Face to face with the trees
In little over two weeks, the view from my front porch has changed radically as leaves come out on the trees. The house sits at the edge of a large lawn/meadow/barnyard opening; the porch faces the edge of the woods some fifty feet away. When the leaves are down, I can see up to the top of the low rise we call Laurel Ridge, a couple hundred yards away through the woods. Only the solid mountain laurel understory remains green all year round, and the low winter sun catching an entire hillside of waxy laurel leaves, especially with a snowpack to provide contrast, is a sight to savor. Tree trunks in winter evoke a crowd in freeze-frame; I have only to step down from the porch and walk a few dozen paces to join their vigil. For those six months of the year, I can sit on my porch and feel the smallness of the mountain, the closeness of the sky.
Now, I face an ever more solid wall of green. The last few peeks of sky below the top of this wall will disappear in another day or two. The wintertime impression of limitless space has given way to a feeling of fertile and profuse mystery, veils behind veils.
Ever since I was a kid, I have been able to see faces in the trunks and foliage of trees. The crown of the tallest white pine tree off to the east always reminds me of a long-chinned, long-nosed crone. But with the great deciduous leaf-out, the anthropomorphic forms and faces proliferate. One glimpses them especially at dawn or dusk, an effect aided not merely by the dim light but by the profusion of birdsong at those times. The elaborate blending of ethereal thrush notes, the catbird’s jazz scatting, the oriole’s brassy reveille and many others, along with the profusion of new scents (now the lilac and cypress spurge in my yard; in a few weeks the dame’s rocket) – somehow the synaesthesia helps trigger this intimation of extra presence right at the edge of perception.
I hasten to add that this is without the aid of artificial stimulants, except on very rare occasions. My willingness to admit this peculiar habit of mine is sparked by a study of American Indian tree carving, Faces in the Forest, by Michael D. Blackstock (McGill-Queen’s University Press, 2001). I had known that some First Nations possessed arborographic traditions, but I hadn’t realized what a wide swath of territory this took in: from the coastal forests of British Columbia clear across to the eastern woodlands. The Iroquois medicine society known in English as the False Faces centered on the power of very beautiful, individually unique masks that were carved directly into the trunks of living trees, and subsequently removed for ceremonial use. The False Face Society’s etiological myth makes it clear that the mask carvers were trying to borrow the spirits of the trees themselves. That is to say, the masks weren’t intended merely to represent other beings – they were the beings they represented. Blackstock gives a version of the origin story collected by Arthur C. Parker (Seneca Myths and Folktales, 1923):
“Unfolding from the trunk of the basswood, the great face stared out at the spellbound hunter and opening wide its protruding lips began to speak. He told of his wonderful eyesight, his blazing eyes could see behind the moon and stars. His power could summon the storms or push aside the clouds for the sunshine. He knew all the virtues of roots and herbs, he knew all the diseases and knew how to apply the remedies of herbs and roots. He was familiar with all the poisons and could send them through the air and cure the sick. He could breathe health or sickness. His power was mighty and could bring luck in battles. Evil and poison and death fled when he looked, and good health and life came in its stead. He told of the basswood and said that its soft wood was filled with medicine and life. It contained the life of the wind and the life of the sunshine, and thus being good, was the wood for the false-faces that the hunter must carve.
“Long the hunter listened to the giant false-face and then he wandered far into the forest until the trees began to speak. Then he knew that there were trees there in which were the spirits of the beings of which he had dreamed and that the Genonsgwa was speaking. He knew that now his task of carving must begin and that the dream-beings, the voices, the birds and the animals that he saw must be represented in the basswood masks that he must make.”
If this all sounds a bit familiar, I suggest that may be due to reading The Lord of the Rings one too many times! But of course Tolkien’s description of the Ents drew upon ancient Eurasian traditions not so different from those of Native North America. In fact, common themes crop up in arboreal myths the world over, which implies to me a phenomenological basis. (Notice how, in using this fancy terminology, I can completely side-step the question of whether that basis should be sought in human psychology, in “reality,” or in some combination of the two.) I explored the diverse meanings of trees in some detail a while back, in an essay called Notes from an Anthropologist of Trees. My ruminations there were born from the intuition that many of our public monuments are not so much phallic as they are arborescent, stemming from an age-old and deeply felt homology between the trunk of the tree and the heroic human torso.
