Flowers of a Moment by Ko Un

Flowers of a Moment (Lannan Translation Selection Series) Flowers of a Moment (Lannan Translation Selection Series)Ko Un; BOA Editions 2006WorldCatLibraryThingGoogle BooksBookFinder 
Tonight, I don’t feel like pretending to be a book reviewer. (Does it really matter what I have to say about a guy who’s been nominated so many times for the Nobel Prize?) Tonight I would rather respond to a few of Ko Un’s brief poems as if he were right here, sharing drinks and conversation.

I have spent the whole day talking about other people again
and the trees are watching me
as I go home

Sometimes I confuse the road with the map and everything on either side with terra incognita.

Exhausted
the mother has fallen asleep
so her baby is listening all alone
to the sound of the night train

The spider spends 99 percent of her lifetime waiting, suspended among her knitting, yet will perish before the first of her children hatch.

Outside the cave the howling wind and rain
Inside
the silent speech of bats filling the ceiling

Today, I read about a study that found that plants emit and respond to sonic vibrations. With their large ears attuned to ultrasonic sounds, I wonder if bats can hear the questing rootlets of the oaks over their heads?

We went to Auschwitz
saw the mounds of glasses
saw the piles of shoes
On the way back
we each stared out of a different window

Every window has its own fragile truth. Once, in a basement dangerous with broken bottles, a thug threw me against a wall and my glasses flew off. I became half-blind and sober at the same time.

Beneath the heavens with their scattered clouds
here and there are fools

Some of us are expanding, some shrinking, some taking a leak with a beer in one hand.

Crayfish, why are you so complicated?

with your feelers
your jaw legs
your hairy legs
your chest legs
your belly legs
and all the rest

My god! How is it that I missed my calling to be an egg?

In the old days a poet once said
our nation is destroyed
yet the mountains and rivers survive

Today’s poet says
the mountains and rivers are destroyed
yet our nation survives

Tomorrow’s poet will say
the mountains and rivers are destroyed
our nation is destroyed and Alas!
you and I are completely destroyed

Isn’t there some way we can destroy all these pesky poets?

Look at the nose of a baby rabbit
look at the tail of a dog—
that’s the kind of world I’m living in

Look at those three bs in “baby rabbit,” then look at the small g in “dog” — the alert way a prey animal sits, the alert way a predator lies in wait.

A thousand drops
hanging from a dead branch

The rain did not fall for nothing

Today I watched a crowd of mayapple parasols down by the streambank thrown into disarray by one simple snowfall. Some turned completely over, their flower buds like thumbs pointed at the sky.

One spring night, the sound of a child weeping
One autumn night, the sound of laundry being pounded
This
was a place where people were really alive

As I passed the field fertilized with their shit
involuntarily I bowed my head

I was going to say that I have never grown anything with compost made from my own excrement, but then I remembered I’m a writer.

From across the river
the sound of a bell reached the two of us
for us to listen to together
The sound of a bell reached us

We had decided to part
but then we decided not to part

I remember the big bronze temple bells in Japan, how they boomed rather than clanged, the sound going on and on: the bells of Mt. Hiei that I listened to with a lover as we gazed into each other’s eyes, and the bell at Ikkyu’s old temple in the country where I trespassed one night so I could stand inside it, whispering hello to the spiders and the thousand-year-old bronze.

No need to know its whereabouts

A small spring in a mountain ravine
is like a sister
a younger sister
like a long lost younger sister
now found again

The whole point of drinking, it seems to me, is that moment of recognition. I’ve had brotherly feelings toward mosquitos sinking their drilling rigs into my arm.

The top is spinning
Yesterday the poet Midang departed
today old Oh from next door departed
How can death concern only one or two?
The child’s top is surrounded by every kind of death

The rubber ball, the spinning jacks — how many can you keep in play? Between one bounce and the next they can all fall down.

A warship moves through the sea
near Paekryong Island in the Yellow Sea
Not one seagull’s in sight
The sea
looks as if someone has disappeared in it
I’m carrying an empty soju bottle

When war becomes permanent, who but a poet or a crackpot remembers the kind of peace that doesn’t involve desolation? The deafening howl of A-10 fighter jets can linger for half a minute after they’ve passed from view, the air like a fresh wound that hasn’t yet learned how to bleed. Then, slowly, the whine of cicadas, and this old wrinkle of earth goes back to being a mountain.

