Aceldama

bloodroot (1)

A few feet from the busy highway, next to the Advance Auto Parts store on the outskirts of Huntingdon, Pennsylvania, two carloads of wildflower enthusiasts piled out and feasted their eyes on bloodroot, Dutchman’s-breeches, and the first purple trillium.

It might seem strange that so many delicate-seeming native perennials would flourish in what we like to think of waste places. But steep, rocky hillsides along roads and highways are among the few places where the over-abundant white-tailed deer don’t linger. Trash-strewn, noisy, polluted, and excessively vulnerable to weedy invasives though they may be, such places have become de facto wildflower preserves. You can walk for miles through the deer-haunted back-of-beyond and see little but brown from last year’s hayscented fern.

cutleaf toothwort

In a poem by Tomas Tranströmer, translated by Robin Fulton, the “Outskirts” are “an intermediate place, stalemate, neither city nor country,” and include “auto body repair shops in former barns.”

The stones throw their shadows abruptly like objects on the surface of the moon.
And these places just multiply.
Like what they bought with Judas’s money: “the potter’s field, to bury strangers in.”

hepatica (4)

But any place where trees are allowed to sprout and grow however they want, free from overzealous homeowners and unchecked herds of grazing animals alike, still offers the possibility of a sabbath — the return of balance to the earth’s economy. Profit and toil have not yet completely wrested it from the shyer and more indigent inhabitants of the earth. It still has the capacity to give more than it receives.

bloodroot (4)

The land bought with blood money in Matthew 27:6-8, or fertilized with blood according to Acts 1:18-20, became a kind of sanctuary too. What had been an economically exploited piece of ground — a source of potter’s clay — was converted into a refuge, with the author of Acts quoting from Psalms: Let no man dwell therein… In similar fashion, the best display we wildflower hunters found last Saturday was a few miles farther to the southeast along the same highway, at the base of what had once been a very active quarry for ganister stone: the Thousand Steps, now publicly owned and managed as a Pennsylvania state gameland. The mountainside has recovered remarkably well in just a few decades, and indeed, now serves as a refuge for a state-threatened species, the Allegheny woodrat. On a beautiful, warm spring day, the parking area along the highway was crowded with visitors intent on climbing the eponymous steps and taking in the view from the top. We seemed to be the only ones there to peer at the ground.

After the long winter,
the flowers too are eager
to face the sun.

*

A lull in traffic.
The wildflowers grow still
on their thin stalks.

*

View the complete slideshow from Saturday’s outing, or (for those with slower connections) browse the photoset.

In the vernal pool

vernal pond
 

In the vernal pool on top of the mountain, the trees shiver even when there’s no wind.

 

Wood frogs have anchored their egg masses to a pair of sunken twigs.

 

Long shadows inched over the leaves & the moss while the blue-headed vireo recited his song from memory.

 

A mourning cloak butterfly passed me on the ridgetop trail, & I turned & watched it until it was out of sight.

 

A wild turkey burst from cover, got tangled in a black birch sapling, & fell back to earth.

 

Some disturbance of the universe would be unavoidable even if I never left the house.

 

Hours later I remember to check myself for ticks.

 
moss

Lucky Numbers

bad days

Friday the 13th. I sit at home & watch the numbers change on my digital clock. Their economy of form has always pleased me: only seven red bars, but the clock can make any numeral. I keep expecting it to slip & display an upside-down 7 or a backwards 3.

home away from home

I could be a housesitter, I think. What could go wrong? I’d say to the house, “It’s bedtime,” & sing a lullaby to every empty room. When the man from the bank came to visit, I’d show him the bright yellow sun in the corner of the sky.

wall ear

The man from the bank would listen so hard, he’d hear the plaster shrinking in the cold. I’d show him the clock on the side of my coffeemaker. I’d ask him where the lucky numbers go.

