Ungrateful keyboard! I wake myself up two hours early to write and all you can do is sit there. Your so-called keys stay locked. My brain says write, my heart says hum to yourself.
The new snow stopped falling sometime in the night and a few stars were blinking in and out of the clouds by 5:00. Every snowfall has its own properties; this one brings the trains closer and drives the gurgle of the stream farther away. As I sat out on the porch with my coffee I was admiring as I do so often the unique pitch of each eastbound locomotive whistling the crossings: Bellwood, Tipton, Grazierville, Tyrone, Plummer’s Hollow, Birmingham. Now all I can do is sit here and hum, writing about writing about nothing. Because important things have been happening too fast for me to record, unless I were to turn myself into a writing machine with no time left over to experience anything except in retrospect. So I guess I’ll have to break an unwritten rule here and resort to bullet points, so as not to forgo all mention of:
~ The courtship flights of the woodcock at dusk almost every evening for the past week – the way it can slip in and out of sight against the almost-dark clouds, the sudden transition from strange nasal peent to the rapid piccolo it makes somehow with its wings, rushing across the sky in wide arcs like a released balloon
~ The week-long Visit of the Beloved Granddaughter (my niece Eva) from Mississippi, and her 8th birthday celebration yesterday in the snow she welcomed as “a present from God – I mean from Santa!”
~ The scavenger hunt for birthday presents, and the riddles my dad and I had dreamed up for clues leading from one present to the next all over the farm
~ Some of the things collected before the snow fell: ruffed grouse feathers; jawbones from winter-killed deer; bird’s nests; a large handful of wild grape tendrils, each one an eloquent restatement of the beauty in clinging, the unique possibilities of attachment
~ My mother saying yesterday morning as the birds mobbed the strewn seeds: “I wonder if a fox sparrow will show up today?” and a fox sparrow showing up two hours later, obligingly digging his trademark holes in the snow, the song sparrows and juncos giving him a wide wake
~ The very punctual return of the eastern phoebe in the middle of the snowstorm. I was attending to e-mail yesterday afternoon when he landed on a branch of the mulberry sapling right outside the window where I type and flicked his tail up and down three times.
It’s light now and I can see what the night brought: just the barest additional skim of snow on top of yesterday’s five inches. Today, we’re off to Penn State to visit museums – always a fun thing to do in the company of a bright and inquisitive 8-year-old.
I don’t get to enjoy the company of children very often – especially children who love nature, poetry and all the other things that exercise the imagination. So naturally I’ve been enjoying the excuse to relive my childhood for a few days (who knew that tinkertoys could still be so much fun?!). Fueling my enthusiasm, too, is the marvelous, multi-authored literary experiment unfolding over at Commonbeauty, “The Archaeology of Childhood.” The entries are in the form of personal letters between participants, describing an illness or an affliction suffered during the writer’s childhood and what it meant to him or her. The results have been very moving – not a dud yet. As Tom Montag observed a couple days ago, this is an experiment that takes advantage of the unique possibilities of the blogosphere for spontaneity and immediacy.
I believe today will see the seventh and final installment of this unique experiment, so if you have the time to stop over you can read the whole series from start to finish.
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When I began thinking about luck yesterday it was with a specific destination in mind, but I ended up somewhere else instead. I’ll start again, with the “reprint” of an essay off my other website that’s also in the spirit of the archaeology of childhood. This was written in January of last year, as the chorus of harpies calling for “shock and awe” in Baghdad was rising to a crescendo.
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RATS IN THE WOODPILE
There were always rats in the barn when I was a kid. We kept the chicken feed in wooden bins reinforced with sheet metal but they still managed to chew through. My father said that a Norway rat could chew a hole in a lead pipe in twelve hours, and I believed him. He put out d-con rat poison, but it never got them all. We tried not to think about how it worked: slow death by dehydration.
Then when we cleaned out the shed, we found dozens of mummified rats hidden in the scrapwood pile. My brothers and I kept the most gruesome examples for a long time, bringing them out to show visitors. The mummies were completely hairless, and their tough yellow-brown hides made them seem less animal than vegetable, dried seed husks or corn stalks in winter. Except, that is, for their heads, the place where their eyes had been. “Look at this one! It’s still got all its teeth!” “Why is it grinning like that?”
The rats had excavated an extensive subway system connecting barn, shed, and compost heap. The only way to catch more than a glimpse was to sit very still in the basement of the barn for a while, for instance with a loaded .22. They were part of the natural order of things, and it never occurred to me that they could die out. But one day a few years after we stopped keeping chickens and the raccoons killed the last of our Muscovy ducks, I realized there weren’t any more rats around. Their major tunnel entrances were all grown up with weeds.
My niece Eva comes to visit at least once a year, at Christmas. Two years ago, when she was four, she and her Uncle Steve discovered a mummified duck under the hay in the barn basement. Something had eaten half its face, but otherwise it was in pretty good shape. Eva was fascinated. Every day for the rest of her visit she would beg to be taken down to the barn to see the dead duck. Nor was it a passing fancy–a year later she was still visiting it faithfully at its resting-place on the hay of the next-to-last stall.
Had I been thinking, I probably could have predicted that Eva’s first poem would include a duck–very much alive, with ducklings in tow. In my family, we’re fond of attempting such auguries about people, about the weather, about world affairs, though we never bet any money on them. For major events, like elections or impending wars, everyone will predict a different outcome.
These days, there’s fierce competition for the worst-case scenario. No one actually wants it to come true, of course–in fact, some of us cling to the notion that a bad thing can’t happen if it has been fully exposed in advance. But even if it does come to pass, someone at least can enjoy the brief frisson of its discovery. “Why is it grinning like that?”
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This brings me to what I wanted to mention in yesterday’s post: the role of luck/grace in the birthing of any truly original poem or work of art. I don’t mean to discount the importance of practice, practice, practice. In fact, I think that Pasteur’s dictum, “Chance favors the prepared mind,” perfectly captures the relationship of preparation to inspired discovery. All I’m saying is that such discovery is utterly chancey – as my experience this morning with the mute keyboard reconfirms. And that it comes from some specific place, some spot in the in-between of earth and sky: all genius was originally of place. The word applied to the production of an artist only by the once-conventional presumption that inspiration is (as its eymology still implies) a species of possession.
I had been invited to participate in a poetry reading for State College’s First Night celebration a year ago, and as usual I brought my audience with me in the form of the extended family. Eva was then six going on seven and wanted to know what kind of tree was this “poetry” I was going to read about. She sat with me in the front row throughout the entire two-hour reading – a fairly hyper, high-energy kid who is also blessed with the ability to concentrate. A month or two later, her daddy helped her type her very first poem and I proudly e-mailed it around to all my friends. She hasn’t written anything like it since, and I have no intention of pushing her.
[untitled]
by Eva Bonta (6 going on 7 years old)
How would it be to smell
like a flower and the petals
fall off from cold wet breeze
pink and silver yellow.
The birds fly up to
their nest as hot as the
sun with their hot smooth
egg. The frog at the
pond croaked once more
as the Duck with her
Duck-lings go silently to
bed when the moon is
yellow.