Pay no attention to the man behind the weblog

I don’t know what I don’t want, my friend L. said yesterday. Indeed, who does? If life is nothing but a process of elimination, God help us all, as the man with hemorrhoids said with a note of despair.

I don’t know what I don’t want, and I don’t know what I’d do with it if I did. Almost makes we wish I knew how to play guitar!

But hear the voice of reason: Take what you need and leave the rest says the dung beetle. Walk backwards if that’s what works. A very pragmatic chap. No wonder the ancient Egyptians put him in charge, the solar system’s chief engineer.

Rollin’, rollin’, rollin’ . . .

But suppose it’s really a treasure hunt we’re on? Shouldn’t I be working on a Master’s Degree, then? asks my friend, in what is clearly meant not to be a non sequitor. If we keep talking about the quarry by name, I answer, don’t we kind of run the risk that it’ll hear us coming? It’s like, if you think about possible omens in advance, doesn’t that pretty much rule them out?

***

When I went to get ready on Saturday morning, I decided to brew a thermos full of tea. I went out to pick some mint and almost stepped on a box turtle in front of the springhouse. She was sitting in the sun with her eyes closed. Was she O.K.? I tapped once on her shell with my index finger. The turtle’s eyes snapped open. She let out a cry like the sound of a rusty hinge on an old barn door, and in went all five appendages, snap! I felt like a Jehovah’s Witness.

I remembered the King James translation of the Song of Solomon: The flowers appear on the earth, the time of the singing of birds is come, and the voice of the turtle is heard in our land.*

Then, walking down the hollow, I heard the wind in the treetops like the wheels of a car on wet pavement passing overhead. I thought, unfinished business. I don’t know exactly what I meant by this, but evidently it was something significant, because I wrote it down in my little pocket notebook. (I make provisions, you see, for those times when I can’t get to my blog right away.)

Ephemeral thoughts are the best kind, I think. Even as I jotted down the foregoing, I must’ve realized I wouldn’t be able to recapture the intimation of something-or-other that found momentary expression in two, cryptic words. Because I followed up with the outline of a brief lecture on the pitfalls of expression: To write these thoughts is to commit – Until words are uttered, they are free – but powerless – (No power without entanglement) – which, while concise, seems clear enough.

Later on that afternoon, speeding back from an outing in the state forest, hoping to get tickets to Fahrenheit 911 before they all sold out, we almost hit a small snapping turtle. I got out and tried to herd it off the highway. Snappers don’t really herd. So I picked it up, firmly yet gingerly, by the back of its shell.

This turtle didn’t cry – it hissed. The whole time I held it, carrying it back down to a little pond off the road, it had its ugly jaws opened as wide as they would go, straining back around on its ugly neck, desperate for a piece of me. Just as I was ready to set it down, the fucker lunged. Okay, so its landing was a little rougher than I would’ve hoped. Talk about piss and vinegar!

One turtle is a lucky happenstance, I thought. Two is a pattern. In retrospect, possibly even a portent.

As for the movie, I hope never to be subjected to so much footage of George W. Bush in one sitting ever again. Let others hiss and crane their necks; I will make a strategic retreat.

God’s hand is cupped
over the crickety heart
of the turtle.

I don’t know exactly who wrote that poem. But I found it in Braided Creek, by Jim Harrison and Ted Kooser, so that narrows it down considerably.

On Sunday, we went out again on our treasure hunt. We had begun referring to the quarry as mouthwash so it wouldn’t hear us coming. The Latin name is Listera cordata; the English is heart-leaved twayblade. When we finally located it at one of the few known spots, it turned out to be three times as large as we had expected – and already in blossom, a good two weeks early! Sprouting through a bed of sphagnum, yes, but not in the shade. Had our search image been faulty all along? Could we have passed up other examples because we had been looking for something much tinier and still only in leaf?

Frankly, I doubt it. I mean, it was hard to miss. This had been, I thought, a weekend of obvious sights where perhaps a little more subtlety might have been in order.

The blossoms were a rich brown. The appeal of orchids must have something to do, I thought, with the way they appear to be sticking their little tongues out. In the case of Listera, the tongue is distinctly forked.

