Today

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Today my head is very itchy. Today I am newly fascinated by the words nightjar and (thanks to pohanginapete) fossick. Today we have ample sunshine, cool temperatures and low humidity. Today the wood thrushes are continuing to sing well past 10:00 in the morning, accompanied by an indigo bunting, a wood pewee, and a common yellowthroat. Today I have begun by reading other people’s words instead of writing my own, which means really that I have been whispering, murmuring, and chanting under my breath the same as always. Today I broke my usual rule of no radio in the morning, and caught the headlines on NPR while I fixed my eggs — not that an egg ever can be fixed once it’s broken. Today the Middlewesterner is retiring from his sidebar such immortal Internet search strings as last chance notes to girlfriend, Blue hypnotic liquor, poems that rhyme with John Deere equipment and Commodification of the sasquatch. Today, says the Guardian, Bush accuses Iran of dragging its feet. Today the Stanley Cup goes head-to-head with the World Cup in the sports headlines.

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Today I have been engaging in an odd form of egosurfing with typoGenerator, inserting the text “dave” and “bonta” and marveling at the random images the program retrieves from the web. Today I am wondering where we got the idea that something like music could ever belong to its author, given that every instance of authentic listening involves a re-creation of the thing heard as well as a subtle reshaping of the one who listens. Today they are protesting in Vienna. Today I am trying to picture a jar full of night — a voice in the night woods, as Peterson describes the whip-poor-will: by day camouflaged as dead leaves, or flit[ting] away on rounded wings like a large brown moth. Today is the shortest day of the year in the southern hemisphere. Today the rudbeckia in my garden has begun to bloom in earnest, and it looks very much as if the first butterfly weed blossoms may open by late afternoon. Today by 11:30 the six Carolina wren fledgelings, who left the nest the night before, have still not figured out how to get out of the garage. Today is not even half over.

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Flies

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My fifth entry in the self-portrait marathon

But really, is this the face of an artist? Who am I kidding? Not my wise friends the flies, who rub their forefeet together in a travesty of devotion. En boca cerrada no entran moscas — flies don’t enter a closed mouth, says the Mexican proverb. But when is my mouth ever really closed, except for the fraction of a second that the camera shutter is open? Let the saints train their tongues to lie still as stones & their eyes to gaze modestly at their navels. It’s sheer hypocrisy to praise the open tomb while preparing oneself for the sealed reliquary. And in any case, the crawling faithful prefer the glistening surfaces of breasts or buttocks, with those dark & inviting hollows in between.

“First of all as to the patient’s face,” says Hippocrates: “does it resemble or not the face of persons in good health, and especially does it resemble itself?” This is what I’m wondering, my faithful physicians, health care in this country being as moribund as it is. You can rub your hands together all you want — you won’t get a dime of insurance out of me! Do I look like a rich man to you? Does my face have the unnatural glow of those who frequent health clubs with mirrored walls or fly airplanes into skyscrapers?

What you call dyslexia, I call poetry: an affliction in which nothing resembles itself, ever. A great poet like Eugénio de Andrade exceeds himself at every turn. Esta noite preciso de outro verí£o sobre a boca crescendo nem que seja de rastros, he wrote — “This night I need another summer on my mouth, gathering, even at a crawl.”

Would you recognize your own face if you saw it coming toward you down the street, without the usual soundtrack running through your head? Would you welcome it as an end to exile, or would you get out the flyswatter & the can of Raid? “Mama get your hatchet,” begged the bluesman Furry Lewis, “kill the fly on your baby’s head.” Buddhahood, they say, can be hazardous to your health. Best to go meditate on a corpse.

Old China Hand

The old china hand is crazed with hairline cracks, in addition to the maze of painted lines meant to represent the archetypal palm with five trunks in whose dubious shade a palmist has taken shelter.

Her shop is deserted. The hand stands guard in the window, flanked by crimson curtains like a morning sky flushed with portent: sailors, after all, take warning from a single hair in the pilot’s rosy palm. If he wants to take a loss in the futures market, that’s his own business, but no one wants to see him go blind.

And though the palmist knows this simulacrum like the back of–well, you know, she has yet to notice the spider setting up housekeeping above the Mount of Venus, stretching a hyperbolic Line of Fate between thumb & index finger, & pulling it taut with a Heart Line to the far side of the Mount of the Moon.

The web blossoms like a handkerchief between the fingers, like a magician’s tissue of lies. Such legerdemain is not for the slight of hand. Now the spider waits for customers as warily as the owner of the hair salon across the street, a quintessential small-town girl who feels more than a little disoriented by the china hand’s cheerful, permanent wave.