This is not to deny that the phallus occupies a strong role in the male and female imagination, as well; I simply don’t feel that phallic images are primary. To assert that they are, I believe, is to indulge in a post-pubescent, pre-adult power fantasy. The taming and rechanneling of this fantasy would seem to be one of the major goals of initiation ceremonies and rite-of-passage ordeals the world over. Although even to suggest that this fantasy is something to be tamed and rechanneled implies primacy, and I’m not sure how many cultures really believe that adolescent behavior is somehow primary or “natural” in our sense of the word. In fact, a great many peoples hold up as their cultural ideal the figure of the Elder, who simultaneously embodies the deathless wisdom of the ancestors and the direct gaze and innocence of the young child.
Western concepts of wild/natural vs. tame/civilized emphasize the repression of part of the self – rather than, say, the preferential cultivation of one part without disrespect toward other aspects. (I have to really hunt for the words to say this, so deeply ingrained is the habit of looking at life as a zero-sum game.) Why cut down the whole tree if all one needs for the mask is one small portion? Art (or, more broadly, technology) can have a symbiotic rather than a parasitic relationship with Nature. If Native Americans have no concept of the wild, it may be because they cannot comprehend the desire to impose one’s will upon Nature in the first place.
Such, at any rate, is the drift of my thoughts this fine morning as I watch the light grow, marveling at the number of variations on the theme of green. In a few weeks, washed by air-borne chemicals both natural and unnatural, the leaves will darken into a more uniform monotone. From my front porch I’ll still be close enough to distinguish one tree’s foliage from another by the shape and arrangement of the leaves – although of course each individual is familiar to me from long acquaintance. As dawn turns to day, the trees at the woods’ edge gradually coalesce, becoming ever more circumscribed and distinct. I imagine that if Sigmund Freud were here with me, sitting in the other plastic stack chair, he would listen to my ramblings about arborescent images and cultural ideals with a faint smile, then say: “But sometimes, you know, a tree is just a tree!”
__________
CROSS-REFERENCES: Mask and pageant and Divining the wild
Words on the street
Words on the street
America starts here
What the hell is it with southwestern Pennsylvania these days? How is that such an ordinary place keeps get mixed up with such extraordinary headlines?
It’s rare enough for any part of Pennsylvania to make a ripple in the national consciousness. As geographer Pierce Lewis notes in Chapter 1 of A Geography of Pennsylvania (E. Willard Miller, ed., Penn State Press, 1995), “A recent study has shown that Pennsylvania conveys no very clear image of regional identity; by many Americans it is seen as an ordinary kind of place.” But in highly stressful times, such ordinariness can begin to seem attractive, as Americans search for emblematic expressions of bedrock national virtues. You want examples of old-fashioned fighting spirit and moral rectitude? The headlines say, Look no farther than your own backyard.
It may be that Americans are growing tired of being the swaggering, trash-talking policemen of the world. If that’s true, it’s no wonder that the low-key, self-deprecating style cultivated by folks in my neck of the woods might seem refreshing. When cultural geographers rank the fifty states according to the presence or absence of state pride, Pennsylvania is all the way over on the other end of the spectrum from Texas. We are the anti-Texas!
This is in part because different regions within the state are so distinct. Our veteran senator Arlen Specter – who is, whatever else one may think of him, a very bright man – once admitted in an interview that, for the purposes of campaigning, he divided the state into six distinct regions, with a different campaign style required for each. Wilbur Zielinsky, in A Geography of Pennsylvania, identifies seven “culture areas.” According to Zielinsky, geographers debate about how much of Western Pennsylvania may actually be considered an extension of the Midwest, and whether the extreme southwestern corner of the state constitutes the tip end of the “Upper South.”
We weren’t always so self-deprecating or lacking in regional self-identity. Southwestern PA first gained national notoriety in 1794 with the Whiskey Rebellion. This began as a local revolt against federal excise taxes, and quickly spread south throughout the backwoods areas of the then-frontier. George Washington – one of Western Pennsylvania’s original land speculators (today we call them “developers”), with a strong personal stake in the insurrection’s outcome – led 13,000 federal troops over the Allegheny Front to crush the revolt. Considering that many volunteers in the Revolutionary War had fought against the British precisely because of their resentment of excise taxes, some historians view the violent suppression of the Whiskey Rebellion as tantamount to a counter-revolution.