We celebrated our find with several sections of a large and expensive bar of imported chocolate.
__________

*In the early 17th century, “turtle” also meant “turtle dove,” which is what the Song of Songs is referring to, of course.

From the “Why I Love America” Dept.

My brother Mark once suggested that a useful exercise for us anti-government types is to compile a top ten list of Things We Love About the U.S. of A. His list included things like free public libraries, the world’s first National Park System, the Bill of Rights and the Freedom of Information Act. Actually, it was such a good list, I couldn’t see how to improve it, so I never did follow his advice.

But in any case, I am sick to death of the America of grand gestures and grand self-delusions. Who, after hearing Governor Bush bray about how They Hate Our Freedoms, can ever again view the export of our political ideals with less than a jaundiced eye? What I want to do here instead, through this occasional feature, is to highlight much smaller things, publishing links to articles or sites that somehow inspire me with affection for my native land.

What could be more all-American than the World’s Largest Pile of Empty Feed Sacks? Actually, that was a Garrison Keillor invention – an ingenious parody, I thought.

The World’s Largest Collection of World’s Smallest Versions of World’s Largest Things, however, is for real.

This one of a kind roadside attraction and museum travels all over the country, stopping at World’s Largest Things, community cultural centers, roadside attractions, colleges, universities, art events, and museums. Originally a public transportation vehicle for the elderly of Anderson County Kansas, the bus has been transformed into a traveling museum by artist Erika Nelson. This customized bus contains display space for its unique collection of miniature replicas of things such as badgers, otters, bulls, balls of twine, and baseball bats billed as World’s Largest.

But wait, there’s more! Much, much more about very small reproductions of very large versions of ordinary-sized things – and other wonderfully campy roadside attractions from America the Beautiful:

This one of a kind collection is displayed (when parked) through the passenger side windows, while the interior front space is open to visitors. Inside are additional displays of Roadside Attraction mineatures (such as Carhenge), photos and meta-photos of World’s Largest Things, a library of research materials and documentation of sites, and gift shop. When traveling down the road, the curtains act as a carnival-esque tease like an old-time sideshow, complete with theme song and barker broadcast (written and performed by Big One Man Band – a rockabilly group of one, who plays everything you hear simultaneously!) on a 103.1 FM frequency so cars around can tune in their radio and learn more about it.

Don’t these sound like people you’d want to party with? Hell, they bring the party with them – all you’d have to provide would be the drinks and eats, I’m guessing. Just this past week, says the website,

Winlock Washington convinces the Traveling Roadside Attraction to extend its planned 1/2 hour stay in to a week long extravaganza of egg-citing egg-tertainment, leading up to Egg Days June 25, 26, 27 2004!

One gets the impression that they may be having entirely too much fun. The website has a kind of haphazard look, as if it only gets updated when the one-man rockabilly band needs a break from performing for the World’s Smallest Traveling Radio Station.

One handy feature they have uploaded, however, is a list of the World’s Largest Things in the United States. The number of entries for Minnesota is indeed impressive, including an outsized doorknob, a couple monstrous ears of corn, numerous gargantuan fish, and the world’s largest ball of twine. But alas, no artificial, mystic energy-channeling, roadside mountain of feed sacks – yet.

Announcement

O.K., listen up, please! Quiet in the back. Is this thing on? *Taps monitor, blows into mouse. Clears throat.*

I hereby designate Emily Dickinson the Poet Laureate of Via Negativa.

If ever there were a poet who needed no introduction, surely it is she.

But there are many other poets I could choose for this honor(?). Why Dickinson?

In the first place, because she’s long dead, and therefore can’t protest.

Second: I’ve always loved her. She was my first serious poet, whom I started reading at the age of eight. Though I’ve found other favorites over the years, I never stray too far, and I always go back to her eventually. She kept me company through a lonely adolescence, when I spent six long years as the class pariah.

Beyond that, she’s just a good fit. In the spirit of the via negativa, many of her best poems succeed in part because of their very indirection. She likes to write about things without specifically naming them, though for close to a century this feature was obscured by the imposition of titles. Perhaps a better word for it would be circumspection. It works to convey a profound impression of independent existence outside the poem to the subjects so treated (a hummingbird, a “narrow fellow in the grass,” a “formal feeling,” etc.).