Found object

What is a “blog”? In this paper, I will show that this is a question which is less easy to answer than many people think, at least those people who know what “blogs” are, which isn’t everybody. Most people think “blogging” is something that only started with the World-Wide Web, but Webster’s Dictionary tells a slightley different story.

Blog n [ME blaugh, fr. OF blaugget, doppelganger; chalk; a lead weight used to measure chalk] 1 : a chewy substance of emetic and expectorant properties, derived from a mixture of matzo, manioc, and diatomaceous earth 2 a : gases emitted by a swamp, bog, fen, or other stagnant wetland b : any similarly potent gaseous emission — blogacious, blogatile adj
vb blogged; blogging vi : to produce blog < who blogged? > vt : to subject a person or matter of topical interest to fresh blog < decided to ~ it>

So as you can see the word has been around the block for a while. Alot of places on the Web talk about “blog” comeing from “weblog”, but you can’t believe everything on line because people can put whatever they want to and their are no editorials. Also, it is a circular reason, if you think about it. The first people who stated “we blog” on computers, got the idea for that verb from somewhere else. Probably the dictionary. “Blog” cannot come from “we blog”, the Web pages that say that are irroneous.

Today you can see alot of “blogs” more than ten million, which is more than the wetlands that exist in America. But your average “blog” has onely two posts (post is what they call pages in a “blog”, which come down from the top of the page in the order posted). And no links except Google News and Link me. Links are how you find “blogs”, except for “blogs” that the owner does not want you to find, besides “Next Blog” on Blogger, if you click on it. They have names that are like the titles of books that you want to look into because the cover makes you think it will be cool, for example, Green Eggs and Spam. The authors write about their daily life and opinions, such as Tristam Shandy, only less wordy and with smileys.

Smileys are important to show the emotions, like when you say something sarcastic or just-kidding. They are not just the ones with a smile, but winks and angry too, besides alot more other ones. When people write comments they use smileys, that way if they don’t know each other its O.K. Comments go back and forth at the bottom of posts and is maybe the reason why they thought about “blog” comeing from we blog. But some “blogs” don’t allow comments, either.

Some “blogs” only write about politics and think they are reporters, in their underwear they say. Political “blogs” for the most part are concerned about Snark, like Lewis Carroll wrote about how it disappears when you get to close:

In the midst of the word he was trying to say,
In the midst of his laughter and glee,
He had softly and suddenly vanished away — –
For the Snark was a Boojum, you see.

Daily Kos and Boing-boing and Michelle Markin are the most popular “blogs” sites right now. Also Istapundit.

In conclusion, if you think you know what “blog” is, you can find a “blog” that is something else. MySpace and Live Journal, that some say isn’t “blogging” comes under the influence of Chat rooms and bulletin boards, but many “blogs” just have links and plagiarism from others, and you can’t see any smileys there. You should try it.

A brief inquiry into the manners and customs of fools

I have been thinking about the fools, those anti-heroes of proverb and byword. A whole fool is half a prophet, they say, and A fool is his own informer. Which half of the future does he see – the half without hope, or the half without informers?

The fool is prolific: he grows without rain, they say. He takes liberties. He puts on airs. The fool’s world is a paradise, but better hell with a wise man than the heaven of fools. Don’t they sound jealous, these anonymous pimps for wisdom?

The fool tries patience, proves the rule. You can tell an ass by his long ears, a fool by his long tongue. His laughter resembles the crackling of thorns under a pot, they say: a loud and useless fuel, soon spent. And they say there’s no fool like an old fool, so it seems the elderly must be held in high esteem in the fools’ country. A dead man is mourned for seven days, a fool for a lifetime. What a wise custom, to mourn people while they are alive, so they may appreciate the tributes! For seventy years we learn wisdom – and die fools.

The language of fools – Folly – must be among the hardest to master, because it so easily masquerades as ordinary speech. Answer not a fool according to his folly, says the Book of Proverbs, lest you become like him. But Answer a fool according to his folly, lest he become wise in his own conceit. No foolish consistency at work there!

Clearly, not all proverbs are creations of the wise, though it’s hard to tell which are which. For example: In the country of the fools, a proverb walks with a limp. So what? Balance is where you find it. And why shouldn’t a dog return to his vomit? It’s the only way to discover what really happened! Everyone agrees that God looks after fools, so why should we shun their company?

