives me an eerie feeling. The crescent moon is nearly alone in the sky, glimmering through a scrim of clouds. The aurora got rained out, and now the night is loud with all the voices of water as it runs off a mountain.

It occurred to me recently that in hilly country, those who are afraid of heights like me might often end up on mountaintops, because going straight up a steep hillside usually feels safest. Going sideways is scary, and downhill too perilous to contemplate. So onward means upward simply to avoid the abyss.

making the stars quake mountaintop peeper

Greens

the green of moss on an oak
three years dead

the green of greenbriar
on which a deer has grazed

the green of a bench in the woods
where vows were once exchanged

the green of garlic mustard
before it becomes too bitter

the green of ferns that have borne
the weight of snow

the green of winter wheat in the distance
when the sun comes out

the green of lichen on a rock
finding everything it needs

the green of leaves that won’t return
to a toppled witness tree

the old green of trailing arbutus
rushing into bloom for a few cold flies


Plummer’s Hollow, PA
March 17, 2024

Mourning Cloak

moss like sadness
hiding old wounds

a mourning cloak butterfly
touches down

accompanied by a hydraulic drill
hammering at the quarry

and the screech of steel
from a passing coal train

the butterfly’s dark wings
edged in white look immaculate

after months secluded under
some loose flap of bark

all systems shut down
cells flooded with antifreeze

now come miraculously back
to green unshaded moss

waiting for the sun to open
her bluest wings
of pure grief

Garter Snake

what i had taken for a path
you knew to be home

your long striped road of a body
coiled in last year’s leaves

poised for whatever the first
day of spring might bring

to a hill scarred and scoured
by centuries of exploitation

i study your legless stance
you gaze off to the north

your tongue flickering
i hold out marshmallow hands

show me how to inhabit
one thought at a time

even if i cannot simply
crawl out of an old skin

i could hone my cravings
till they’re small and sharp

January Blues

shadows on the snow
stretched out as if in prayer

the sound made by a spring
as ice smothers it

news that breaks and breaks
on slow snowshoes left right

here the urgent leaps
of a white-footed mouse

there a coyote pair
taking turns breaking trail

squirrels in heat
their labyrinthine urges

skeletal feathers of frost
where a vole is breathing

all just uphill from the interstate
a thing shown on maps

and a town in the mountains
taken over by mountains of snow

in every parking lot
another white peak

the pigeons rise
become a flock of rock doves

revolving in the blue
like a stuck tire

The Hollow After Christmas

where a buck rubbed
the felt from his crown

fog drifts through the trees
without getting snagged

the day after Christmas
it’s not accurate to say the ground is bare

it hosts a 10-million-piece puzzle
of the fallen in brown and gray

a hickory nut still in its hull
is riding out the rain

like my last lost idea
nestled among roots

a red flourish of surveyor’s paint
flakes from a dead oak

while a power pole marked up by bears
is turning green

who knows what markings
might outlive us

stay too long in one place
and all the faces change

the once-vernal pools
now hold water year-round

which means we’re witnessing
the birth of a bog

it fattens on raindrops
each one a bull’s eye

the water seems murky
but it’s only the fog’s reflection

down below this cloud ceiling
a train blows its horn three times

instead of the usual six
i keep listening for the rest

my fingers grow cold
daylight begins to fade

shadows flit through the woods
heading for their roosts

at a crossroads of trails
traffic is light

just the clouds and me and then
just the clouds

Winter Bells

high above the town
a tree rests on a black stone of sap

like an exclamation mark
for a life sentence

or the old hearth and chimney
that i found yesterday

standing alone
deep in the state forest

we are confronted by the absent
the deciduous undead

drained of sap
immune to the provocations of sunlight

their pantomimes of desire
reduced to mere architecture

while stones dance
through freeze and thaw

all winter long now
rocking in their cradles of leaves

the day after the solstice
the sun reappears

in the dark ice-free end
of a woodland pool

for a long moment just after noon
amid the clamor of bells