When she does name names, the reader is thrown off balance even more. “Is this Bee merely the bee – Or is it She – Or is it Me – Or is it possible the Three – Buzz equally – ”

Three years ago I got a copy of F.W. Franklin’s variorum edition, which chooses from among surviving versions, as best as any editor could, those versions the author herself probably considered definitive. I read it though slowly from start to finish, over the course of two weeks – something I hadn’t done with Dickinson’s complete poems since I was ten. I developed the overwhelming impression that I was reading brilliant translations of 13th Century Persian Sufi poetry, by the daughter of Hafiz, say. But as far as anyone can tell, Dickinson knew nothing of Sufism. And it seems as if, surrounded by the stifling bigotry and simple-minded utilitarianism of mid-19th Century American Protestantism, she discovered the via negativa all on her own. For example, here’s Franklin’s #611:

Her sweet Weight on my Heart a Night
Had scarcely deigned to lie –
When, stirring, for Belief’s delight,
My Bride had slipped away –

If ’twas a Dream – made solid – just
The Heaven to confirm –
Or if myself were dreamed of Her –
The power to presume –

With Him remain – who unto Me –
Gave – even as to All –
A Fiction superseding Faith –
By so much – as ’twas real –

I could go on listing reasons: for example, the semantic ambiguities enhanced by her minimal punctuation, her slant rhymes and eccentric orthography often produce a delightful sense of disorientation. I dig her occasional, deft and understated social criticism.

But I want to stop playing critic here, especially given the hundreds of books and tens of thousands of papers that real critics have penned – a virtual library of Dickinsonia, from which I confess I have yet to read a single page (aside from Franklin’s brief introduction).

Why have a poet laureate at all? For the same reason as any state with a shady past and blood on its hands: to provide a very secular sense of sanctification to what really can’t be excused. My own crimes of omission, imprecision, inaccuracy and occasional outright mendacity may be looked upon with a more forgiving eye if I throw in a Dickinson poem now and then.

And the simple fact is, as I’ve been saying, there are few poets more compatible with this weblog. I’m sure I could find a suitable quote to accompany almost every post, if I wanted. Take Wednesday’s post on clarity, for example. Dickinson wrote:

Tell all the truth but tell it slant –
Success in Circuit lies
Too bright for our infirm Delight
The Truth’s superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind –

(Franklin #1263)

Even the conclusion to yesterday’s post, un-Dickinsonian in tone as it might’ve seemed, finds its answer in her oeuvre:

He was my host – he was my guest,
I never to this day
If I invited him could tell,
Or he invited me.

So infinite our intercourse
So intimate, indeed,
Analysis as capsule seemed
To keeper of the seed.

(Franklin #1754)

Of course, in one sense this official designation does break with the tradition of poets laureate: there’s no exclusivity clause. Dickinson’s dead; she belongs to everyone – and no one – now. But that fits, too, since as a left libertarian I owe at least nominal allegiance to the oft-abused ideal of free love.

And how could one ever have so honored Dickinson were she still with us? You know what she’d say:

Fame is a fickle food
Upon a shifting plate . . .
(#1702)

and of course:

How dreary – to be – Somebody!
How public – like a Frog –
To tell one’s name – the livelong June –
To an admiring Bog!
(#260)

Nobody here but us pollywogs, Emily.

(The poet in the shape of a great-blue heron circles low for a landing.)

To see the world in a uninucleate amoeboflagellate cell, and heaven in a plasmodium

Go to the slime mold, thou sluggard.

Canst thou draw out the slime mold with a hook?

Consider the slime molds of the field, how they grow: they toil not, neither do they spin: And yet I say unto you, That even Solomon in all his glory was not arrayed like one of these.

These are just a few examples of the many poetic and proverbial uses of slime mold imagery that you won’t find in the Bible – or any other classic sacred or literary text that I’m aware of.

That’s a shame, because these organisms challenge some of our most fundamental preconceptions about how life should work. And needless to say, faulty assumptions and unconscious prejudices constitute the most serious impediments to understanding – in religion no less than in science.