When the Whiskey Rebellion was crushed, what had been a sharply defined, separate regional identity quickly dissipated. The most rebellious elements of the population relocated to more inaccessible portions of the Appalachian chain, to be replaced by later maves of somewhat more tractible immigrants. Some contemporary historians feel that the Whiskey Rebellion’s influence on the United States may actually have been quite salutary, helping to solidify the anti-Federalist positions of Thomas Jefferson and his associates. Be that as it may, there’s a certain irony in the fact that the original stronghold of state’s rights sentiment was a portion of the country now exceptional for its lack of regional jingoism.
But the appetite for radical democratic organizing lingered. As a center of the steel industry and a bituminous coal region, southwestern Pennsylvania (including Pittsburgh) has seen its share of epic labor battles. The great Homestead strike of 1892 led to one of the bloodiest battles in American labor history, pitting Pinkertons and the Pennsylvania National Guard against 25,000 locked-out workers and their families. Although it represented a step backward for labor relations, repercussions of this battle would eventually be felt around the world. Alexander Berkman’s failed assassination attempt against strikebreaker Henry Clay Frick, and its total lack of impact on political events, helped turn his companion, Emma Goldman, against the then-popular anarchist dogma of “revolution by the deed.” Goldman subsequently became one of the world’s most influential advocates for individual freedom and social anarchism, and her thoughts on the limits of violence would influence countless other revolutionaries and social change advocates for decades to come.
In an even darker episode, the Johnstown Strike of 1937 provided industrial bosses with the first opportunity to see if a new, “scientific” approach to strikebreaking pioneered by the Rand Remington company in Elmira, New York could be successfully copied elsewhere. The National Association of Manufacturers would later cite the Johnstown Strike as a model for how to employ the so-called Mohawk Valley Formula:
“A citizens’ committee is formed under the slogan of ‘law and order.’ Mass police powers are invoked against the strikers by dramatizing real, imaginary, or provoked instances of ‘violence.’ Back-to-work sentiment is stimulated by the presence of massed vigilantes, a pretense of normal plant operations, mass meetings, press and radio publicity, dissemination of demoralizing propaganda, the circulation of back-to-work petitions, and a well-timed dramatic opening of the plant so prearranged that a substantial body of non-strikers or outside recruits marches into the plant en masse. The employer manipulates pressure groups to discredit the strike as the ‘lost cause’ of a ‘radical minority.’ With public support, he can, if necessary, employ extra-legal means of thwarting unionization.”
This procedure became an essential tool for industry to defeat unions after the passage of the Wagner Act in 1935, which for the first time required management to bargain with workers’ representatives. Again, the outcome of the Johnstown Strike had impacts around the world. Elements of the Mohawk Valley Formula are still routinely employed, not merely against labor organizers but environmental activists as well.
I’ve had ample opportunity to reflect on this history over the last nine months, as I’ve become involved in a fight to maintain public control over a popular state park in southwestern Pennsylvania. Despite strong local opposition to a proposal to build an exclusive, country club-style resort in the park, and despite the fact that three-quarters of the 19 groups in our anti-resort alliance are based in the local area, resort proponents have sought to portray us all as “outside agitators” intent on imposing our effete, anti-jobs agenda on a vulnerable populace. And an informal “citizen’s committee” of wealthy local elites has formed to try and concentrate influence on state-level decision makers and outflank us “agitators.”
Although I have been known to question the value of patriotism, I don’t deny that questions of national, regional and tribal identity play a key role in politics, especially in helping to shape people’s willingness to fight or to refrain from fighting. Who are we – a nation of jack-booted thugs and trigger-happy sadists, or the valiant firefighters of the world? As individuals, should we follow our leaders and root for the home team no matter what, or must we obey the dictates of our own consciences, even rising up in revolt if the circumstances demand it?
For many Americans, events in southwestern Pennsylvania have helped to crystallize these questions. First came the Quecreek mining disaster of July 2002, which drew television reporters from far and wide with its dramatic story line. Focused on the horror of being trapped deep underground, the nation was unprepared for the miners’ successful rescue, and many found their nonchalance and stoicism inspiring. (The extent to which this disaster had been precipitated by the extreme incompetence and callousness of the mining company, encouraged by newly-relaxed safety standards championed by “President” Bush only weeks earlier, unfortunately never garnered much publicity.)
