Yes, I know it should be called “Red Creek,” but that’s a different stream, over at Dolly Sods. This is a tributary to Otter Creek which one fords when following the main trail through the wilderness area.
Return to Otter Creek Wilderness
This was, I believe, our fourth hike in the Monongahela National Forest’s Otter Creek Wilderness Area since we first ventured down that way in 2005. Back then, my camera was primitive, so I had to make up for it with more eloquent writing. This time, I’ll let the pictures do most of the talking.
Ecotourist Photography 101
UK blogger and photographer Rachel Rawlins has been visiting the USA, including Plummer’s Hollow (whence this photo)…
Continue reading “Ecotourist Photography 101”
The train to Chicago
Sun dogs linger until almost sunset, weird prismatic spots in the wispy clouds. A man across the aisle is singing softly into a book.
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We plunge into a mountain. This is nothing like flying. We are burrowing our way into the continent.
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I hear the announcement faintly from the next car: ten minutes till Johnstown. Orange water in the creek beside the tracks; the rocks stained orange. A woman two seats ahead on her cell phone: I got your voicemail an hour late… It was all choppy. I couldn’t make it out. Did you get my text message? … Yeah, I got your number, I’ll try and call…
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Onion domes. I too revere the holy onion. In fact, I’m told by sharp-nosed friends that I smell faintly of onions at all times. There are worse scents to wear.
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An industrial wasteland, mostly reduced to rubble – acres and acres of it, dotted with yellow excavators.
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It’s hard to tell which factories are abandoned – those with lights in them look as derelict as the rest, sooty, missing half their windows.
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Welcome to Johnstown, the saddest city in Pennsylvania. Three people get off; one gets on. She settles briefly in front of the singing passenger, then gets up and moves to the front of the car.
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Nine large churches in one neighborhood, including two more with golden onions. The severe-looking brown church must be where the Presbyterians go.
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A forested hillside strewn with boulders, gray and hulking but somehow the opposite of depressing.
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Through the windows opposite, I glimpse the cooling towers of a power plant silhouetted against the darkening sky.
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Whistling some small, anonymous crossing. There’s a train coming, you think, having grown up near the rail line, and then realize you are that train.
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I can hardly see anything out the window now, due to the reflections from all the lights inside. Every seat is illuminated by default, whether or not it’s occupied. The conductor comes through, collecting the yellow slips above our seats, no longer keeping tabs on us.
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To travel by train at night is to travel through darkness, with no street lights or billboards to mark one’s route. What lights exist are at a remove, beyond the dark corridor of the railroad right-of-way. This is a side of the country one forgets all about on an ordinary road trip — the unadorned back forty. And at night, one doesn’t see all the trash.
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A mall parking lot is an oasis of light. Then we are slipping behind it: orange lights, beveled blocks. We should be right about at the Monroeville mall, where Dawn of the Dead was filmed. I’d recognize it from the highway, of course. Train travel can be disorienting like that.
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A brightly lit warehouse full of nothing. Parking decks lit up like cruise ships.
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The rhythmic rocking of the train combines with sleep deprivation to lull me into a state of child-like passivity. By the time I see daylight again, somewhere in Indiana, the land will have abandoned its own attempt at rhythm save for the gentlest of swells.
Chicago
Kew gardens photo set
In May of last year, during my week in London I visited the Kew botanical gardens twice, the second time in the company of fellow blogger-photographer Rachel Rawlins. I shot more than 500 photos at Kew all told (though in retrospect I should’ve doubled that number and taken photos of the labels for each plant, too, so I’d actually be able to i.d. everything).
I shared the first part of those photos in a post here last August about the oldest of Kew’s signature glasshouses, the Palm House. Last night, I presented a slideshow on Kew to my local Audubon chapter, so in the past few days I’ve processed a bunch more photos — and now they’re uploaded to Flickr as well. You can browse the set (especially if you’re on a slower connection) or view the slideshow. (I could embed it in the post, but what’s the point? It should be viewed at full-monitor size.)
The second day I went to Kew, it was their spring festival, with stilt walkers, live world music and teeming crowds. The set begins with the Palm House, moves to the treetop walkway (with a shot of the Chinese pagoda in passing), then proceeds to the Temperate House. Then it’s back outside for a couple of live bands, a few of the more picturesque trees, and some random shots from smaller glasshouses, and we end in the newest of the “big three,” the Princess of Wales Conservatory.
Revisiting these photos, I came to a realization about what my favorite group of plants is, aesthetically speaking. The set closes with them: the cacti. Maybe I really belong in the desert.