In theological circles, the experience of wonder – also known as the “holy shit!” moment – is recognized as a key step in the spiritual progress of every individual. Thus, by helping to advance general knowledge and promote deeper spiritual awareness through the circulation of fascinating scientific facts about slime molds, I may become eligible for the Templeton Prize for Progress Toward Research or Discoveries About Spiritual Realities, currently valued at 795,000 pounds sterling. That’s more than $1.4 million in real money. So please be sure to link widely to this post. I need the dough.

I’m indebted to the Illustrated Guide to the Slime Molds, by Peter Katsaros, for much of the following information (though all the language and some of the spin is my own). Let’s call this . . .

SLIME MOLDS: Nature’s way of telling us we’re wrong

Slime molds are everywhere – at least in the Temperate Zone where most of you reading this probably live. They’re not microscopic (though a microscope is often necessary to tell one kind from another); some can get bigger than breadboxes. You, like me, have doubtless seen slime molds hundreds, if not thousands, of times, but either didn’t notice, or simply didn’t realize what you were looking at.

Don’t you feel chastened? I expect your mind is fairly reeling with the moral implications of this stark truth – not to mention all the obvious possibilities for metaphor and homily.

Breaking the mold

You want transformation, metamorphosis? Boy, do these suckers ever metamorphose. Forget about caterpillar into luna moth, soul into spirit, Big Mac into little Jimmy. Every species of slime mold progresses from an assimilative phase to a propagative phase: that is to say, they go from moving around and eating stuff to standing still and growing little stalks. From animal-like to plant-like – often in just a few hours if the conditions are right.

To me, this makes slime molds into potent spiritual symbols. Most sources I’ve looked at, however, employ the shopworn “Dr. Jekyll and Mr. Hyde” analogy, which doesn’t even get the order right, for cryin’ out loud.

So what the hell are they? Good question.

One thing for certain is they’re not true molds. Molds are classed with fungi. The current scientific consensus (pace the introduction to the Illustrated Guide) seems to be that slime molds should be assigned their own kingdom, separate from Fungi (not to mention Plants, Animals, Protists, Monera, Archaea, Big Macs, etc.).

But that, of course, doesn’t really tell us anything. Classification systems are only really helpful if they can give us some inkling about interrelatedness, and at this point, where slime molds are concerned, inklings are in short supply. Here,if you’re curious, is the most recent attempt to make sense of slime mold phylogeny.

So you might say that slime molds break the mold. The classification of known species reveals what Professor Katsaros calls “a startling imbalance, to say the least” – which is about as much hyperbole as you’ll ever get from a trained scientist. “The common Ceratiomyxa fructilosa (and its forms) produces external spores, whereas all other slime molds discovered to date generate spores internally.”

Well, perhaps further research will uncover a few more species to join C.f., the lone extrovert. But then again, maybe it won’t.

There are slime molds in deserts, slime molds in forests, slime molds in the innermost courtyard of the Japanese imperial place. (That’s not just whimsy on my part. The former emperor was a self-taught slime mold expert who made a number of valuable contributions to the field. Unfortunately, future emperors will probably while away their considerable free time writing in their blogs. But you never know.)

Most slime molds don’t have common names, but one that does is Fuligo septica: dog vomit slime mold.

What’s weird is that “for reasons that are not yet known, slime molds are less abundant in tropical forests than in temperate forests.” Even weirder: unlike other organisms that speciate wildly from one bioregion to another, most slime mold species tend to have worldwide distribution. You’d think that would mean there’d be plenty of room for them to, you know, spread out, but no. Multiple species often crowd together during the propagative stage, with their fruiting bodies all jumbled together like college kids at a dorm room kegger. Distinct groups of species prefer different niches, but for some reason they don’t appear to be aggressively competing for those niches. How the heck is natural selection (let alone free market capitalism) supposed to function under such circumstances?

We don’t know what it is, sir. Permission to fire.

That is, assuming slime molds did evolve here, and didn’t just float in from outer space.

Yes, that’s right! Possibly the coolest single thing about slime molds is that, on the rare occasions when human beings do notice them, they are apt to trigger widespread panic and fears of an alien invasion.