Then came September 11. Whatever the exact circumstances surrounding the crash of Flight 93 at Shanksville, PA, transcripts of phone conversations with the passengers leave little doubt that a coordinated uprising against the hijackers did take place. Local firefighters and first responders became linked in the public imagination with the heroes of the World Trade Center disaster in New York City, as well as with “the 40 brave souls [who] fought armed terrorists to save the lives of others and some unknown national landmark,” as the Flight 93 Memorial Information Center puts it.
The latest example of the “ordinary heroism” of southwestern Pennsylvanians emerged just this week. Somerset County native alerted officers of Iraqi prisoner abuse, trumpeted the Pittsburgh Post-Gazette.
“Bernadette Darby said she received a phone call from her husband, Spc. Joseph M. Darby, about three weeks ago, informing her that something was going to happen with his unit and that she shouldn’t worry.
“‘He said he wasn’t in any trouble and I shouldn’t worry,’ said Darby by phone from her home in Cumberland, Md. ‘I asked him what was going on but he wouldn’t tell me.’
“According to details of an Army report released yesterday, Darby, 24, a Somerset County native and member of the 372nd Military Police Company, was the one who alerted officers about the alleged torture of Iraqi prisoners of war by others in his Cresaptown, Md.-based unit, leading to criminal charges and possible court-martial of several soldiers.
“Bernadette Darby, who along with her husband grew up in Somerset County, said she had heard of the incident on the news, but was not aware of her husband’s role until a reporter from the Baltimore Sun phoned her yesterday.
“‘I was shocked and proud,’ said Darby. ‘I am behind him 100 percent. He felt something was wrong and I couldn’t be more proud of him.'”
In his expose of the prisoner abuse scandal in the New Yorker, Seymour Hersch quotes from a transcript of a military hearing. “A government witness, Special Agent Scott Bobeck . . . told the court . . ‘The investigation started after SPC Darby . . . got a CD from CPL Graner. . . . He came across pictures of naked detainees.’ Bobeck said that Darby had ‘initially put an anonymous letter under our door, then he later came forward and gave a sworn statement. He felt very bad about it and thought it was very wrong.'”
If we look at cultural rather than political boundaries, intertwining story lines form an even more interesting weave. Like Joe Darby and the Quecreek miners, Jessica Lynch also hails from these mountains. To me, Lynch earned her hero status when she repudiated – in a firm, if understated manner – the false heroism that the military propagandists had tried to attach to her story. According to her Iraqi nurses and doctors, Lynch’s extreme naivete and lack of affectation made a deep impression on everyone who came into contact with her. In contrast with the brutality and cynicism of the U.S.-led invasion, these very ordinary virtues seemed extraordinary.
But then there are those soldiers in the now-notorious photos, also from the mountains. One of the soldiers under investigation is from southwestern Pennsylvania, in fact. Four of the others are from rural Virginia, and one, Lynndie England, is from Fort Ashby, West Virginia – less than twenty miles from the Pennsylvania border. England is the inanely smiling young woman posing with the degraded bodies of her captives whose only crime was to be identified as “outside agitators” . . . and to be dark-skinned. This, too, is the face of America – we might as well own up to it. But that’s another, far less heartwarming story . . .
Words on the street
Marginalia: on a quote from Thoreau
Dave,
Let me know your thoughts on this:
“Man cannot afford to be a naturalist, to look at Nature directly, but only with the side of his eye. He must look through and beyond her. To look at her is as fatal as to look at the head of Medusa – it turns the man of science to stone.”
– H. D. Thoreau, quoted by William Hamilton Gibson
Why? Because it’s all too marvelous? Because it’s impossible to fully comprehend and partial comprehension is all we’ll ever get? The beauty will distract from/distort the science?
The Sylph
***
Sylph,
I’d want to know the context of this remark before saying exactly what I thought he meant. But of course the wonderful thing about isolating a quote is that it opens up multiple possibilities for interpretation – it frees the mind to explore it in ways the author may never have consciously intended. In this way, merely by cutting it loose, a brief passage of prose may be converted into something very like a poem.
This is of course a roundabout way of saying, “I don’t know!” You could take this a number of ways. I suppose HDT was indulging in a bit of sarcasm at his more “scientific” colleagues’ expense. (Didn’t “naturalist” meant “scientist” at the time?) But perhaps he meant to include himself in the criticism – I can’t tell.
Dave
***
Dave,
Yes, you’re probably on to something there. Our [recently deceased] friend George spent many a day with his nose in his works by HDT in search of the context of this quote . . . I’ll try googling, as you probably already did.