Winter green

March sunlight

It’s been cold, the past few days, and very quiet. The four-lane highway just over the ridge to the west has been virtually inaudible, even at dawn. Every day the sun inches a little higher in the sky; the long low light of winter is coming to an end. The evergreen leaves of the mountain laurel, shot through with sunlight, burn with the fire of an eternal spring — especially when we don’t have a deep snowpack leaching sulfuric and nitric acid into the soil from the coal-burning power plants of the Ohio Valley. In past years, I’ve watched up to half the leaves on some laurel bushes acquire lurid splotches and die within a week of melt-off.

silver barn

I climb to the top of what we call Laurel Ridge — the one my front porch looks out on — but there’s no snow anywhere. The fields to the east are a muted yellow, and the hillsides look as brown as November, with no sign of a blush from swollen buds. I watch a train wind past the village of Ironville a mile away, and except for the fact that it’s not black and white, I might as well be watching a silent movie. A pickup truck moves slowly down the village’s single street. It occurs to me that the only actual human beings I’ve seen from this ridgetop are the Amish farmers, on occasion — tiny figures from here, especially by contrast with their enormous barn.

I go back down into the hollow, zig-zigging through the laurel, careful not to slip on the leaf litter which the snows we did get earlier on have pressed into a flat slick surface, like the pelt of a well-groomed pet. Though it’s only mid-afternoon, the other side of the hollow is already in shadow. Among the hemlocks at the bottom of the gorge, shining in the sun, is a bluish-white snake: Plummer’s Hollow Run gurgles and whispers under scales of ice, all that’s left of winter.

stream ice

I suddenly realize how hungry I am. I look down and spy a pair of pink teaberries a few inches from my right boot. They are dry and half-frozen, but twice as sweet as they would’ve been last fall when they were fresh. One doesn’t often think of winter as a time for ripening, but of course it is. Some things need a cold season to bring out their full character; the rosehips in my front garden are also at their peak of flavor now. I follow the ribbon of ice upstream toward home, my mouth filled with the pleasant fragrance of methyl salicylate — wintergreen.

Privilege

rock oak and beeches b&w

I am not ready to let the colors back in. The sky in black & white retains a pleasing uniformity: it’s either a wall of light or the nightly well. Shadows have authority, making a man appear as solid as a tree and a tree as stolid as a gnomon. I am not ready for brown & green & blue & the grievances of noon. I am not ready to stop being white & seeing white as blankness, the default setting. The kind of self-effacement that ennables is still so comfortable. The old ways might have been wrong but it was a wrongness that required careful attention, like the shape & set of a fine felt hat. It was ugly, yes, but it fit. Now we have such a crowd of proud misfits, loud in their ain’ts & their complaints, shrill as the shills who killed their appetite for books. I watch their hands shaping the air & think, what if someday we all switched to sign language & to Braille? What would that do the hard cell of self? Then perhaps we could free ourselves from the shame of misbegotten speech: the N-word, the F-word, the C-word, the S-word. Then we could all luxuriate in a world of scent & soft outlines — a touchy-feely city on the hill. Then only those without any hands would still stand on the wrong side of the wall, their unbranched shadows inching across the snow.

Anything but white

ditch

Screech owl at dawn
& a great-horned owl at dusk.
All day long, just words.

*

Skid marks where a rabbit
slid into the ditch at dawn—
no shadows then.

*

Marooned in the snow,
the old whitewashed springhouse
is anything but white.

*

Where deer once stepped,
dinner-plate-sized craters
brimming with new snow.

 

old footprints

Trees and desert

snowballs

Sorry for the slow and intermittent site performance lately — we’re doing our best to address it, but we’re not out of the woods yet. Or if we are out of the woods, we’re lost in the desert instead, inching along under unknown power like the sailing stones of Death Valley. And as it happens, Via Negativa posts are featured in two fabulous new blog carnival editions, each a pleasing blend of art and science: Carnival of the Arid #1 at Coyote Crossing, and Festival of the Trees #32 at treeblog. Stop on over if you get a chance. Hours of exploring await.

Haiku for a day in January

magic oak

I wake at 4:00
but my right thumb keeps twitching
as if in its own dream.

*

On the plowed driveway’s
hard-packed snow, three dark cigars:
Coyote was here.

*

Winter palimpsest:
inside each white-tailed deer track,
a coyote print.

*

Rabbit tracks
go into the laurel thicket
& don’t come out.

*

A rubbing sound
on the underside of the floor
as something turns over.

*

Hurtling down the hill
while seated on a sled —
I feel so sedate.

*

“Transparency.” “The rule of law.”
Never before have I wept
at such dull words.

*

Nothing has disturbed
the snow on the old statue
of a setter at point.