The most famous such incident occurred in a Dallas, Texas suburb back in 1973. This may come as a shock to those of you accustomed to thinking of Texas as a bastion of skepticism, scientific inquiry and a welcoming, “live and let live” cosmopolitan spirit. But faced with an apparent invasion of huge, pulsating yellow blobs crawling all over their manicured lawns and even up onto their front porches, the panicky suburbanites called on the fire department to try and get rid of the things by blasting the bejeezus out them with a fire hose. (Well, I suspect that someone must’ve tried shooting them first, but surviving news reports don’t confirm this.) Then, when that futile act of resistance merely spread the invasion over a wider area, they prevailed upon the governor to call out the National Guard.

As Dave Berry would say, I swear I’m not making this up.

Fortunately, a mycologist specializing in slime molds happened to see a headline about the UGO (Unidentified Growing Object) invasion, and was able to get on TV and calm the public nerves. And that’s a good thing, because in the tense, Cold War atmosphere of the time, an escalating situation like this – especially in Texas – might easily have triggered Russian fears of a first strike, leading to an exchange of intercontinental ballistic missiles, thermonuclear Armageddon and the extinction of most multicellular life forms on earth – with the possible exception, one suspects, of the infinitely malleable and adaptable slime molds.

Plastics, son. Plastics.

Now, at some point in your education, you probably encountered the notion that Cells Are the Building Blocks of Life. This turns out to be an exceedingly poor analogy. In most organisms – including human beings – cells are far less static and less clearly differentiated in their functions than a child’s building blocks. (Ever hear of stem cells?)

But in this regard, once again, slime molds really push the envelope. Come to think of it, “pushing the envelope” isn’t a bad image for the behavior of their mobile, or plasmodium, form in general. The point is that, as our guidebook puts it,

A burgeoning plasmodium is one of the most puzzling structures known to biology. Beneath a thin outer layer it contains many nuclei but no cell walls whatsoever. Consequently, the plasmodium has been viewed as both a multicellular structure without cell walls, and a unicelled but unwalled structure possessing many nuclei.

True to (un-)form, infant slime molds – called protoplasmic motes – can form flagella seemingly at will, given sufficient moisture in the environment. Flagella, as you probably know, means “whips” – those little tails that some unicellular organisms use to move about. Of course, sperm cells have whips, too, which implies to me that sex is inherently kinky.

And speaking of sex, after a short while the plasmodium begins doing what many life forms do when they want to get bigger: it starts having sex. With itself. “The motes behave as sex cells and form paired unions (zygotes). The zygotes grow by undergoing a modified form of cell multiplication, by accretion of other zygotes, and by ingestion of bacteria and other microscopic nutrients.”

In other words, sex and eating are all sort of mixed up in one amorphous quest for survival – kind of like in an old blues song. And keep in mind that this is wholly separate from the later, plant-like reproduction by the release of so-called spores. What isn’t clear to me is whether true sex – some version of cross-pollination, the mingling of heterogeneous DNA – actually takes place. I suspect that this isn’t clear to the experts, either, which is why my sources blip over the subject.

At any rate: behold the mature plasmodium, chugging right along at about the speed of drugged slug. “Its jellied mass, frequently a bright yellow, features a conspicuous fan-shaped leading edge averaging several inches in extent, and diminishes rearward into trailing strands criss-crossed into an intricate network.”

But it’s doing more than just moving forward. It’s also doing a slow dance with itself. With the aid of a microscope, slime mold experts say, you can observe that underneath its very thin skin (“fragile integument”), the stuff inside the plasmodial mass flows back and forth “in a very slow cadence,” as Professor Katsaros puts it. Molecules are contracting in sync – something that happens every time you flex a muscle – apparently just for the sheer hell of it.

As alluded to earlier in the account of the Great Texan Unidentified Growing Object Incident, slime molds make hash of the mental categories One vs. Many. (In that respect – as, perhaps, in a few others – they remind me of God(s). But never mind.) A plasmodium quite commonly separates into multiple, discrete units and re-forms as it moves aimlessly about. So internal plasticity of function is mirrored by external plasticity of form.

According to a recent article from Smithsonian magazine available online, slime molds even “show a quality that could be called intelligence: chopped up and dropped into a labyrinth, they will put themselves back together and start to move, avoiding dead ends and heading unerringly for the prize–more food.”