~
I found it in Spirit in Nature, from Vol. 5 of the Journals (March, 1853 – November 1853). Not much context, just stuck in there by itself.
The Sylph
***
Sylph,
I don’t think this arrangement of quotes, “Spirit in Nature,” originated with Thoreau. Thanks for the link though – a lot of good stuff! I thought the following was especially telling:
“He is the richest who has most use for nature as raw material of tropes and symbols with which to describe his life. If these gates of golden willows affect me, they correspond to the beauty and promise of some experience on which I am entering. If I am overflowing with life, am rich in experience for which I lack expression, then nature will be my language full of poetry – all nature will be fable, and every natural phenomenon be a myth. The man of science, who is not seeking for expression but for a fact to be expressed merely, studies nature as a dead language. I pray for such inward experience as will make nature significant.”
I find the egotism here a little nauseating. Nature as raw material makes me think of the ideology of resourcism – maybe an inescapable way of talking about Nature in the 19th century. Hell, I don’t think we’ve emerged from its shadow even today. Nevertheless, the bit about scientists and dead languages has the ring of truth about it.
Dave
***
Sylph,
Got it! Thanks to a full citation in an essay by Scott Slovic, I was able to locate the original entry in the journals (we have the Dover complete edition). A shame George didn’t use the Internet – though perhaps the prolonged and fruitless search carries its own rewards, e.g. in discovering nifty things along the way? The quote was indeed only a fragment; here’s the whole paragraph. (This should strike a chord with you, given your recent experience with lichens.)
“Man cannot afford to be a naturalist, to look at Nature directly, but only with the side of his eye. He must look through and beyond her. To look at her is fatal as to look at the head of Medusa. It turns the man of science to stone. I feel I am dissipated by many observations. I should be the magnet in the midst of all this dust and filings. I know the back of my hand against a rock, and as I smooth back the skin, I find myself prepared to study lichens there. I look upon man but as a fungus. I have a slight, dry headache as the result of all this observing. How to observe is how to behave. O for a little Lethe! To crown all, lichens, which are so thin, are described in the dry state, as they are most commonly, not most truly, seen. Truly, they are dryly described.”
This is very strange to me. HDT evidently believed enough in science to think that its dry methology did constitute a form of direct seeing, and he rejected that – or at least felt that it must be tempered by the imagination. This puts him very far from the via negativa.
Dave
***
Dave,
Yeah – he’ll only study lichens if they’re growing on him. They could never get his interest otherwise, the dried up crispy crusts of hardly knowable matter that they are (without optical aids) . . . Yet his interest in man as fungus is via-negativistic in spirit, is it not? I suggest that the pre-‘easily-obtained-optical-aid’-age contributed to his indifference vis-a-vis the lowly lichen.
Sylph
***
Hi again,
Just out walking to the Far Field, gazing in wonder and some sadness at the profusion of Canada mayflower and Solomon’s seal inside that tiny ten year-old deer exclosure – and bare ground everywhere outside it.
Not to beat a dead naturalist, but the Thoreau quote does remind me of reactions I’ve had myself. For example, on wildflower outings I am always insisting on the common names; the Latin strikes me as it evidently struck Thoreau – too dry. Why should a dead language be the language of first resort to describe a living being? The common names are imprecise, yes – precisely because they are part of a living language that is constantly in flux.
Dave
***
Living language, yes. Actual communication? Almost impossible. The species names are dry to me too, but the genus brings a mental image – a gestalt of the plant in question. So many times when I’m trying to communicate with someone about a certain plant and they know only the popular name, it’s nothing but frustration. Common names have regional patterns, duplicate applications, historical meanings – it’s just a mess. I used to feel the way you do about it but if the mission is communication, the advantage of each species having its own name can’t be beat. I too worship Linnaeus. Trying to discuss the properties of plants without getting specific IS seeing nature with only a sideways glance. It doesn’t always matter – in fact, it usually doesn’t. But remember, these little entities have evolved their separateness. Their tiny histories, which led to what they are this minute, are rich food for the imagination. If you let yourself get wrapped up in not only Linnaeus but Darwin too, natural history is far from dry. A dead language is PERFECT for use as a labeling language. Hats off to Linnea!
Must get to work here now . . .
S.