Proverbs are prickly things, full of acid and the taste of deja vu. Foolishness is bound in the heart of a child, but the rod of correction shall drive it from him, says the Book of Proverbs. What dangerous folly! But aren’t proverbs in general a little like fools? For a fool cannot be questioned or explained, as the Yiddish proverb has it.

If we can’t trust proverbs, what do we really know about these strange people, the fools? Like most tribes, their own name for themselves is doubtless much less derogatory – in fact, it probably means something like “the people.” But given the difficulty of finding reliable informants, this is sheer conjecture. That fools are fond of sweets is an invention of the wise.

One hears about holy fools, though not of late. Fools used to have their own pope, too, chosen by popular acclaim – and vox populi, vox dei, as they say. I don’t think the Pope of Fools did much beyond carrying around a shepherd’s crook with no sheep in sight and issuing bull. But when the festival was over, he went wisely home to his wife.

Some say the fools have a tortoise for a king; we know all about his contest with the too-clever hare. The Yoruba call him Ijapa, and quote his proverbs for laughs – the only safe way to wax proverbial, I suspect. One morsel for the mouth, one morsel for the pocket – the word of Ijapa. What the world calls corruption the corrupt call being prudent. If you’re going to question authority, be sure to ask permission first – the word of Ijapa. Aren’t the best revolutionaries always like the good soldier Schweik?

I think I have identified one authentic saying of fools in the Bible: It rains on the just and the unjust alike. Who but a fool would believe such seditious nonsense? As Ijapa arrived at his in-laws’ house he exposed his penis, saying, “Nobody knows who might like to have a look.”
__________

Sources: Yiddish Proverbs, edited and translated by Hanan J. Ayalti (Schocken, 1949); Holy Bible; A Treasury of African Folklore, by Harold Courlander (Marlowe, 1996).

Proverbial

The scarab was in a world of shit. He took to it like a horse to water. “You can lead a fish to water, but you can’t make him blink,” he was fond of saying. He was happy as a pig in mud.

The scarab put his best face backward in order to keep a running tally of his progress, which was a matter of degrees – especially since he was in graduate school. Shit doesn’t just happen; you have to work at it. He covered all the bases, so typically he never got beyond the first date. All work and no play makes Johnny a very inept lover, the female beetles decided. Especially if he cares more about his stinkin’ piece-of-shit job than he does about you.

So he gradually backed himself into a corner, and that’s where the Egyptian priest found him. He said something cryptic and walled the scarab in with a few gold bricks. Ah, the irony! He had the balls of a brass monkey, and offered them to the scarab, but all the scarab wanted was to keep his shit together. He didn’t give a you-know-what about old world charm.

The gods must be crazy; that is their chief qualification. Whenever clients come seeking answers to life’s little dilemmas, the priest will place two steaming piles of dung in front of the scarab and study his reaction. “Holy shit!” the scarab invariably mutters to himself. “Holy shit!”

Housekeeping note

. . . to be lean, to maximize flexibility and minimize code bloat.

– www.codex.wordpress.org/Plugins

How fine to feel so fit from header to footer! That code bloat was killing me, I swear.

Now, I can maximize or minimize, mix and match, and if bugs can be fixed, I can flex unguessed-at muscles. The codex is the limit. This code seems most commodious.

I could rename every post slug “melvin” for the sheer hell of it. I could allow pings and trackbacks like a nervous hiker in grizzly country. I could learn to preprocess my hypertext, or content myself with editing the timestamp.

I grow old . . . I grow old . . . I shall wear the bottoms of my sidebar blogrolled. Gray as a gravestone this theme in which I chip. I must prepare to meet the dead links with a 404 message that reads, Found – just not found here, and not by anyone you’ve ever heard of.

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O.K., don’t mind me – just getting a little punchy here! Make yourselves at home. If you need anything, I’ll be down in the archives putting in shelves and cabinets, and unpacking things I didn’t know I had.

My Zen

Never mind Fuketsu’s Zen. If you want to express the truth, throw out your words, throw out your silence, and tell me about your own Zen.
Mumonkan

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My Zen is a joke.

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My Zen walks like a duck and quacks like a duck.

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My Zen does not pass Go.

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My Zen is all heart, baby!

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My Zen looks for enlightenment in all the wrong places.

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My Zen has a celebrity endorsement from Jack Shit.

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My Zen is no joke.

Person of interest

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The person of interest – not yet a suspect – has a slate-gray suitcase and a story full of holes. The person of interest is nobody you know. The person of interest has been known to express sympathy toward the enemies of the United States, to participate in assorted protests and boycotts, to eat falafel, to beg to differ, and to compare the private ownership of land with slavery. The person of interest goes for slow, apparently random drives in the country, taking numerous pictures of public infrastructure and commercial messages.