At this point, those Texans start to seem a little less ignorant, don’t they? By all that is holy – a pretty large yardstick, really – slime molds just shouldn’t exist.

What else would you feed a pet slime mold than a mess o’ oatmeal?

But exist they do, and with a great deal of style – at least in their latter incarnation as plant-like sporophores. A stunningly illustrated article from my mother’s files, evidently ripped out of an older issue of Smithsonian (unfortunately undated), rightly calls these structures “spectacularly beautiful.”

They are prizes worth searching for, no matter how silly you might feel inspecting a rotten log, scrutinizing fallen leaves or carefully examining all the dead twigs around the melting edges of a mountain snowbank. . . . Your reward may be a three-inch cluster of iridescent purple balls, each smaller than the head of a pin, or a patch of diminutive red cotton candy on tiny stalks. Other fruiting bodies resemble miniature leather buttons or golf balls for Lilliputians. (Sylvia Duran Sharnoff, “Beauties from a beast: woodland Jekyll and Hydes”)

Some good color photos may be found online, such as at this page from the All Taxa Biodiversity Inventory at the Great Smoky Mountains National Park.

Keep in mind, however, that slime molds are as plastic in their approach to coloration as in anything else. As the Illustrated Guide puts it,

Spore color in the slime molds ranges from colorless (technically: hyaline) to black. This feature has its value, but spore color is much the same in some widely separated genera, so it is usually of secondary importance in identification. Sporophore color is a much more useful feature, most often at maturity. For example, the frothy mass of white bubbles constituting an emerging Stemonitis plasmodium produces dark brown sporangia [globe-shaped structures]. What happens in between these light and dark extremes? The developing sporophores exhibit a series of short-lived tints on their way to mature coloration. These fleeting colors are attractive but not used in identification because of the many gradations involved. Many species show these fleeting colors.

So, if you notice some weird-looking stuff out in the woods and you want to try to identify it, you have two options.

A) Camp out beside it until it becomes immobile, sends up little stalks, grows balls, or what have you. Wait until it stops going through color changes. Then crack out Katsaros and hope for the best. “Many plasmodia remain completely unknown,” he warns. But he adds this helpful note: “The study of slime molds at the amateur level affords many opportunities for exploring new ground.”

B) If you’re serious, you’ll need to raise them and keep them as pets. The older Smithsonian article describes one enthusiastic amateur of decades past, Ruth Nauss, who maintained a slime mold menagerie for years.

She fed them ground oatmeal flakes, their usual diet in laboratories. When she went on vacation, she took the most delicate along with her, tucking them in with a ‘warm water bottle’ on cold nights. She withheld moisture from the hardier ones for several weeks before a vacation to induce them to harden into sclerotia, so she could leave them unattended. At the time she wrote about them, her oldest plasmodium had been crawling around in its dish for more than nine years.

And what is time, one wonders, to a creature of such amorphous identity? What kind of consciousness might attend a being for which forms and functions, shapes and colors, habits and habitats are so fluid? (I’m assuming for all living things at least minimal awareness, defined as the ability to resist entropy and respond to stimuli in a non-random way. I think the scientific evidence is pretty strong that consciousness exists along a continuum.) What is time or even life to a creature that, in its “spore” form, might exist for centuries?

Holy in the wrong

In comparing older sources, such as Katsaros, with some of the newer descriptions available online, I get the distinct impression that the focus has shifted from sporophore to spores. These “spores” are now viewed less as seeds whose purpose is to reproduce slow-motion blobs, as “uninucleate amoeboflagellate cells”: the original and archetypal form. According to this paradigm, slime molds only go through the whole plasmodia-and-sporophore rigmarole when they need to obey a divine injunction to be fruitful and multiply, or whatever.

But then, if you could ask sperm and egg cells how they feel about turning into human beings, they might be equally dismissive of that latter, derivative stage of their existence.

The Heavy Thought I seem to be groping toward here is something along the lines of “seed consciousness,” possibly to be understood by analogy with the Kabbalistic image of divine sparks scattered throughout the world as a by-product of original Creation. But I have the feeling we’ve already covered too much ground and played with too many weak analogies, not to mention bad jokes, for one blog post. My plasmodial crawl toward the rich foodstuff of the Templeton Prize will just have to wait.