***
I’m thinking maybe we ought to give a listen to what Scott Slovic has to say about it, since he situates the quote within the much larger context of Thoreau’s entire life and work. His estimation of St. Henry is more charitable than mine, though he does acknowledge Thoreau’s “frequent haughtiness of tone.” (That’s definitely the major thing keeping me from becoming a rabid Thoreauvian!) From Marginality, Midnight Optimism, and the Natural Cipher: An Approach to Thoreau and Eiseley:
“By seeking the wholesome margins of civilization, Thoreau achieves the clarity of spirit necessary for full appreciation of his existence. From this position of voluntary exile from society, whether for a brief walk in the woods or for a two-year habitation of the shoreland near Walden Pond, he gains both emotional health and insightful perspective. In the essay ‘A Winter Walk,’ he argues that life itself is ‘more serene and worthy to contemplate’ when he is ‘standing quite alone, far in the forest’ (Natural History Essays 59). So it is not merely the observer’s perspective that improves through marginality, but his very life.
“Yet the appreciator of the natural cipher must take care, if he is to enjoy fully the mysteries and beauties of nature, to rely on an appropriately marginal way of seeing. On March 23, 1853, Thoreau notes in his journal that ‘man cannot afford to be a naturalist, to look at Nature directly, but only with the side of his eye.’ Direct scrutiny of the natural world, he writes, ‘is fatal as to look at the head of Medusa. It turns the man of science to stone’ (5:45). By learning to observe from the margins, Thoreau manages to contemplate the meaning of things without becoming distracted, even paralyzed, by their surface appearances. On November 5, 1857, he proclaims:
Sometimes I would rather get a transient glimpse or side view of a thing than stand fronting it – as those polybodies. The object I caught a glimpse of as I went by haunts my thoughts a long time, is infinitely suggestive, and I do not care to front it and scrutinize it, for I know that the thing that really concerns me is not there, but in my relation to that. That is a mere reflecting surface. (10.164)
“The subtle suggestiveness and sense of relation far outweigh the visible qualities of the object itself for the man who is poetically or divinely alive. And marginal glimpsing allows such an observer to avoid the glare of directness and savor the delicate meaningfulness of his experience. Marginality, for Thoreau, is both a kind of environment and a method of observation – and both contribute to his awakening.
“What Thoreau desires in this marginal existence is a general sense of meaning, not a tightly (if deeply) spelled out typological system like the Puritans’ or a Linnaean catalogue of facts (disparaged by Emerson in his section on language in Nature, 1836). Thoreau wants simply to experience the immediacy, the multiplicity, and the beauty of the natural world. He is a lover of details, even details without broader meanings and metaphorical equivalents. In the ‘Thursday’ chapter of A Week on the Concord and Merrimack Rivers, he writes:
When compelled by a shower to take shelter under a tree, we may improve that opportunity for a more minute inspection of some of Nature’s works. I have stood under a tree in the wood half a day at a time, during a heavy rain in the summer, and yet employed myself happily and profitably there by prying with microscopic eye into the crevices of the bark or the leaves or the fungi at my feet. (A Week 300)
“The pleasure of such activity results not from the ability to identify and explain all the observable phenomena. No, Thoreau, like Mather with his strange occurrences in the heavens, realizes the necessity of looking ‘through and beyond’ nature (5:45) – he peers microscopically only to savor the magnificent minutiae, not to rationalize and categorize them. . . .
“The perspective of the traveler – marginal, estranged, freshly alert – is just what Thoreau desires, only without having to cover vast stretches of land and water. ‘To the sick,’ he notes, ‘the doctors wisely recommend a change of air and scenery. Thank Heaven, here is not all the world’ (320). Yet little of the actual world is needed if the observer manages to maintain a marginal perspective.”
(Weber Studies, Winter 1992, Volume 9.1)
AFTERTHOUGHT: Artists and thinkers aren’t the only ones who know how to exploit “the wholesome margin of civilization.” Literal and figurative margins are also a very fruitful terrain for merchants and capitalists. The seizure of marginal lands – as commons, an essential element (though not always a large one) in the subsistence economy – resulted in the marginalization of hundreds of thousands of people, who would then comprise the disposable human resources for the Industrial Revolution. One man’s margin is another man’s profit. And this process continues: for example, when a pharmaceutical giant obtains the patent rights on a people’s traditional plant medicine, what is that but the enclosure of the commons in a slightly new guise? We are not so much a nation of immigrants as we are a nation of displaced and uprooted people – people alienated from Nature in a far more violent manner than the modern would-be transcendentalist would care to imagine.