Dark Things by Novica Tadić (translated by Charles Simic)

Dark Things Dark ThingsNovica Tadić; BOA Editions, Ltd. 2009WorldCatLibraryThingGoogle BooksBookFinder 
4012 A.D. An archaeologist from Alpha Centauri who specializes in the Late Anthropocene has uncovered a strange text. Dark Things, it’s called — the work of a Serbian poet and a Serbian-American translator. She knows little of the wars and genocides that convulsed Serbia in this period, and only fragments of 20th-century poetry have survived — mostly copies of A Coney Island of the Mind, Old Possum’s Book of Practical Cats and Jewel Kilcher’s A Night Without Armor — so she is not sure how to classify the writings in this miraculously well-preserved text. But based on existing knowledge, she and her colleagues generate several competing theories about its origin and purpose:

1. It’s the collected sayings of a Zen or Sufi teacher. The combination of standard syntax, non-specialist language and recondite, gnomic or hermetic meanings strongly suggest utterances intended for an audience of initiates to some religious mystery. How else are we to understand lines such as:

Poor us, we are all kings
when we gaze at the starry sky.
(“Night Passes”)

The rabbit is in the pot, the broom is behind the door.
(“While You Count The Stars”)

Strangers came and took my sheepskin coat.
Now, what will I cover myself with? Only with prayers
and with the light, trembling wings of a moth.
(“Sheepskin Coat”)

Under his coat, next to his ribs,
the collected work of some classic would fit.

Without a friend or acquaintance,
alone like a bone in a soup plate…
(“Book Thief”)

2. These are clearly lyrics for an otherwise unknown death metal band named Novica Tadić, who had an old man as a mascot. Consider:

I’m a cross of human flesh
on which nothingness is crucified.
(“Soldier’s Song”)

You are all-powerful, you are a giant.
No mother gave you birth.

Every street is too narrow for you.

You pull back your shadows, burn holes with your eyes.

Everyone gets out of your way.
(“You Are Mighty”)

We’ll drink each other’s blood
as we have always done
and won’t dream of it anymore.
(“Someone Whispered to Me in a Dream”)

Time races on, bearing you along
toward your last
wretched breath.
(“Ten Fingers”)

3. It’s a reporter’s notebook from the global conflict between reason and irrationality, which eventually spawned the Endless War:

an ocean of hatred splashes over me
every day
(“Hatred”)

Dark things open my eyes,
raise my hand, knot my fingers.

They are close and far away,
in a safe hideaway
beyond nine hills.
(“Dark Things”)

Out of some old thing
(a hideous ruin of a building)
people peek outside

They slap their heads,
chatter, stick their tongues out

Twist their mouths
in every direction
(“Out of Some Old Thing”)

4. These are Wikileaked communiqués from the Serbian ambassador to an unnamed superpower, possibly Hades.

Tonight he shows me
his wire-glass-and-flower hairdo
double-edged lips
five-pointed tongue

Ah he unbuttons
his silk vest
ah, even so, he has a body—
and a gold watch
(“No One”)

We don’t know what he did,
where he went, what he suffered.
He stares at us crossly,
answers to the name of Rat.
(“The Seventh Brother”)

He needs to be an infamous and marked man—
it makes no difference for what reason.
(“He Needs”)

A bird started to sing
on a clear day
over the gallows

[…]

Wind lifted the ashes
and spread them
over other ashes
(“A Bird Started to Sing”)

A straitjacket
is being woven
and cut to measure
on you.
(“Straightjacket”)

5. This is a 20th-century version of a much older text, a lost gospel attributed to the risen Lazarus.

On a low chair, the book
opened by itself.
A gust of air blew—
it was the Lord’s breath.
(“Book, Dream”)

May the earth be easy on him,
since it was only today that we noticed
he was alive.
(“About the Dead, Briefly”)

it’s not easy for the dead to carry water
oh black she-goats black goatherd
oh Lazarus

you need to put your life in order Lazarus
make it clean as death
oh sun
oh you risen from the dead
(“Whisk Broom 50”)

I wandered everywhere
like a God’s fool.
Whatever I acquired—I lost.
what I gave life to—died.
(“Stepmother”)

Go into town and buy a spade
as if intending to turn over a garden.

Instead, find your humble place
in the village graveyard,
swing high and dig yourself a grave.

Set it up, decorate it, write on it.

Find your humble place
in a world gone mad.
(“Spade”)

6. Finally, and most convincingly of all, a scholar of 20th-century children’s literature suggested that this was a children’s book that had grown up and gone wrong, after an abusive childhood.

Again that dangerous confusion
of things and people.
I see an ashtray next to a dozing armchair
and say it’s a baby-ashtray.
In the pantry: bottles-maidens.
[…]
In the tavern I spoke with a human cash register.
(“Again That”)

Midnight lady
covered with nets and shining scales
walks down the hallway
beating a drum full of mice
(“Midnight Lady”)

Old shoes in the rain
next to a dumpster
wait for the one who will pass this way

[…]

Carrying the shoes in his hand,
he’ll find my room and bed
and will lie down in it and then vanish
just as my dream about him comes to a close.
(“Old Shoes”)

I found an empty cardboard box
and sat down in it

My mad old sweetie
will pass this way and buy me
(“In Front of a Supermarket”)

Hey, little marsh, reed, cattail and water lily.
flies flies the gray crow.
[…]
here, there, there’s no one in the rotted boat.
[…]
let’s set out for the open waters.
let’s turn and lie on our backs forever.
(“Big Mud”)