Delayed gratification

Yes, I know: it’s un-American. But I can’t help it; I’m busy(!). Expect a new post (one of my longish ones) by the end of the day.

In the meantime, if you need more instant gratification, go here. “Eyesore of the Month” joins Spin of the Day, the Memory Hole, Unknown News and the other sites listed in the “Rants and Dispatches” portion of the sidebar. Enjoy.

UPDATE: Yes, we have no bananas today. Come back tomorrow.

More light! More darkness!

Sometimes clarity can be more confusing than partial obscurity. I found the following quote for the epigrammatic portion of my flawed, book-length poem Cibola:

Who of the desert has not spent his day riding at a mountain and never even reaching its base? This is a land of illusions and thin air. The vision is so cleared at times that the truth itself is deceptive.
John Van Dyke, The Desert: Further Studies in Natural Appearances

A-hunting I shall go for more such quotes. The latest poem at Awake at Dawn contains this reminder:

. . . the word
that means exactly the thing is a waste of memory.

Wonderful!

An older post in evidentiary: alchemy links to an article in the Smithsonian’s website, “Decoding the Past: The Work of Archaeologists”:

To an archaeologist, the soil resembles a historical document; the researcher must decipher, translate, and interpret the soil before it can help him or her understand the human past. But unlike a document, the soil of an archaeological site can be interpreted only once in the state in which it is found. The very process of excavation destroys a site forever, making such an investigation a costly experiment that cannot be repeated.

So with this kind of investigation, there is no simple opposition of clarity and obscurity, but a range of options involving trade-offs between a focus on being and a focus on becoming, the illusory static moment and the equally illusory flow:

As an excavation progresses, it uncovers the past in both horizontal and vertical dimensions. The horizontal dimension reveals a site as it was at a fixed point in time. The vertical dimension shows the sequence of changes within a site over time. Excavation methods vary according to which dimension of the past an archaeologist chooses to study. . . .

Researchers gather two very different sets of information during the course of any excavation. They can examine tangible findings, such as artifacts and the remains of plants, animals, and humans, well after an excavation has ended. However, excavation destroys contextual features, such as building remains, as they are uncovered. To preserve vital information about these remains, archaeologists painstakingly catalog every nuance of a site through volumes of photographs and drawings.

Martin Heidegger may have had something like this in mind when he said that “To clarify means to offend.” But consider the source: I gather from the English translations of his works that the man was constitutionally incapable of writing a clear sentence!

So much of semantic clarity is really just a stylistic affectation, a preference in modern English prose for straight, clear lines. For George Orwell, in his great essay “Politics and the English Language,” such straight lines are essential to warding off the demons of obscurantism allied with political repression. The language of power is quite often filled with intentional obscurities designed to exclude the unknowledgeable and unworthy; many of its words and phrases are so much dross, matrix to be removed only by the trained archaeological worker with the proper tools and a light touch. This is as true of modern bureaucratic jargon as it is of the cryptic utterances of sorcerer-chiefs on the light-drenched verge of the Sahara.

But among many practitioners of modern science and poetry, clarity is extolled as the highest value of communication. What then if the objective truth turns out to be mind-bogglingly complex? Can’t we also learn from language that allows our minds to boggle, to dwell in happy confusion for a while?

And if we say that communication is the sole, or major, purpose of art and language, that completely ignores the affective dimension. A good poem, novel, symphony, etc. doesn’t so much communicate emotion as it reproduces it afresh in the listeners’ hearts. This is kind of like archaeology in reverse: accumulation seems a better metaphor here than excavation, but the trade-off appears quite similar. If I watch/listen analytically, I deprive myself of the joys of full immersion in the creative flow, and vice versa.

With performances in a communal setting, mutual emotional reinforcement among audience members and between performers and audience (who often become indistiguishable) can create an additional, often quite powerful dimension that transcends mere appreciation. The right stimulus at the right moment can produce ecstasy, entheogenesis. We are beside ourselves. The gods descend. Where is your precious Cartesian clarity now?

I’ll give the final word (from the same online source as the Heidegger quote) to Robert Frost: “There is nothing as mysterious as something clearly seen.”