Gary Nabhan has a good essay on refugees and land-hunger (focusing on the Middle East) in the current issue of Orion, abridged for the web version.
__________
SEE ALSO the entry for February 11, “Some quotes on the art of seeing.”
Words on the street
How to be a megalomaniac, and other hot tips
For those of you with actual lives and actual careers, I understand that Wednesday can be particularly tough to get through. In the spirit of helping all of you’ns weather the day with grace and good humor, I’ve decided to post some links to stuff a few shades lighter than the usual somber fare here at Via Negativa.
First comes a review of a new satire on the poetry business – admittedly sort of an obvious target for satire (“like shooting similes in a barrel,” notes the reviewer.) Apprentice to the Flower Poet Z., a first novel by Debra Weinstein, is racking up the glowing reviews, perhaps in part because so many reviewers still suffer from post-traumatic stress disorder as a legacy of their own tenures in MFA programs. According to The Christian Science Monitor’s Ron Charles, “In this brilliant elegy to the abuse of subordinates, all of Z.’s requests rhyme with ‘absurd.’ She’ll sign her letters only in a particular order.
“She sends Annabelle back to the Salvation Army to paw through piles for her favorite pair of shoes. The buttons on her blazer must be replaced because she can’t ‘live with the constant jangling.’ Several times, she castigates Annabelle for failing to keep sufficiently close watch on the supply of hand towels in the bathroom. ‘I like the paper to be thick and textured,’ Z. cautions. ‘The feel should be more cotton than paper.’
“‘A less noble person would feel degraded,’ Annabelle says without missing a beat, ‘but I take Z.’s assignment as a challenge.’ In fact, she’s flattered to be ‘the guardian of Z.’s psychic space,’ thrilled to be enjoying status unlike anything she’s ever experienced before.'”
It sounds as if the eponymous Z. has received special training of her own. New Age “Magick” guru Philip H. Farber actually leads workshops on How to be a Megalomaniac; I have an old flyer advertising one of his seminars in upstate New York several years back. “Whether you’re a full-tilt guru wannabe or a former follower with the will to know how your mind was warped, you’ll agree that this seminar is the ONE TRUE WAY. Learn the hypnotic secrets of the televangelists! Perform miracles that will amaze your friends and entrance your followers! Learn to sling total absurdity in a way that will have them reaching for their checkbooks!”
Now you can get the entire course on just two videocassettes – at $50 postage paid, a fantastic savings!
Now, let’s say you’ve taken the course, you’ve assembled your inner circle of worshipful disciples, and you’ve purchased your first gold-plated, “green” Hummer – itself the charismatic focus of a brand new cult. But you still feel strangely empty. What to do?
Why not consider purchasing a fine military aircraft? Don’t worry, no background checks are required. Just fill out a few, brief forms.
If that’s not enough to get you fired up, you might want to check in with the Guy Upstairs – in some people’s estimation, the world’s original megalomaniac. Fill out a questionnaire and get right with the LORD. Then, why not while away a pleasant hour or two with Friedrich Nietzsche – after God, possibly the funniest megalomaniac that ever lived?
O.K., just kidding! But there are actually some very serious people out there who have written very serious books about Nietzche’s alleged sense of humor. Check out Comic Relief: Nietzsche’s Gay Science at Amazon.com. At least one reviewer seems to suffer from Nietzsche’s own malady: “This book is not funny. Higgins is not funny. Nietzsche’s Joyful Wisdom is not funny. This book, as discussed in the preface, was contracted by a silly university press — one of the silliest of them all.” (Jesus, buddy, go buy a McDonnell-Douglas military aircraft or something.)
Incidentally, there is one – just one – Nietzsche joke out there, from what I can tell. It’s the very same joke I first read on a bathroom stall in the first floor of Sackett building at Penn State’s University Park campus back in June, 1984. A post at O Mundo de Claudia has the original; someone in the comments suggests a faintly amusing variation.
But it is, after all, hump day, and perhaps megalomania would seem more exciting if you saved it for the weekend. Here in the Northeast, at any rate, it’s a cloudy, rainy day. If you can manage to take off early, what could be better than to spend the rest of the afternoon curled up with a nice, light romance novel? The White House invites you to peruse the Second Lady’s stirring tale of the Old West, “when men were men – and women were property!” I’m getting hot already . . .
But whatever you do, try to keep your priorities straight. Here are the Top Ten Reasons Why Beer is Better Than Jesus. I think I’ll go get me some religion right now.