January Blues

shadows on the snow
stretched out as if in prayer

the sound made by a spring
as ice smothers it

news that breaks and breaks
on slow snowshoes left right

here the urgent leaps
of a white-footed mouse

there a coyote pair
taking turns breaking trail

squirrels in heat
their labyrinthine urges

skeletal feathers of frost
where a vole is breathing

all just uphill from the interstate
a thing shown on maps

and a town in the mountains
taken over by mountains of snow

in every parking lot
another white peak

the pigeons rise
become a flock of rock doves

revolving in the blue
like a stuck tire

The Hollow After Christmas

where a buck rubbed
the felt from his crown

fog drifts through the trees
without getting snagged

the day after Christmas
it’s not accurate to say the ground is bare

it hosts a 10-million-piece puzzle
of the fallen in brown and gray

a hickory nut still in its hull
is riding out the rain

like my last lost idea
nestled among roots

a red flourish of surveyor’s paint
flakes from a dead oak

while a power pole marked up by bears
is turning green

who knows what markings
might outlive us

stay too long in one place
and all the faces change

the once-vernal pools
now hold water year-round

which means we’re witnessing
the birth of a bog

it fattens on raindrops
each one a bull’s eye

the water seems murky
but it’s only the fog’s reflection

down below this cloud ceiling
a train blows its horn three times

instead of the usual six
i keep listening for the rest

my fingers grow cold
daylight begins to fade

shadows flit through the woods
heading for their roosts

at a crossroads of trails
traffic is light

just the clouds and me and then
just the clouds

Winter Bells

high above the town
a tree rests on a black stone of sap

like an exclamation mark
for a life sentence

or the old hearth and chimney
that i found yesterday

standing alone
deep in the state forest

we are confronted by the absent
the deciduous undead

drained of sap
immune to the provocations of sunlight

their pantomimes of desire
reduced to mere architecture

while stones dance
through freeze and thaw

all winter long now
rocking in their cradles of leaves

the day after the solstice
the sun reappears

in the dark ice-free end
of a woodland pool

for a long moment just after noon
amid the clamor of bells

The Turn

it starts with a zipper in the rain
that soft syllable

an oak leaning into
its impending death

you can shelter under it
as open as a book

it starts red and wrong
as an oak apple

old sapsucker holes bleeding
pale sap down a spruce

rain collecting in a hollow
atop an exposed birch root

so the tree can mainline it
like an autumn addict

mushrooms glory
in their fruiting bodies

as black drupes swell on maple-
leafed viburnum

and beechdrops’ self-fertilized flowers
hide under a twiggy bouquet

it’s a kind of spring
buried in the heart of autumn

just before antlers turn
from trees into weapons

and every leaf in the forest
goes off-script

Facing North

turkey-tail polypore
eavesdropping on dead air

a turtle has left its shell
for the autumn rain

a cloud forms just below me
on the rocky slope between the trees

moves without moving
ceasing to be here and re-forming there

and i am seeing ghosts again
it’s a question of distance

a galleon of vague regrets
drifting toward the horizon

or the fine spine and spool of her
unwinding in a wind of fingers

the air is cool but close
acorns fall with muffled thumps

on the north side of the mountain
the moss grows deep

a mosquito swells and darkens
on the back of my hand

Brain Fog

awoken by a dying rabbit
its shrieks in the night

i dream a cleaver-shaped moon
rain soft as fur

in the small hours even
the mosquitoes are sleeping

i listen to the surf of blood
pulsing in my temples

a cloud has come down for us
we don’t need to rise

New videohaiku: the future…

river in November light between bare woods and mountain


Watch on Vimeo

What does it mean to look forward to something any more, in a world hurtling toward ecological collapse if not thermonuclear destruction? There was a bestseller back in the 1970s called Future Shock about the social and psychological damage incurred by modern society’s relentless drive toward progress… or so I imagine, having never actually read it. But it’s been on my mind lately despite that minor detail. I’ve also been thinking a lot about ignorance, both in epistemological and sociological terms, and not coming to any firm conclusions because I rarely do. That’s a poet thing, I suppose. Not knowing the future, though, seems essential to mere survival, let along progress, as the Rene Char quote in the sidebar here says: “How can we live without the unknown before us?”

This has been a horrific summer in many parts of North America, but here in central Pennsylvania we went from a severe spring drought to a very wet but relatively cool summer. Trees went from nearly dropping their leaves at the beginning of June to massive growth spurts in July—aided, I’m sure, by all the extra CO2 in the atmosphere. And part of what kept things cool for us was the haze from burning forests elsewhere, as I’ve mentioned in various poems. But one of the pleasures of haiku is being liberated from having to explain things. They can just lurk in the background, mostly inaudible to the reader. Distant flashes that can mean whatever you want them to.

The fireflies, who had been scarce early on, had their highest numbers toward the end of the season. I shot this 30-second clip of them on my phone at dusk last week, just as the weather was turning from muggy to cool. Three nights ago the katydids started up; in a week or so, their throb will be all we hear. I look forward to weeks of good sleep.

Monsoon

amanita half-eaten
by a white fog of mold

what makes me think
i alone can stay dry

we appear to have entered
a monsoon season

and the spongy moths are mating
having prospered during the drought

the dusty-winged males flutter up
at my every step

through an ankle-high
grove of sassafras sprouts

to my seat against an oak
the sassafras in my thermos

and a seethe of traffic
from the interstate below

losing all its teeth
in the rain-fattened moss

a foot away from my right foot
a green stick caterpillar

clings to the end
of a ghost pipe

the way new beliefs
take root in a convert

held up rigidly
against the clouds

White Solstice

sun summoning from a white sky
the ridgetop oaks’ fuzzy shadows

gnomons enough to mark
the summer solstice

in one patch of half-sunlight
a box turtle’s red eye blinks

while a scarlet tanager flutters
in the canopy on dark wings

how cool the ghosts
of burning forests have kept us

it’s late morning and i’m still
in long sleeves

a breeze pages through the oaks
a revelation of caterpillars

and the tanager is a quick study
warbling as he hunts

one tree bears a vertical slit
of sky and leaves

crossed by a wide scar
straight through the heartwood

where two intertwined trunks
failed to fuse

and this cross made by a cross
bears an immense green crown

as it should for standing up
to all our weather

eyelids drooping i walk on
into a summer afternoon

the field has its sparrows
and the eastern wood its pewees

but i am melancholy as a catbird’s
parody of a wood thrush

for true refinement can only
be learned from the masters

which is perhaps why the sun
in firefly season

models itself after
that glowworm the moon

East of Eden

millipede under
the lip of my rock

curling into a question mark
as i stand to go

among mountain laurel blossoms
their sticky white cups

falling in the drought-stricken woods
with audible ticks

we’ve had a taste of rain
the moss is soft underfoot

the breeze carries the despairing
rage of a pair of birds

watching their children die
in the sunless tunnel of a snake

who is presumably savoring
her only meal of the week

knowledge of good and evil
extracts a terrible toll

while two trains
meet at a crossing

two broken chords disharmonizing
clear to high heaven

the way my two grandmothers
sometimes meet in me

the strident one
and the contemplative one

on bad air days when everyone
else also sees

this achingly beautiful planet
through a veil of ash

and i don’t know how it seems
to extraterrestrial visitors

but on earth the truth is bitter
it’s an acquired taste