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The person of interest, though a native-born citizen of the United States, has repeatedly expressed interest in “getting the fuck out of here,” with socialist countries such as Sweden, Canada and Moominland most often cited as desirable locations. The person of interest listens to public radio without ever becoming a member. The person of interest sometimes dresses in black and runs barefoot through the woods.

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Last Tuesday, the person of interest discussed world affairs with an accomplice for about twenty-five minutes without a single mention of the War on Terror™. The person of interest is a regular user of the World Wide Web, viewing and contributing to little-read, heavily inter-linked “blog” sites in preference to more typical internet destinations such as E-bay, naked or nude xxx celebrities and Texas Hold’em. Though not yet a suspect, the person of interest is suspected of involvement in [REDACTED] and [REDACTED], “Old Faithful,” [REDACTED], Egyptian lentils – [REDACTED PARAGRAPH] chemical fertilizer as “a disaster waiting to happen.”

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The person of interest is said to have a smooth, hairless spot the size of a silver dollar on his or her left buttock, though we have not yet been able to confirm this. The person of interest is not considered a candidate for special rendition at this time, though advocacy of ecoterrorist acts involving criminal trespass, as well as persistent defamation of the American Beef Council, may eventually lead to detention as an enemy combatant in order to protect the public and safeguard the Constitution from abuse as a cover for openly seditious acts. Worst of all, the person of interest has sought classified information under the Freedom of Information Act…

UPDATE: For those who might think I exaggerated a little about government surveillance, listen to this report.

A chef’s guide to choosing poetry

Poetry is a natural accompaniment to food. Poem chemistry helps to soothe the psyche, appetize and refresh the palate, and assist with digestion.

Some combinations of poetry and food are more successful than others. However, attempts to set down a complex list of “rules” for matching food to poetry are ill-advised; the myriad variables of preparations, spices, sauces, side dishes, etc., along with individual palate and preference, make rules impossible. That being said, I’ll step into the quagmire and share some generalities that guide me well…

If the food flavors are complex, keep the poetry simple. If the poetry is complex, straightforward and simple food preparation will allow the poems to show off.

Matching the general flavor profile of the poetry with that of the food usually works. Keep the categories simple:

FOOD FLAVORS and corresponding POETRY FLAVORSSalty or sour (savory) – Light, crisp, imagistic

Bitter – Difficult, avant-garde, acerbic

Rich – Word-rich, metaphorically dense, allusive

Sweet – Musical, direct, ecstatic

When flavor elements mix in the food, try the same combination in poetry. Tomato sauces, for example, usually combine both sweet and sour flavors, so try poems that have both aural and syntactic complexities. This is not an exclusive or hard-and-fast system by any means; there are other combinations that may work just fine and serendipitous surprises are always palate-thrilling, but this chart can be a good starting point.

Occasionally a particular flavor element in a book of poems may be echoed by one in the food, but these pinpoint matches have an element of risk. A hint of cinnamon, for instance, can work wonders with some, but not all, Ondaatje. Poems by Charles Simic tend to go very well with sausages. But best try any new combinations on yourself before serving them to guests or large gatherings.

SPARKLING POEMS are very all-purpose. Wit is a great refresher and palate cleanser. These kinds of poems are especially good with savory foods. Want a treat? Try May Swenson with pizza!

CRISP, IMAGISTIC POEMS are a good all-purpose category. Allusive poems with little or no enjambment will harmonize with a wide variety of dishes.

RICH, FORMAL OR NEO-FORMALIST POEMS are good matches for foods that have cream or butter-based sauces. Some enjambment here is usually all right.

HAIKU work with delicate foods, such as trout.

ECSTATIC OR SURREALIST POEMS are the best choice for spicy (hot) cuisine, such as some South Asian or Mexican dishes. Be careful trying to match orgasmic poems with orgasmic desserts – one will probably climax before the other, leading to a combination of satiety and dissatisfaction more reminiscent of The Wasteland.

LIGHT POEMS are another good all-purpose category. They are fine with roasts and stews, fowl, and light meats. Many will even work with meaty fish, like salmon, swordfish, or halibut.

BEAT POEMS are reserved for steaks, chops, charred dishes, and scrapple. They also handle acidic foods, like tomato sauce, and take the edge away from bitter greens.

Feel free to experiment. Learn what works for your palate. The important operative wisdom is to eat and read what you like.

For more specific recommendations of poetry, barely in time for holiday Christmas shopping, see here.